Live or Die is a collection of poetry by American poet Anne Sexton, published in 1966. Many of the poems in the collection are in free verse, though some are in rhyme. [1] The poems, written between 1962 and 1966, are arranged in the book in chronological order. [1] Their subjects are Sexton's troubled relationships with her mother and her daughters, and her treatment for mental illness. [1]
The collection includes the poems "And One for My Dame", "Sylvia's Death", "Consorting With Angels" and "Wanting to Die". [2] The book won the 1967 Pulitzer Prize for Poetry. [2]
Sylvia Plath was an American poet, novelist, and short story writer. She is credited with advancing the genre of confessional poetry and is best known for The Colossus and Other Poems (1960), Ariel (1965), and The Bell Jar, a semi-autobiographical novel published shortly before her suicide in 1963. The Collected Poems was published in 1981, which included previously unpublished works. For this collection Plath was awarded a Pulitzer Prize in Poetry in 1982, making her the fourth to receive this honor posthumously.
Adrienne Cecile Rich was an American poet, essayist and feminist. She was called "one of the most widely read and influential poets of the second half of the 20th century", and was credited with bringing "the oppression of women and lesbians to the forefront of poetic discourse". Rich criticized rigid forms of feminist identities, and valorized what she coined the "lesbian continuum", which is a female continuum of solidarity and creativity that impacts and fills women's lives.
Anne Sexton was an American poet known for her highly personal, confessional verse. She won the Pulitzer Prize for poetry in 1967 for her book Live or Die. Her poetry details her long battle with bipolar disorder, suicidal tendencies, and intimate details from her private life, including relationships with her husband and children, whom she physically and sexually assaulted.
Confessional poetry or "Confessionalism" is a style of poetry that emerged in the United States during the late 1950s and early 1960s. It is sometimes classified as a form of Postmodernism. It has been described as poetry of the personal or "I", focusing on extreme moments of individual experience, the psyche, and personal trauma, including previously and occasionally still taboo matters such as mental illness, sexuality, and suicide, often set in relation to broader social themes.
Lenore Kandel was an American poet, affiliated with the Beat Generation and Hippie counterculture.
Muriel Rukeyser was an American poet, essayist, biographer, novelist, screenwriter and political activist. She wrote across genres and forms, addressing issues related to racial, gender and class justice, war and war crimes, Jewish culture and diaspora, American history, politics, and culture. Kenneth Rexroth said that she was the greatest poet of her "exact generation," Anne Sexton famously described her as "mother of us all", while Adrienne Rich wrote that she was “our twentieth-century Coleridge; our Neruda."
Katherine Anne Porter was an American journalist, essayist, short story writer, novelist, poet and political activist. Her 1962 novel Ship of Fools was the best-selling novel in America that year, but her short stories received much more critical acclaim. In 1966, she was awarded the Pulitzer Prize for Fiction and the U.S. National Book Award for The Collected Stories of Katherine Anne Porter.
Ariel was the second book of Sylvia Plath's poetry to be published. It was first released in 1965, two years after her death by suicide. The poems of Ariel, with their free-flowing images and characteristically menacing psychic landscapes, marked a dramatic turn from Plath's earlier Colossus poems.
Alicia Suskin Ostriker is an American poet and scholar who writes Jewish feminist poetry. She was called "America's most fiercely honest poet" by Progressive. Additionally, she was one of the first women poets in America to write and publish poems discussing the topic of motherhood. In 2015, she was elected a Chancellor of the Academy of American Poets. In 2018, she was named the New York State Poet Laureate.
Maxine Kumin was an American poet and author. She was appointed Poet Laureate Consultant in Poetry to the Library of Congress in 1981–1982.
Nationality words link to articles with information on the nation's poetry or literature.
Anne Bethel Spencer was an American poet, teacher, civil rights activist, librarian, and gardener. She was a prominent figure of the Harlem Renaissance, also known as the New Negro Movement, despite living in Virginia for most of her life, far from the center of the movement in New York. She met Edward Spencer while attending Virginia Seminary in Lynchburg, Virginia. Following their marriage in 1901, the couple moved into a house he built at 1313 Pierce Street, where they raised a family and lived for the remainder of their lives.
Kay Ryan is an American poet and educator. She has published seven volumes of poetry and an anthology of selected and new poems. From 2008 to 2010 she was the sixteenth United States Poet Laureate. In 2011 she was named a MacArthur Fellow and she won the Pulitzer Prize.
Julie Kane is a contemporary American poet, scholar, and editor and was the Louisiana Poet Laureate for the 2011–2013 term.
Transformations is a chamber opera in two acts by the American composer Conrad Susa with a libretto of ten poems by Anne Sexton from her 1971 book Transformations, a collection of confessional poetry based on stories by the Brothers Grimm. Commissioned by Minnesota Opera, the work, which is described by its composer as "An Entertainment in 2 Acts", had its world premiere on 5 May 1973 at the Cedar Village Theater in Minneapolis, Minnesota. Anne Sexton, who had worked closely with Susa on the libretto, was in the audience. It went on to become one of the most frequently performed operas by an American composer with its chamber opera format of eight singers and an instrumental ensemble of eight musicians making it particularly popular with smaller opera companies and conservatories. The 2006 revival production of Transformations at the Wexford Opera Festival won The Irish Times Theatre Award for Best Opera Production.
Feminist revisionist mythology is feminist literature informed by feminist literary criticism, or by the politics of feminism more broadly and that engages with mythology, fairy tales, religion, or other areas.
Barbara Swan (1922–2003), also known by her married name, Barbara Swan Fink, was an American painter, illustrator, and lithographer. Her early work is associated with the Boston Expressionist school; later she became known for her still-life paintings in which light is refracted through glass and water, and for her portraits. She is also known for her collaboration with the poets Anne Sexton and Maxine Kumin, and for her archived correspondence with various artists and writers.
Panna Naik is an Indian Gujarati language poet and story writer who has lived in Philadelphia, United States since 1960. Working in the local university, she wrote poetry drawn from the world around her. Her book Pravesh (1975) received critical acclaim and she has published several poetry collections since.
"Her Kind" is a poem published in 1960 by American poet Anne Sexton. Writing throughout the Cold War, Sexton was keenly aware of the economic importance of American housewives in the 1960s. "Her Kind" concludes with an "[un]ashamed" (20) confession of suicide-desire that individualizes death against a twentieth-century backdrop of genocide and survival anxiety. The poem describes a witch in the night, then describes her as an unconventional housewife, and concludes with reference to Carl Dryer's The Passion of Joan of Arc.
"Sylvia’s Death" is a poem by American writer and poet Anne Sexton (1928–1974) written in 1963. "Sylvia's Death" was first seen within Sexton's short memoir “The Barfly Ought to Sing” for TriQuarterly magazine. The poem was also then included in her 1966 Pulitzer Prize winning collection of poems Live or Die. The poem is highly confessional in tone, focusing on the suicide of friend and fellow poet Sylvia Plath in 1963, as well as Sexton's own yearning for death. Due to the fact that Sexton wrote the poem only days after Plath's passing within February 1963, "Sylvia’s Death" is often seen as an elegy for Plath. The poem is also thought to have underlying themes of female suppression, suffering, and death due to the confines of domesticity subsequent of the patriarchy.