Free software is computer software distributed under terms that allow users to run the software for any purpose as well as to study, change, and distribute it and any adapted versions. Free software is a matter of liberty, not price; all users are legally free to do what they want with their copies of a free software regardless of how much is paid to obtain the program. Computer programs are deemed "free" if they give end-users ultimate control over the software and, subsequently, over their devices.
Viral license is an alternative name for copyleft licenses, especially the GPL, that allows derivative works only when permissions are preserved in modified versions of the work. Copyleft licenses include several common open-source and free content licenses, such as the GNU General Public License (GPL) and the Creative Commons Attribution-Sharealike license (CC-BY-SA).
Free music or libre music is music that, like free software, can freely be copied, distributed and modified for any purpose. Thus free music is either in the public domain or licensed under a free license by the artist or copyright holder themselves, often as a method of promotion. It does not mean that there should be no fee involved. The word free refers to freedom, not to price.
The Open Publication License (OPL) was published by the Open Content Project in 1999 as a public copyright license for documents. It superseded the Open Content License, which was published by the Open Content Project in 1998. Starting around 2002-2003, it began to be superseded, in turn, by the Creative Commons licenses.
Open-source record labels are record labels that release music under copyleft licenses, that is, licenses that allow free redistribution and may allow free modification of the tracks.
Open music is music that is shareable, available in "source code" form, allows derivative works and is free of cost for non-commercial use. It is the concept of "open source" computer software applied to music. However, the non-commercial stipulation associated with Open Music is incompatible with the first section of the Open Source Definition as well as the first freedom put forth in The Free Software Definition. Open Music is one of the general responses to the RIAA's and governmental actions against the music industry and its consumers.
David Meme is primarily known as a producer and musician currently living and working in Brighton. As well as recording under the moniker Meme he is also one half of the electronic music duo Ward. He co-founded the open source label LOCA Records, with graphic designer Marcus McCallion in 1999. Meme has been played by John Peel on his John Peel Show on BBC Radio 1 a number of times as both Meme and as another project, Ward. His latest project is ØxØ with Barnaby Thorn, released on Truant Recordings in 2019.
A permissive software license, sometimes also called BSD-like or BSD-style license, is a free-software license with only minimal restrictions on how the software can be used, modified, and redistributed, usually including a warranty disclaimer. Examples include the GNU All-permissive License, MIT License, BSD licenses, Apple Public Source License and Apache license. As of 2016, the most popular free-software license is the permissive MIT license.
This is a comparison of free and open-source software licences. The comparison only covers software licences with a linked article for details, approved by at least one expert group at the FSF, the OSI, the Debian project or the Fedora project. For a list of licences not specifically intended for software, see List of free content licences.
WTFPL is a GPL-compatible permissive license most commonly used as a free software license. As a public domain like license, the WTFPL is essentially the same as dedication to the public domain. It allows redistribution and modification of the work under any terms. The title is an abbreviation of "Do What The Fuck You Want To Public License".
License compatibility is a legal framework that allows for pieces of software with different software licenses to be distributed together. The need for such a framework arises because the different licenses can contain contradictory requirements, rendering it impossible to legally combine source code from separately-licensed software in order to create and publish a new program. Proprietary licenses are generally program-specific and incompatible; authors must negotiate to combine code. Copyleft licenses are deliberately incompatible with proprietary licenses, in order to prevent copyleft software from being re-licensed under a proprietary license, turning it into proprietary software. Many copyleft licenses explicitly allow relicensing under some other copyleft licenses. Permissive licenses are compatible with everything, including proprietary licenses; there is thus no guarantee that all derived works will remain under a permissive license.
Free content, libre content, or free information is any kind of functional work, work of art, or other creative content that meets the definition of a free cultural work.
A free-software license is a notice that grants the recipient of a piece of software extensive rights to modify and redistribute that software. These actions are usually prohibited by copyright law, but the rights-holder of a piece of software can remove these restrictions by accompanying the software with a software license which grants the recipient these rights. Software using such a license is free software as conferred by the copyright holder. Free-software licenses are applied to software in source code and also binary object-code form, as the copyright law recognizes both forms.
Copyleft is the practice of granting the right to freely distribute and modify intellectual property with the requirement that the same rights be preserved in derivative works created from that property. Copyleft in the form of licenses can be used to maintain copyright conditions for works ranging from computer software, to documents, art, scientific discoveries and even certain patents.
The GNU General Public License is a series of widely used free software licenses that guarantee end users the freedom to run, study, share, and modify the software. The licenses were originally written by Richard Stallman, founder of the Free Software Foundation (FSF), for the GNU Project, and grant the recipients of a computer program the rights of the Free Software Definition. The GPL series are all copyleft licenses, which means that any derivative work must be distributed under the same or equivalent license terms. This is in distinction to permissive software licenses, of which the BSD licenses and the MIT License are widely used, less restrictive examples. GPL was the first copyleft license for general use.
The GNU Free Documentation License is a copyleft license for free documentation, designed by the Free Software Foundation (FSF) for the GNU Project. It is similar to the GNU General Public License, giving readers the rights to copy, redistribute, and modify a work and requires all copies and derivatives to be available under the same license. Copies may also be sold commercially, but, if produced in larger quantities, the original document or source code must be made available to the work's recipient.
The Definition of Free Cultural Works is a definition of free content from 2006. The project evaluates and recommends compatible free content licenses.
A free license or open license is a license agreement which contains provisions that allow other individuals to reuse another creator's work, giving them four major freedoms. Without a special license, these uses are normally prohibited by copyright law or commercial license. Most free licenses are worldwide, royalty-free, non-exclusive, and perpetual. Free licenses are often the basis of crowdsourcing and crowdfunding projects.
A public license or public copyright licenses is a license by which a copyright holder as licensor can grant additional copyright permissions to any and all persons in the general public as licensees. By applying a public license to a work, provided that the licensees obey the terms and conditions of the license, copyright holders give permission for others to copy or change their work in ways that would otherwise infringe copyright law.
David M. Berry is a Professor of Digital Humanities at the University of Sussex, writer and musician. He is widely published on academic work related to the fields of critical theory, digital humanities, media theory and algorithms.
