Raymond Duchamp-Villon was a French sculptor.
The 1913 Armory Show, also known as the International Exhibition of Modern Art, was organized by the Association of American Painters and Sculptors. It was the first large exhibition of modern art in America, as well as one of the many exhibitions that have been held in the vast spaces of U.S. National Guard armories.
William James Glackens was an American realist painter and one of the founders of the Ashcan School, which rejected the formal boundaries of artistic beauty laid down by the conservative National Academy of Design. He is also known for his work in helping Albert C. Barnes to acquire the European paintings that form the nucleus of the famed Barnes Foundation in Philadelphia. His dark-hued, vibrantly painted street scenes and depictions of daily life in pre-WW I New York and Paris first established his reputation as a major artist. His later work was brighter in tone and showed the strong influence of Renoir. During much of his career as a painter, Glackens also worked as an illustrator for newspapers and magazines in Philadelphia and New York City.
Arthur Bowen Davies was an avant-garde American artist and influential advocate of modern art in the United States c. 1910–1928.
John Quinn was an Irish-American cognoscente of the art world and a lawyer in New York City who fought to overturn censorship laws restricting modern literature and art from entering the United States.
Abastenia St. Leger Eberle was an American sculptor known for her energetic, small bronze sculptures depicting poor immigrants on New York's City's Lower East Side. As an artist, Eberle had strong beliefs and felt a need for artists to create politically and socially conscious works of art that reflected contemporary issues. Eberle spent much of her life working toward equal rights for American women and a widespread push for equality. Her most famous piece, The White Slave, representing child prostitution, caused controversy when exhibited at the 1913 Armory Show.
Edith Dimock was an American painter. Her work was exhibited at the 1913 Armory Show in New York. She married fellow artist, William Glackens, but continued to use her maiden name professionally after the marriage.
Anne Goldthwaite was an American painter and printmaker and an advocate of women's rights and equal rights. Goldthwaite studied art in New York City. She then moved to Paris where she studied modern art, including Fauvism and Cubism, and became a member of a circle that included Gertrude Stein, Henri Matisse, and Pablo Picasso. She was a member of a group of artists that called themselves Académie Moderne and held annual exhibitions.
Ethel Carrick, later Ethel Carrick Fox was an English Impressionist and Post-Impressionist painter. Much of her career was spent in France and in Australia, where she was associated with the movement known as the Heidelberg School.
Mae Ethel Klinck Myers, better known as Ethel Myers, was a New York Realist artist and sculptor strongly influenced in her work by the goals of the Ashcan School and its leader and famous teacher, Robert Henri. Her earliest subjects for pictures involved her capturing the life of the Lower East Side as well as journeying to slums in other cities such as Boston. Her greatest fame came some years later, after her marriage to New York artist Jerome Myers, when she became known for her figurative bronze statuettes and figurines "with a quite uncommon sense of humor, and with more than this, a feeling for form and movement that gives them life and conviction." "Her three powerfully expressed sculptured figurines impress this reviewer with the fact that she is worthy of a place alongside of Daumier, Meunier and Mahonri Young."
Florence Dreyfous was an American painter who studied and spent most of her life in New York City.
Edith Haworth (1878–1953) was an American painter, who studied art in New York and showed her work in New York City and Detroit, Michigan, particularly at the Detroit Institute of Arts. In 1903 she was co-founder and treasurer of the Detroit Society of Women Painters.
Amy Londoner was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner.
Mary (May) Wilson Watkins Preston was an American illustrator of books and magazines and an impressionist painter. She had an interest in art beginning in her teenage years, but her parents sent her to Oberlin College hoping that she would develop another interest. After three years, and at the urging of one of her teachers, Preston's parents allowed her to return to New York and attend the Art Students League. She then studied in Paris with James Whistler and next at the New York School of Art with William Merritt Chase.
Mary "Maize" C Gamble Rogers was an American painter. She painted in watercolor and oil, and was known for still lifes, miniatures, landscapes, and cityscapes of New York City. She was one of the founders and directors of the Society of Independent Artists. Her works were included in the 1910 Exhibition of Independent Artists, the 1913 Armory Show, and in memorial exhibitions after her early death.
Kathleen McEnery Cunningham (1888–1971) was an American painter.
Florence Howell Barkley (1880-1954) was an American landscape painter and illustrator best known for depictions of seascapes in oil and watercolor and illustrations in many popular newspapers in pen and ink. During this time, she was one of few women who was able to receive formal training in the arts. Although her most well-known work was created in 1912 and exhibited in 1913, her career was disrupted by World War I, and thereafter consisted mostly of freelance illustration work.
Louise Josephine Pope was an American painter. She studied at the New York School of Art, and then went abroad to study in Paris, Amsterdam and Madrid with Robert Henri. She exhibited work in the Salon d'Automne in Paris in 1912. In the United States, she exhibited at the National Academy of Design, the 1910 Exhibition of Independent Artists, the 1913 New York Armory Show, and the 1915 Exhibition of Painting and Sculpture by Women Artists for the Benefit of the Woman Suffrage Campaign, among others, contributing to the introduction of European Modernism to the United States.
