Related Research Articles
The 13th Floor Elevators was an American rock band from Austin, Texas, United States, formed by guitarist and vocalist Roky Erickson, electric jug player Tommy Hall, and guitarist Stacy Sutherland. The band was together from 1965 to 1969, and during that period released four albums and seven singles for the International Artists record label.
Nazz is the debut album by American rock group Nazz. It was released in 1968. The album spawned two singles, "Open My Eyes" and "Hello It's Me", with the latter reaching number 66 on the Billboard Pop Singles chart. "Open My Eyes" failed to chart but came to be regarded as a psychedelic rock classic, appearing on several compilations of the genre. "Hello It's Me" became a hit when Nazz guitarist Todd Rundgren re-recorded it for his 1972 solo album Something/Anything?.
"Dirty Water" is a song by the American rock band The Standells, written by their producer Ed Cobb. The song is a mock paean to the city of Boston, Massachusetts, and its then-famously polluted Boston Harbor and Charles River.
The Choir was a garage rock band largely active in the greater Cleveland area from the mid-1960s into the early 1970s. Originally called The Mods, their largest commercial success came with the release of their first single "It's Cold Outside" in December 1966. The song, considered to be a classic of the garage rock era, was featured on Pebbles, Volume 2, one of the earlier garage rock compilation LPs. The flipside, "I'm Going Home" was included as a bonus track when the Pebbles album was reissued as a CD, and it can also be found on a garage rock compilation LP on Ohio bands, Highs in the Mid-Sixties, Volume 9. The Choir is well known for containing three of the four original members of Raspberries.
Earth Opera was an American psychedelic rock group, active between 1967 and 1969 and featuring Peter Rowan and David Grisman.
Ultimate Spinach was a short-lived American psychedelic rock band from Boston, Massachusetts which was formed in 1967. In terms of style and national recognition, the band was one of the most prominent musical acts to emerge from the "Bosstown Sound", which was a marketing campaign posing as a regional attempt to compete with the San Francisco Sound. During the group's existence, they released three albums, with their self-titled debut the most commercially successful.
Mouse and the Traps was the name of an American garage rock band from Tyler, Texas, United States, that released numerous singles between 1965 and 1969, two of which, "A Public Execution" and "Sometimes You Just Can't Win", became large regional hits. The leader of the band, nicknamed "Mouse", was Ronny Weiss. Two of their best known songs, "A Public Execution" and a cover of "Psychotic Reaction", are not actually credited to this band but, respectively, to simply Mouse and Positively 13 O'Clock instead. Their tangled history also included one single that was released anonymously under the name Chris St. John. The band are not to be confused with the girl group Mousie and The Traps who recorded for Toddlin' Town records around the same time.
The Blue Things were a folk rock and, later, psychedelic band from Hays, Kansas, that existed from 1964 to 1968, recording one LP and several singles for RCA Records in '66 and '67. The RCA recordings remain their best-known material, although they had previously released singles through Ruff Records, a tiny Texas label.
The Human Expression was an American garage and psychedelic rock band from Los Angeles that released three well-regarded singles, and made additional demo recordings between 1966 and 1967.
Metcalf Center for Science and Engineering (SCI) is a building owned by Boston University named for Arthur G.B. Metcalf. Metcalf founded what would later become the university's College of Engineering and served as its chair. He also donated millions of dollars toward the construction of the building. SCI contains offices, classrooms, and laboratories primarily used by the Physics, Chemistry, and Biology Departments of the College of Arts and Sciences. Its facilities are also used for biomedical research. Boston University boasts that there is a waiting list for researchers wanting to conduct research in the building.
Ultimate Spinach is the 1968 self-titled debut studio album by the American psychedelic rock band Ultimate Spinach, and was released on the MGM Records label (E/SE-4518) simultaneously with the debut LP of two other Boston-area bands, Beacon Street Union and Orpheus. Both albums were heavily promoted by the label as being representative of the "Bosstown Sound". The commercial ploy was heavily driven in psychedelic music that attempted to replicate the San Francisco Sound.
Ford Theatre was an American psychedelic rock band from Boston, Massachusetts, that were active between 1966 and 1971. Their sound was similar to other Boston-based psychedelic rock bands of the era.
The Dukes of Stratosphear were an English rock band formed in 1984 by Andy Partridge, Colin Moulding, Dave Gregory, and Ian Gregory. Modelled after psychedelic pop groups from the 1960s, the Dukes were initially publicised by Virgin Records as a mysterious new act, but were actually an XTC spin-off band. They recorded only two albums: 25 O'Clock (1985) and Psonic Psunspot (1987). In the UK, the records outsold XTC's then-current albums The Big Express (1984) and Skylarking (1986).
Apple Pie Motherhood Band was an American psychedelic rock band formed in Boston, Massachusetts, in 1967. One of the several groups involved in the "Bosstown Sound", a commercial ploy designed to compete with the San Francisco Sound, the band developed a blend of psychedelia, blues rock, and hard rock, which was exemplified and expanded upon on their two albums. The group went through several line-up changes before disbanding in 1970.
The Freeborne was an American psychedelic rock band formed in Boston, Massachusetts in 1966. The band was one of the numerous groups associated with the "Bosstown Sound", and is noted for releasing one eclectic album, Peak Impressions, in 1967, which exemplified the young members' versatility embedded in psychedelia.
The Psychedelic Supermarket was an underground music venue in Boston, Massachusetts, that was open in the 1960s, and became one of the core establishments of the city's psychedelic rock scene. It stood at 590 Commonwealth Avenue inside a parking garage that was converted into a club by promoter George Papadopoulos in 1967. The Psychedelic Supermarket was active for two years, before its closing.
Behold & See is the second studio album by the American psychedelic rock band Ultimate Spinach, and was released on MGM Records in August 1968.
The Bosstown Sound was the catchphrase of a marketing campaign to promote psychedelic rock and psychedelic pop bands in Boston, Massachusetts, in the late 1960s. The concept was conceived by the record producer Alan Lorber as a marketing strategy intended to establish several underground musical artists native to the city on the national charts and compete with the popular San Francisco Sound. Lorber chose Boston for his plan because of the several bands developing in the city, the abundance of music venues, and the proximity of MGM Records, which had signed the core groups.
Chamaeleon Church was a short-lived American psychedelic rock band formed in Boston, Massachusetts, in 1967. It was founded by singer-songwriter Ted Myers after the disbandment of the Lost. Chamaeleon Church recorded one self-titled album in 1968. Similar to other psychedelic groups native to Boston, the band is remembered for its relation to the Bosstown Sound. In addition, the band had future actor and comedian Chevy Chase as a member.
The Tangerine Zoo was an American psychedelic rock band formed in Swansea, Massachusetts, in 1966. Encompassed in Boston's psychedelic scene and considered a part of the Bosstown Sound, the band became popular regionally, and released two albums on Mainstream Records during their recording career. The Tangerine Zoo had an opportunity to achieve national recognition at the Woodstock Festival, but was forced to decline the invitation. Nonetheless, the group's material has been reinstated into the public conscious after 1960s psychedelic music collectors have discovered the Tangerine Zoo's work years after their disbandment.
References
- 1 2 Lovell, Paul (2006). "Listening - The Bosstown Sound". www.punkblowfish.com. Retrieved 14 October 2016.
| Authority control databases: Artists |
|---|
 | This article on a United States rock music band is a stub. You can help Wikipedia by expanding it. |