Related Research Articles
A taboo, also spelled tabu, is a social group's ban, prohibition, or avoidance of something based on the group's sense that it is excessively repulsive, offensive, sacred, or allowed only for certain people. Such prohibitions are present in virtually all societies. Taboos may be prohibited explicitly, for example within a legal system or religion, or implicitly, for example by social norms or conventions followed by a particular culture or organization.
Orpheus is a 1950 French romantic fantasy drama film directed by Jean Cocteau and starring Jean Marais. It is the central part of Cocteau's Orphic Trilogy, alongside The Blood of a Poet (1930) and Testament of Orpheus (1960). Set in contemporary Paris, the film is a variation on the Greek myth of Orpheus and Eurydice, and is partially based on Cocteau's 1926 play of the same title.
Sir Orfeo is an anonymous Middle English Breton lai dating from the late 13th or early 14th century. It retells the story of Orpheus as a king who rescues his wife from the fairy king. The folk song Orfeo is based on this poem.
Lot was a man mentioned in the biblical Book of Genesis, chapters 11–14 and 19. Notable events in his life recorded in Genesis include his journey with his uncle Abraham; his flight from the destruction of Sodom and Gomorrah, during which his wife became a pillar of salt, and being intoxicated by his daughters so they could have incestuous intercourse with him to continue their family line.
Japanese mythology is a collection of traditional stories, folktales, and beliefs that emerged in the islands of the Japanese archipelago. Shinto traditions are the cornerstones of Japanese mythology. The history of thousands of years of contact with Chinese and various Indian myths are also key influences in Japanese religious belief.
The StoryTeller is a live-action/puppet television series that originally aired in 1987 and which was created and produced by Jim Henson.
Izanami (イザナミ), formally referred to with the honorific Izanami-no-Mikoto, is the creator deity of both creation and death in Japanese mythology, as well as the Shinto mother goddess. She and her brother-husband Izanagi are the last of the seven generations of primordial deities that manifested after the formation of heaven and earth. Izanami and Izanagi are held to be the creators of the Japanese archipelago and the progenitors of many deities, which include the sun goddess Amaterasu, the moon deity Tsukuyomi and the storm god Susanoo. In mythology, she is the direct ancestor of the Japanese imperial family. In Shinto and Japanese mythology, Izanami gave humans death, so Izanami is sometimes seen as a shinigami.
Eurydice is a 2003 play by Sarah Ruhl which retells the myth of Orpheus from the perspective of Eurydice, his wife. The story focuses on Eurydice's choice to return to Earth with Orpheus or to stay in the underworld with her father. Ruhl made several changes to the original myth's story-line. The most noticeable of these changes was that in the myth Orpheus succumbs to his desires and looks back at Eurydice, while in Ruhl's version Eurydice calls out to Orpheus perhaps in part because of her fear of reentering the world of the living and perhaps as a result of her desire to remain in the land of the dead with her father. Ruhl's script has been explicitly written so as to be a playground for the designer of the sets.
A katabasis or catabasis is a journey to the underworld. Its original sense is usually associated with Greek mythology and Classical mythology more broadly, where the protagonist visits the Greek underworld, also known as Hades. The term is also used in a broad sense of any journey to the realm of the dead in other mythological and religious traditions. A katabasis is similar to a nekyia or necromancy, where one experiences a vision of the underworld or its inhabitants; a nekyia does not generally involve a physical visit, however. One of the most famous examples is that of Odysseus, who performs something on the border of a nekyia and a katabasis in book 11 of the Odyssey; he visits the border of the realms before calling the dead to him using a blood rite, with it being disputed whether he was at the highest realm of the underworld or the lowest edge of the living world where he performed this.
Yomotsu-shikome, in Japanese mythology, was a hag sent by the dead Izanami to pursue her husband Izanagi, for shaming her by breaking promise not to see her in her decayed form in the Underworld (Yomi-no-kuni). Also recorded by the name Yomotsu-hisame (泉津日狭女), the name may have been a term referring collectively to eight hags, not just one.
Metamorphoses is a play by the American playwright and director Mary Zimmerman, adapted from the classic Ovid poem Metamorphoses. The play premiered in 1996 as Six Myths at Northwestern University and later the Lookingglass Theatre Company in Chicago. The play opened off-Broadway in October 2001 at the Second Stage Theatre. It transferred to Broadway on 21 February 2002 at the Circle in the Square Theatre produced by Roy Gabay and Robyn Goodman. That year it won several Tony Awards.
The ancient legend of Orpheus and Eurydice concerns the fateful love of Orpheus of Thrace for the beautiful Eurydice. Orpheus was the son of Oeagrus and the muse Calliope. It may be a late addition to the Orpheus myths, as the latter cult-title suggests those attached to Persephone. The subject is among the most frequently retold of all Greek myths, being featured in numerous works of literature, operas, ballets, paintings, plays, musicals, and more recently, films and video games.
In Greek mythology, Orpheus was a Thracian bard, legendary musician and prophet. He was also a renowned poet and, according to the legend, travelled with Jason and the Argonauts in search of the Golden Fleece, and even descended into the underworld of Hades, to recover his lost wife Eurydice.
Eurydice was a character in Greek mythology and the Auloniad wife of Orpheus, whom Orpheus tried to bring back from the dead with his enchanting music.
In Shinto chronology, the Age of the Gods is the period preceding the accession of Jimmu, the first Emperor of Japan. The kamiyo myths are chronicled in the "upper roll" (Kamitsumaki) of the Kojiki and in the first and second chapters of the Nihon Shoki. The reigns of Emperor Jimmu and the subsequent Emperors are considered the Human Age.
In the Bible, Lot's wife is a figure first mentioned in Genesis 19. The Book of Genesis describes how she became a pillar of salt after she looked back at Sodom. She is not named in the Bible, but is called Ado or Edith in some Jewish traditions. She is also referred to in the deuterocanonical books at the Book of Wisdom and the New Testament at Luke 17:32.
In Japanese mythology, the story of the birth of the gods occurs after the creation of Japan (Kuniumi). It concerns the birth of the divine (kami) descendants of Izanagi and Izanami.
The Medusa Frequency is a 1987 novel by Russell Hoban. Written in a lyrical, often magic realist style, it crosses a number of genres including comedy and fantasy. It uses the story of Orpheus to "meditate on art and reality and love and fear and fidelity and betrayal".
The Corridor is a chamber opera composed by Harrison Birtwistle to an English language libretto by David Harsent. It premiered at the Aldeburgh Festival on 12 June 2009. The title refers to the corridor through which Orpheus and Eurydice passed as he was leading her from the underworld.
References
- ↑
The full text of a literal English translation of Orpheus and Eurydice at Wikisource - 1 2 Schwartz, Howard (2004). Tree of Souls: The Mythology of Judaism. Oxford University Press. ISBN 9780195358704.
- ↑ 19:26
- ↑ Brill's New Pauly, s.v. Gorgo.
- ↑ Marina Shchepetunina, "The Power of Vision in Mythological Thinking: 'To See the Forbidden' in Japanese Myths and Fairy Tales", In:Vision beyond Visual Perception, 2017 pp.30, 34
- ↑ C300—C399 Looking tabu.
