Looking for Oum Kulthum | |
---|---|
Directed by | Shirin Neshat Shoja Azari |
Written by | Shirin Neshat Shoja Azari |
Starring | Neda Rahmanian |
Release dates |
|
Running time | 90 minutes |
Countries | Germany Austria Italy Lebanon Qatar |
Languages | English Persian Arabic |
Looking for Oum Kulthum is a 2017 internationally co-produced drama film about the Egyptian diva Umm Kulthum, directed by Shirin Neshat in collaboration with Shoja Azari. It was screened in the Contemporary World Cinema section at the 2017 Toronto International Film Festival. [1] [2]
The story is revolved on the life and music of Egyptian singer. The female singer struggled to make it in a male-dominated society. Her weakness and determination pushed her to fame. [3] However, there are various descriptions of the film. TRT, described it as “the story of Mitra, an Iranian-born director living in exile, who dreams of making a film dedicated to legendary Egyptian singer Oum Kulthum.” [4] [5] TRT also stated that “Shirin Neshat has brought the diva’s story to the screen, with personal touches.” [6] Enterprise stated “Looking for Oum Kulthum is about “the power of art to move a people." [7] It was also described as “a film within a film.” It is 90 minutes film with the approval age of viewers from 15 years with parental guidance as it contains adult themes. [8] [9] It was subtitled in English. [10]
One of the viewers delight was the selection of the wardrobe of the actresses. In the words of What Women Want Magazine “the movie also witnesses a mesmerizing selection of incredible gowns from Oum Kulthum’s iconic wardrobe, designed by the talented Italian costume designer Mariano Tufano. The designer was given 8 weeks to design hundreds of dresses for the characters and 350 dresses were made with initiatives from six different decades. According to Vogue Arabi, “While most of the clothes were custom-made in Tufano’s Casablanca workshops, there were hordes of extras who needed ensembles too. The costume designer and his staff collected their images of old Egypt, and traversed around London, Rome, and Marrakech for shoes, accessories, and jewelry. Tufano sought assistance from Gerardo Sacco, a popular Italian jeweler, to help recreate the unique diamond earrings Kulthum was known to spot.” [11]
Looking for Oum Kulthum” was unveiled at the Venice Film Festival in 2017. It was also exhibited by the Association Azzedine Alaïa at the Paris Photo Week. It featured eight photographs of the film of Oum Kulthum portraits. These included the frontal and the striking images that attempt to capture the mythical nature of this famous Egyptian diva. Each carried the title of one of Oum Kulthum’s songs. It was written with ink in Arabic calligraphy. [4] [12]
It was screened at the Dublin Arabic Film Festival 2018. [13]
Looking for Oum Kulthum was selected as one of the 34 Arabic films for the festival’s 2nd edition. [14]
It was approved to be featured in April 23, 2017 at the Zamalek Cinema during the year's "Cairo Cinema Days" festival. [15]
It was one of the 12 films globally selected at the 74th Venice International Film Festival (30 August-9 September). [11]
A lecture on the film was given at the Hall Piper Auditorium of the Havard University Graduate School of Design Hall Piper Auditorium. It was a free and open lecture that lasted from 06:30PM – 08:00PM on 28 November 2018. [16]
It was screened at the Hammer Museum of Otis College of Art and Design under the summer residency series. [17]
As much as the film was featured in many event and festivals, it attracted criticisms which included multiple inaccuracies which stated that the Director Neshat wrote from her own perception instead of from the real Oum Kulthum’s life. Again was that Oum Kulthum had never appeared in short sleeve dresses and had a perfect voice that never choked. But the film portrayed the opposite. Another was on the home town of Oum Kulthum which the critics said was not backward as was shown in the film. [18] [19]
Visionaire is a company based in New York City that creates films, experiences, and events in addition to an eponymous publication that intersect art, fashion, film, and contemporary culture across multiple platforms. Artists and designers often work in collaboration with Visionaire to produce interpretations on a theme.
Colleen Atwood is an American costume designer.
Shirin Neshat is an Iranian photographer and visual artist who lives in New York City, known primarily for her work in film, video and photography. Her artwork centers on the contrasts between Islam and the West, femininity and masculinity, public life and private life, antiquity and modernity, and bridging the spaces between these subjects.
Peter Lindbergh was a German fashion photographer and film director.
Miuccia Bianchi Prada is an Italian billionaire fashion designer and businesswoman. She is the head designer of Prada and the founder of its subsidiary Miu Miu. As of October 2021, Forbes estimated her net worth at US$4.8 billion. In August 2021, Bloomberg estimated her net worth to be $6.6 billion, ranking 430th in the world.
Storefront for Art and Architecture is an independent, non-profit art and architecture organization located in SoHo, Manhattan in New York City. The organization is committed to the advancement of innovative positions in architecture, art and design.
Marcello Dantas is one of the main figures in the convergence of art and technology in Brazil.
Azzedine Alaïa was a Tunisian couturier and shoe designer, particularly successful beginning in the 1980s.
Aesthetica Magazine is an internationally recognized publication focusing on art and culture. Established in 2002, the magazine provides bi-monthly coverage of contemporary art across various disciplines, including visual arts, photography, architecture, fashion, and design. With wide distribution, it has garnered a readership of over 311,000 globally.
Shirin Guild is an Iranian-born British fashion designer. Her fashion label was established in London, in 1991. Her clothing design is minimalist and she has reworked Iranian clothing traditions through a "reductionist aesthetic". Her design work has been described as "trans-cultural".
Bijan Daneshmand is an Iranian born-English actor and artist based in London, England.
The Egyptian film industry is today based mainly in Cairo, which is sometimes referred to as Hollywood on the Nile or Hollywood of the East, despite having its beginnings in the city of Alexandria in the early 20th century. A strong industry grew in Egypt with a high distribution rate among the Arab world, and Cairo produces around three-quarters of the Arab world's screen output. It has had a large effect on the African and Arab film industry since the early 20th century.
The 66th annual Venice International Film Festival, held in Venice, Italy, was held from 2 to 12 September 2009, with Maria Grazia Cucinotta serving as the festival's hostess. The opening film of the festival was Baarìa by Giuseppe Tornatore and the closing film was Chengdu, I Love You by Fruit Chan and Cui Jian.
Hervé Léger is a French fashion house that was founded by the designer Hervé Peugnet, who was also known as Hervé L. Leroux. As of 2023, the creative director is American designer Michelle Ochs.
Franca: Chaos and Creation is a 2016 documentary film directed by Francesco Carrozzini. The film focuses on his mother Franca Sozzani, editor-in-chief of Vogue Italia for nearly three decades, and highlights her groundbreaking influence on fashion editorials while also exploring the relationship between Sozzani and Carrozzini as mother and son. The film premiered on September 2, 2016, in the "Cinema nel Giardino" category at the 73rd Venice International Film Festival where it received early positive reviews from the fashion industry. It hosted its North American premiere during the 24th Hamptons International Film Festival in October 2016 and also screened at AFI Fest in Los Angeles on November 15, 2016. The film was picked up for distribution in the US by Bond/360. In September 2017, Carrozzini announced that the film would receive a special release in Italy on September 25–27, 2017 as part of Fashion Film Festival Milano and be available to stream worldwide on Netflix starting in October 2017.
Yasmin Raeis is an Egyptian actress. She started her acting career in a television series called "3ard khas". In addition, she was the main character under the supervision of the movie director Mohamed Khan in a movie called "Factory Girl", a movie that was a big success and won a lot of prizes, both locally and internationally.
Kazik Radwanski is a Canadian film director and screenwriter. His early short films have been cited as part of the New Canadian Cinema movement. He made his feature film directorial debut in 2012 with Tower. His second feature film, How Heavy This Hammer (2015), screened at film festivals around the world and received critical acclaim.
Vivo Film, established in Rome at the beginning of 2004 by Gregorio Paonessa and Marta Donzelli, is an Italian independent production company for art-house films.
Gail Elliott is an English fashion designer and former model.
Cinema in Qatar is a relatively young industry that evolved as part of the country’s plans to develop different local sectors with the aim of accumulating international recognition and status. Many major steps were taken to implement a long-term plan to develop the infrastructure as well as giving opportunities to local talents to have a platform that establishes their presence within the film industry with the support of the Doha Film Institute, and their various grants, workshops and festivals. The Qatar National Vision 2030 has three major pillars to development: human, social economic and environmental; this vision provides frameworks that enable the development of different elements within Qatar and its society; one of which is the high importance put on developing and cultivating artistic talents to represent and define Qatar on a global scale. Another important element in developing the movie industry is the influence and vision of Sheikha Al Mayassa who founded Doha Film Institution; the establishment of film as a mode of storytelling was imperative because it serves the purpose of granting Qatar a global presence through the talents that are supported and cultivated because of her initiative. The film industry plays a role in amplifying the Qatari national identity alongside the identity of the Arab world as a whole.