Lizelle Bisschoff | |
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Alma mater | University of Johannesburg, University of Edinburgh, University of Stirling |
Employer | University of Glasgow |
Organization | Africa in Motion (AiM) film festival |
Lizelle Bisschoff is a South African film theorist, academic, curator and the founder of the Africa in Motion (AiM) film festival in Scotland which showcases African cinema.
Bisschoff was born in South Africa. [1] [2]
She studied at the University of Johannesburg then moved to the United Kingdom to study a masters degree at the University of Edinburgh. [3] She holds a PhD from the University of Stirling. [1] She works as a Lecturer in Film and Television Studies at the University of Glasgow. [1]
In 2006, Bisschoff founded and directed he annual Africa in Motion (AiM) film festival in Scotland. [4] It is the United Kingdom's largest African film festival, [4] has screened over 500 African films [5] and takes place in both Glasgow and Edinburgh towards the end of October each year. [5] AiM gained charitable status in 2012 and is now run as a not-for-profit organisation [6] and governed by a formally appointed Board of Trustees. [7]
Bisschoff has researched filmmaking in sub-Saharan Africa, Southern Africa, West Africa, and East Africa. [3] She has referred to Hyenas (1992) by Senegalese director Djibril Diop Mambety as her favourite African film. [6]
In 2012, she contributed to Storytelling in World Cinemas, Volume 1. [8]
A series called "Recovering Lost African Film Classics" curated by Bisschoff and David Murphy at the AiM festival lead to the publication of Africa's Lost Classics: New Histories of African Cinema in 2017, which highlights indigenous African filmmaking. [9]
In 2016, Bisschoff co-wrote Art and Trauma in Africa: Representations of Reconciliation in Music, Visual Arts, Literature, and Film with Stefanie Van de Peer. [10] It is the first book to look exclusively at art and trauma in African contexts. [11] In 2019, she published Women in African Cinema: Beyond the Body Politic. [3]
Bisschoff was a guest editor of the "decolonising film education" special issue of the Film Education Journal (2022), alongside Jyoti Mistry. [12]
In 2024, she co-edited Stretching the Archives: Decolonising Global Women’s Film Heritage.