Liz Gerring is an American choreographer. She was trained at the Cornish Institute in Seattle, and received a B.F.A. from the Juilliard School. In 1998, she founded the Liz Gerring Dance Company, a contemporary dance ensemble. [1] Gerring was commissioned by the Martha Graham Dance Company to create a new work for the Lamentation Variations project; other choreographers on the project were Kyle Abraham, Aszure Barton, Lar Lubovitch, and Yvonne Rainer. [2] Gerring's work Glacier (2013) was nominated for a New York Dance and Performance (“Bessie”) Award, [3] and in 2015 she was presented with the Jacob's Pillow Dance Award. [4]
Gerring has developed her work consistently with a small group of collaborators since 2001. Meeting during their studies at Juilliard in the 1980s, composer Michael J. Schumacher has collaborated with Ms. Gerring providing scores for 11 of her 13 works between 1998 and 2017.
From 2001 to 2011 Ursula Scherrer provided video and video set design for four Gerring works and continues to work with the company. From 2004 to 2011 Carolyn Wong provided both production and lighting design for Gerring's works.
Eric Rosenzveig began managing the Liz Gerring Dance Company in 2003, assuming the executive director position from 2009 to 2017. Elizabeth DeMent, principal dancer in 2009's Montauk and 2011's Lichtung / Clearing, has worked as administrator and company manager from 2009 until the present.
Other collaborators include visual artists: Burt Barr who provided video and video set design for When You Lose Something You Can't Replace; Vittoria Chierici sets for Montauk; Willy LeMaitre video for she dreams in code; Kay Rosen video, and video set design in collaboration with Joshua Higgason for (T)here To (T)here. Robert Wierzel provided production design for glacier and Horizon in collaboration with Amith Chandrashaker, company production manager since 2014.
Anna Sokolow was an American dancer and choreographer who worked internationally, creating political and theatrical pieces. She worked with major companies, including the Martha Graham Company and Batsheva Dance Company. Sokolow also formed her own group “Dance Unit” which became Players’ Project after its dispersal and her death.
Mark William Morris is an American dancer, choreographer and director whose work is acclaimed for its craftsmanship, ingenuity, humor, and at times eclectic musical accompaniments. Morris is popular among dance aficionados, the music world, as well as mainstream audiences.
Carolyn Brown is an American dancer, choreographer, and writer. She is best known for her work as a founding member of the Merce Cunningham Dance Company.
Trisha Brown was an American choreographer and dancer, and one of the founders of the Judson Dance Theater and the postmodern dance movement.
Martha Hill was one of the most influential American dance instructors in history. She was the first Director of Dance at the Juilliard School, and held that position for almost 35 years.
Tina Ramirez is a Puerto Rican/Mexican-American dancer and choreographer, best known as the Founder and Artistic Director (1970–2009) of Ballet Hispanico, the premier Latino dance organization in the United States.
Susan Marshall is an American choreographer and the Artistic Director of Susan Marshall & Company. She has held the position of Director of the Program in Dance at Princeton University since 2009.
Zoe Scofield is a choreographer and dancer best known for her work with Juniper Shuey as co-directors of zoe|juniper, a Seattle-based dance and visual art company. Her work is characterized by multi-media, cross-genre works utilizing stage performance, video installation, photography and complex technical elements.
Doug Varone is an American choreographer and director. He works in dance, theater, opera, film and fashion. He is an educator and advocate for dance. His company, Doug Varone and Dancers, has been performing for over three decades.
Margaret Jenkins is a postmodern choreographer based in San Francisco, California. She was a Guggenheim Fellow in 1980 and in 2003, San Francisco mayor, Willie Brown, declared April 24 to be Margaret Jenkins Day.
Carmen de Lavallade is an American actress, dancer and choreographer.
Bessie Schonberg was a highly influential dancer, choreographer and teacher of the 20th century. She was at the center of contemporary modern dance from her beginning at Bennington College up until her death in 1997. Her career spanned sixty-five years and she helped mold a new generation of modern dancers including Lucinda Childs, Elizabeth Keen, Meredith Monk and Carolyn Adams (dancer).
Capturing a sense of the life and work of Bessie Schonberg is possible if one evokes the image of a prism, a multi-face crystalline object which cannot be perceived in its entirety, but can be appreciated and understood by catching glimpses of light from its different sides.
Jane Comfort of Oak Ridge, Tennessee is an American choreographer, director, and dancer. She is the founder and artistic director of Jane Comfort and Company based in New York, NY.
Jonah Bokaer is an American choreographer and media artist. He works on live performances in the United States and elsewhere, including choreography, digital media, cross-disciplinary collaborations, and social enterprise.
Dancer and choreographer Ronald K. Brown founded the dance company Evidence in New York in 1985. Brown's work incorporates modern dance, Senegalese Sabar and other West African movement vocabularies, Afro-Caribbean dance, and contemporary urban dance from around the world. He has choreographed numerous works for his own company, as well as for Philadanco, Alvin Ailey American Dance Theater, the Jacob's Pillow Dance Festival, the Maimouna Keita West African Dance Company, and many others. Brown has received numerous awards, including a Guggenheim Fellowship, a Bessie Award, a Black Theater Alliance Award, and an Audelco Award for the choreography of Regina Taylor's musical Crowns. He has also been a guest artist at The Sharon Disney Lund School of Dance at CalArts. He studied dance with Mary Anthony.
Aszure Barton is a Canadian-born choreographer.
Camille A. Brown is a dancer, choreographer, director and dance educator. She is the Founder & Artistic Director of Camille A. Brown & Dancers, and has congruently choreographed commissioned pieces for dance companies, Broadway shows, and universities. Brown started her career as a dancer in Ronald K. Brown’s Evidence, A Dance Company, and was a guest artist with Rennie Harris Puremovement, and Alvin Ailey American Dance Theater. Brown has choreographed major Broadway shows such as Choir Boy, Once on This Island and Jesus Christ Superstar Live in Concert! that aired on NBC. Brown also teaches dance and gives lectures to audiences at various universities such as Long Island University, Barnard College and ACDFA, among others.
Kyle Abraham is an American choreographer. He began dancing when he was young at the Civic Light Opera Academy and the Pittsburgh Creative and Performing Arts School in Pittsburgh, Pennsylvania. He received BFA from SUNY Purchase and an MFA from the NYU Tisch School of the Arts. Prior to starting his company A.I.M (Abraham.In.Motion), he performed with a number of companies, including David Dorfman Dance, Bill T. Jones/Arnie Zane Dance Company, The Kevin Wynn Collective, Nathan Trice/Rituals, Dance Alloy and Attack Theatre.
Dawn Kramer is a choreographer, performer, artistic director, and teacher based in Boston, MA. She is notable as an experimental artist combining movement, props, environments, and interactive video. She is a professor emeritus in the Studio for Interrelated Media at the Massachusetts College of Art and Design. She inspired generations of interdisciplinary artists with her classes, particularly the course "On The Spot", which many remember as transformative. Currently, Dawn creates & performs in site-specific videos, and travels extensively.
Glacier is a Bessie Awards-nominated dance work by contemporary choreographer Liz Gerring.
Ms. Gerring’s choreography here and there reminds me of a number of other choreographers, not least Merce Cunningham and the early postmodern dance experimentalists associated with Judson Church, but she doesn’t seem inhibited by their precedent. This is engagingly here-and-now dancing; and that kinesthetic effect is something rare, even intoxicating.