Related Research Articles
Luca Giordano was an Italian late-Baroque painter and printmaker in etching. Fluent and decorative, he worked successfully in Naples and Rome, Florence, and Venice, before spending a decade in Spain.
Maerten van Heemskerck or Marten Jacobsz Heemskerk van Veen was a Dutch portrait and religious painter, who spent most of his career in Haarlem. He was a pupil of Jan van Scorel, and adopted his teacher's Italian-influenced style. He spent the years 1532–6 in Italy. He produced many designs for engravers, and is especially known for his depictions of the Wonders of the World.
Alessandro Bonvicino, more commonly known as Moretto, or in Italian Il Moretto da Brescia, was an Italian Renaissance painter from Brescia, where he also mostly worked. His dated works span the period from 1524 to 1554, but he was already described as a master in 1516. He was mainly a painter of altarpieces that tend towards sedateness, mostly for churches in and around Brescia, but also in Bergamo, Milan, Verona and Asola; many remain in the churches they were painted for. Most are on canvas, but a number even of large ones are on wood panel. Only a handful of drawings survive.
Jan Joest, also known as Jan Joest van Kalkar or Jan Joest van Calcar, was a Dutch painter from either Kalkar or Wesel, known for his religious paintings.
Sebastiano Filippi was an Italian late Renaissance – Mannerist painter of the School of Ferrara.
Alejo Fernández was a Spanish painter best known for his portrait of Christopher Columbus painted between 1531 and 1536.
Camillo Procaccini was an Italian painter. He has been posthumously referred to as the Vasari of Lombardy, for his prolific Mannerist fresco decoration.
Gregório Lopes was one of the most important Renaissance painters from Portugal.
Cesare Nebbia (c.1536–c.1622) was an Italian painter from Orvieto who painted in a Mannerist style.
Cristofano or Cristoforo Gherardi, also known as il Doceno, was an Italian painter of the late-Renaissance or Mannerist period, active mainly in Florence and Tuscany.
Enea Salmeggia was an Italian painter of the late-Renaissance period, active mainly in his native city of Bergamo.
Giovanni de' Vecchi was an Italian painter of the Renaissance period.
Pietro Desani was an Italian painter of the Baroque period, active mainly in Bologna and Reggio Emilia. He was a disciple of Lionello Spada. He painted a Crucifixion with the Virgin Man, Magdalen, and St. John for the Chiesa del Corpo di Cristo and St. Francis receiving Stigmata for the church of the Padri Zoccolanti. One of his pupils was Orazio Talami.
Robert Sherborne was bishop of Chichester from 1508 to 1536.
Giuseppe Puglia (1600–1636) was an Italian painter, born in Rome. He was also known as Giuseppe del Bastaro. According to Baglioni, flourished chiefly during the pontificate of Urban VIII. There are several of his works in churches at Rome, including a Presentation in the Temple, in the cloister of the Padri della Minerva ; and an altarpiece in the church of Santa Maria Maggiore, representing The Virgin appears to Giovanni Patrizi. In the church of San Girolamo there are a Descent from the Cross and a St. Jerome. He died at Rome.
Marcantonio Riverditi was an Italian painter of the Baroque. He was born in Alessandria della Paglia, and trained in Bologna, where he followed the style of Guido Reni.
Domenico Carpinoni was an Italian painter of the Renaissance period. He was born at Clusone in the Valle Seriana. He was sent to Venice when young, and became a pupil of the younger Palma il Giovane. He painted a Birth of St. John the Baptist and Descent from the Cross for the principal church of Clusone a Transfiguration for the Chiesa di Monasterolo del Castello in the Valle Cavallina, and an Adoration of the Magi for the church of the Padri Osservanti at Lovere.
Luigi Serra was an Italian painter, known for his watercolors.
Giovanni Sarnelli was an Italian painter of the late-Baroque style. He was one of at least four brothers: including Antonio, Gennaro, and Giuseppe, trained in the studio of Paolo de Matteis, and active painting mainly sacred subjects in Campania, Italy. Their father had been an army officer for the Royal administration. One of Giovanni's brothers, Ferdinando, was a secretary of the Banco di San Giacomo. The biographer Bernardo De Dominici mainly recalled Gennaro, but mentioned that Antonio and Giovanni, then still alive were excellent pupils of Matteis.
Luca Antonio Bistega or Luca Bestega was an Italian painter of quadratura, active mainly in Bologna, Italy.
References
- Bryan, Michael (1886). Robert Edmund Graves (ed.). Dictionary of Painters and Engravers, Biographical and Critical. Vol. I: A-K. London: George Bell and Sons. p. 531.
| General | |
|---|---|
| Art research institutes | |
 | This article about an Italian painter born in the 16th century is a stub. You can help Wikipedia by expanding it. |