Live in Paris (1975) (Lost ORTF Recordings) | ||||
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Live album by | ||||
Released | 2020 | |||
Recorded | November 17, 1975 | |||
Studio | Studio 104, Grand Auditorium, Maison de la Radio, Paris, France | |||
Genre | jazz | |||
Label | Transversales Disques TRS15 | |||
Producer | Jonathan Fitoussi, Sébastien Rosat | |||
Pharoah Sanders chronology | ||||
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Live in Paris (1975) (Lost ORTF Recordings) is an LP album by American free jazz saxophonist Pharoah Sanders recorded live at the Grand Auditorium, Studio 104 of Maison de la Radio, Paris, France on November 17, 1975 and released in 2020 on the Transversales Disques label. It features recordings of Sanders performing with a quartet featuring pianist Danny Mixon, bassist Calvin Hill, and drummer Greg Bandy. The album fills in a chronological gap between Sanders' final Impulse! albums ( Love in Us All and Elevation , recorded in 1973) and Pharoah , recorded in 1976 for India Navigation.
Review scores | |
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Source | Rating |
Pitchfork | [1] |
All About Jazz | [2] |
In a review for Pitchfork , Mark Richardson assigned the album a rating of 9 out of 10, and awarded it "Best New Reissue". He wrote: "Sanders' group rolled up all the best qualities from his early-1970s LPs into a set that bursts with joy and discovery, positive vibrations radiating in every direction" and notes that "the overriding mood here is one of comfort and bliss." He concluded: "Love is everywhere. Could it be? Whatever contrary evidence exists elsewhere in the world, now or any other time in history, Sanders makes a convincing case for its omnipresence on this particular day 45 years ago." [1]
Chris May, writing for All About Jazz , awarded the album 3.5 out of 5 stars, noting that Sander's 1975 quartet was "shortlived and otherwise unrecorded". He declared: "Hardcore Sanders connoisseurs will find Live In Paris (1975) a worthwhile addition to their collections." [2]
In an article for Soundohm, Bradford Bailey commented: "Threaded with deep grooves, ranging from spiritual, laid back depths to hard blown fire, all realised by rock solid, in the pocket playing that rests within the heights of mastery, it's impossible not to get lost in the immersive world of these sounds. This is live jazz at its heights during the mid '70s as it's rarely able to be heard... Soulful and vast in range, Live in Paris (1975) brings Pharoah Sanders at his height to life... This one is so good you won't believe that it is the first time it is released. As essential as they come and easily one of the most important releases in jazz this year!" [3]
Writing for HHV Mag, Kristoffer Cornils wrote: "That there is very little new material? So what. The opportunity for a rediscovery of his back catalogue seems all the more favourable: jazz has returned to the mainstream and the crates of special interest stores are lined up with compilations of the kind that the tenor saxophonist has given the term 'spiritual'. Everybody wants a piece of the pie and Sanders hopefully gets the biggest piece of the pie in his old age... Live In Paris 1975 offers several facets of Sanders' work – the gospel echoes as well as feverish bebop and free jazz borrowings. At the same time, it proves how Sanders, together with Mixon, Calvin Hill on double bass and drummer Greg Bandy, was able to get the very best out of old and new material even in a difficult phase of his career." [4]
Pharoah Sanders was an American jazz saxophonist. Known for his overblowing, harmonic, and multiphonic techniques on the saxophone, as well as his use of "sheets of sound", Sanders played a prominent role in the development of free jazz and spiritual jazz through his work as a member of John Coltrane's groups in the mid-1960s, and later through his solo work. He released over thirty albums as a leader and collaborated extensively with vocalist Leon Thomas and pianist Alice Coltrane, among many others. Fellow saxophonist Ornette Coleman once described him as "probably the best tenor player in the world".
Meditations is a 1966 album by John Coltrane. The album was considered the "spiritual follow-up to A Love Supreme." It features Coltrane and Pharoah Sanders as soloists, both playing tenor saxophones. This was the last Coltrane recording to feature his classic quartet lineup of himself, bassist Jimmy Garrison, drummer Elvin Jones and pianist McCoy Tyner, as both Jones and Tyner would quit the band by early 1966. Sanders, Ali, Garrison and Coltrane's wife Alice would comprise his next group.
Ascension is a jazz album by John Coltrane recorded in June 1965 and released in 1966. It is considered a watershed in Coltrane's work, with the albums recorded before it being more conventional in structure and the albums recorded after it being looser, free jazz inspired works. In addition, it signaled Coltrane's interest in moving away from the quartet format. AllMusic called it "the single recording that placed John Coltrane firmly into the avant-garde".
Black Unity is a composition and album by jazz saxophonist Pharoah Sanders, recorded and released in late 1971. The whole album consists of a single thirty-seven-minute track, which was described by critic Joe S. Harrington as "an exercise in sustained harmonic groove that cannot be beaten" when he listed it at #38 on his Top 100 Albums. The compact disc reissue of 1997 unites the two parts as a single track, timed at 37:21.
First Meditations (for quartet) is an album by John Coltrane recorded on September 2, 1965 and posthumously released in 1977. It is a quartet version of a suite Coltrane would record as Meditations two months later with an expanded group. Along with Sun Ship, recorded a week earlier, First Meditations represents the final recordings of Coltrane's classic quartet featuring pianist McCoy Tyner, bassist Jimmy Garrison, and drummer Elvin Jones.
Live in Seattle is a live double album by jazz saxophonist John Coltrane, recorded in 1965 and released posthumously in 1971 on the Impulse! label. The album consists of a set played by Coltrane's quartet at The Penthouse on September 30, 1965. Along with the later-released A Love Supreme: Live in Seattle, recorded two days later at the same club, they are the only officially released live recordings of Coltrane's six-piece lineup from late 1965. The original double LP issue was expanded to 2 CDs for the reissue.
Featuring Pharoah Sanders and Black Harold is a jazz album by Sun Ra, recorded live on December 31, 1964, but not released until 1976, on Ra and Alton Abraham's El Saturn label. An expanded version of the album was reissued in 2009 by ESP-Disk, and again in 2017 by Superior Viaduct. A complete version of Sun Ra's performances on December 30 and 31, 1964 were released in 2012 on the Pharoah Sanders album In The Beginning 1963-1964.
Daniel Asbury Mixon is an American jazz pianist.
Tauhid is a jazz album by saxophonist Pharoah Sanders. It was the second album released under his name, and his first album on the Impulse! label. It was recorded on November 15, 1966 at Van Gelder Studio in Englewood Cliffs, NJ, four days after the concert heard on the John Coltrane album Offering: Live at Temple University, and was released in 1967, after the death of Coltrane, with whom Sanders had played since 1965. Tauhid was reissued in 2017 on Anthology Recordings. The album marks guitarist Sonny Sharrock's first appearance on a record, as well as one of pianist Dave Burrell's earliest recordings.
Jewels of Thought is an album by the American jazz saxophonist Pharoah Sanders. It was recorded at Plaza Sound Studios in New York City on October 20, 1969, and was released on Impulse! Records in the same year. The 1998 reissue merged "Sun In Aquarius" into one 27-minute-long track.
Elevation is a live album by American saxophonist and composer Pharoah Sanders, released in 1973 on the Impulse! label.
Love in Us All is an album by American saxophonist and composer Pharoah Sanders released on the Impulse! label.
Pharoah is an album by the saxophonist Pharoah Sanders, recorded in 1976 and released on the India Navigation label.
Pharoah Sanders Live... is a live album by American saxophonist and composer Pharoah Sanders released on the Theresa label.
Africa is an album led by saxophonist Pharoah Sanders recorded in 1987 and released on the Dutch Timeless label.
A Prayer Before Dawn is an album led by saxophonist Pharoah Sanders recorded in 1987 and released on the Theresa label that year.
Welcome to Love is an album led by saxophonist Pharoah Sanders recorded in 1990 and first released on the Dutch Timeless label. The album features jazz standards, many of which were also recorded by John Coltrane.
A Love Supreme: Live in Seattle is a live album by American saxophonist John Coltrane, released on October 22, 2021, through Impulse! Records. It was recorded on October 2, 1965, at the Seattle jazz club The Penthouse, by saxophonist Joe Brazil. The tapes were found five years after Brazil's death in October 2008 by the saxophonist Steve Griggs. It is one of only two recorded live performances of Coltrane's 1965 album A Love Supreme, the other being a July 1965 recording from the Jazz à Juan jazz festival in Juan-les-Pins, Antibes, France, which was released in 2002 as part of the deluxe edition of A Love Supreme.
Wisdom Through Music is an album by saxophonist Pharoah Sanders. It was recorded in New York City and Los Angeles, California, and was released in 1973 by Impulse! Records. On the album, Sanders is joined by flutist James Branch, pianist Joe Bonner, bassist Cecil McBee, drummer Norman Connors, and percussionists Badal Roy, James Mtume, and Lawrence Killian. The recording was produced by Lee Young, the younger brother of saxophonist Lester Young.
Carnegie Hall '71 is a live album by Alice Coltrane. It was recorded at Carnegie Hall in New York City on February 21, 1971, and was released in 2018 by the Hi Hat label. On the album, Coltrane appears on piano and harp, and is joined by saxophonists Pharoah Sanders and Archie Shepp, bassists Jimmy Garrison and Cecil McBee, and drummers Ed Blackwell and Clifford Jarvis.