Lohengrin, WWV 75, is a Romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the Parzival of Wolfram von Eschenbach, and its sequel Lohengrin, itself inspired by the epic of Garin le Loherain. It is part of the Knight of the Swan legend.
This article is about music-related events in 1837.
Salvatore Sciarrino is an Italian composer of contemporary classical music. Described as "the best-known and most performed Italian composer" of the present day, his works include Quaderno di strada (2003) and La porta della legge (2006–08).
Calandro is an opera buffa in three acts composed by Giovanni Alberto Ristori to a libretto by Stefano Benedetto Pallavicino. The libretto was based on the comedy Il Calandro by Bernardo Dovizi. In turn, Dovizi's play borrowed elements of the plot from Plautus's Menaechmi and the character Calandro from Boccaccio's Decameron It was first staged on 2 September 1726 in Dresden.
La buona figliuola, or La Cecchina, is an opera buffa in three acts by Niccolò Piccinni. The libretto, by Carlo Goldoni, is based on Samuel Richardson's novel Pamela; or, Virtue Rewarded. This was Piccinni's most successful Italian opera. There was a sequel entitled La buona figliuola maritata (1761) by the same composer and librettist. La buona figliuola supposta vedova by Gaetano Latilla followed in 1766.
Adelaide or l'Adelaide is an opera by Antonio Sartorio to an Italian libretto by Pietro Dolfin. It was premiered in Venice at the Teatro San Salvatore in 1672. An exact date is not known, although the libretto is dedicated February 19, 1672.
Karl V. is an opera, described as a Bühnenwerk mit Musik by Ernst Krenek, his opus 73. The German libretto is by the composer. His student Virginia Seay collaborated with him on the English translation of the libretto.
Der Protagonist is an opera in one act by Kurt Weill, his Op. 15. The German libretto was written by Georg Kaiser based on his own play of the same name of (1920). Weill's first surviving opera has been described as Literaturoper.
Neues vom Tage is a comic opera in three parts by Paul Hindemith, with a German libretto by Marcellus Schiffer.
Il Telemaco nell'isola di Calipso is an opera by composer Fernando Sor. The libretto was by Carlo Sigismondo Capece. It was first produced in Barcelona at the Teatro de la San Cruz on 25 August 1797. It was revived in the same city on 18 May 1798.
Henry Clifford is a grand opera in three acts composed by Isaac Albéniz to an English libretto written by Francis Money-Coutts. It premiered at the Gran Teatro del Liceo on 8 May 1895. The opera is based on historical figures and events and is set in 15th-century England during the Wars of the Roses, fought between the rival houses of Lancaster and York. The title character, Henry Clifford, 10th Baron Clifford, was the only son of John Clifford, a Lancastrian commander killed in the bloodiest battle of the war, the Battle of Towton, on 29 March 1461. Henry Clifford himself was one of the chief commanders in the Battle of Flodden against the Scots in 1513.
Hélène is a poème lyrique or opera in one act by composer Camille Saint-Saëns. It is the first opera for which Saint-Saëns wrote his own French libretto, which is based on the classic story of Helen of Troy and Paris from Greek mythology. The opera premiered at the Opéra de Monte-Carlo in Monaco on 18 February 1904. Moderately successful, the opera enjoyed a handful of revivals up through 1919, after which it fell out of the performance repertoire. The work was resurrected in 2008 for its world premiere recording by the Australian music label Melba.
Alide Maria Salvetta was an Italian operatic soprano who had an active international career in concerts and operas from the 1960s until her death in 1991.
L'amore medico is an opera in two acts by composer Ermanno Wolf-Ferrari. Based on Molière's comedy L'Amour médecin, the work uses an Italian language libretto by Enrico Golisciani. It premiered in a German version by Richard Batka on 4 December 1913 at the Hoftheater in Dresden under the title Der Liebhaber als Arzt.
I due timidi is a one-act radio opera composed in 1950 by Nino Rota with libretto by the film writer Suso Cecchi d'Amico.
Sì is an operetta in three acts composed by Pietro Mascagni to a libretto by Carlo Lombardo with verses by Arturo Franci. The libretto is based on Lombardo's operetta La duchessa del Bal Tabarin and Felix Dörmann's libretto for Majestät Mimi set by Bruno Granichstaedten in 1911. Mascagni's only venture into operetta, it premiered on 13 December 1919 at the Teatro Quirino in Rome. The operetta takes its name from its central character, Sì, an actress at the Folies Bergère, so called because she could never say no.
Teresa "Teresina" Brambilla was an Italian soprano who sang in the major opera houses of Europe in a career spanning 25 years. She was particularly noted for her interpretations of the leading roles in operas by Amilcare Ponchielli, whom she married in 1874.
Ella Némethy was a Hungarian mezzo-soprano who had an active international career in operas and concerts from 1919 to 1948. Music historian Péter P. Várnai writes in The New Grove Dictionary of Music and Musicians that "she was the leading mezzo-soprano in the interwar years, especially in Wagnerian roles such as Brünnhilde, Isolde and Kundry. Her interpretations were characterized by vocal amplitude, rich colouring and grand declamation." She was the mother of author Baba Macnee, who would marry actor Patrick Macnee in 1988.
Auguste Charles Léonard François Vianesi was an opera conductor, born in the Austrian Empire and later naturalised French. His repertoire consisted mostly of French and Italian opera, in which he directed some of the world's great singers including Pauline Viardot, Christina Nilsson, Marcella Sembrich, the brothers Edouard and Jean de Reszke, and Feodor Chaliapin in the opera houses of London, Paris, Melbourne, St. Petersburg, Boston and New York. He retired around the time when sound recording became commercially available, and he seems not to have left any recorded legacy.
Concepció Bordalba i Simón was a Catalan operatic soprano who performed under the name Concetta Bordalba outside her native Spain. She spent most of her career in Italy or with touring Italian opera companies and was particularly known for her performances as Elsa in Wagner's Lohengrin and Margherita in Boito's Mefistofele.
