Loop bin duplicator

Last updated

A loop bin duplicator is a specialized audio tape machine used in the duplication of pre-recorded audio cassettes and 8-track cartridges.

Contents

Magnefax 7in duplicator Magnefax Duplicator.jpg
Magnefax 7in duplicator

Loop bin duplicators were first introduced in the early 1990s.

They had fewer moving parts than previous systems, so were more reliable to operate.

Analog loop bin duplicator

An analog loop bin uses a long loop of either 1/2" wide (for cassette duplication) or 1" wide (for 8-track tape duplication) loaded in a large bin located in the front of the duplicator. This loop master tape is loaded into the duplicator's bin from a traditional open-reel of tape, where the program material has been recorded to it using a studio-type multitrack tape recorder in real-time beforehand. The loop tape for cassette duplication has 4 tracks on the loop bin master tape (2 stereo tracks for Side A recorded in one direction, and the other 2 for Side B recorded in the opposite direction), and for 8-tracks has all of the 8 tracks (4 2-track stereo programs) recorded in one direction. The loop-bin master tape is read by the duplicator at a very high speed. For cassettes, either 32, 64, 80, or 100 times the normal speed of playback (1.875 ips) of an audio cassette (60, 120, 150, and 187.5 ips respectively) is used, and 10 or 20 times the normal speed of playback (3.75 ips) is used for 8-track duplication (37.50 and 75 ips respectively).

While this loop is being played back, the audio signals for the A and B side (or all 4 programs for 8-track) are sent to a "slave" recorder or an audio bus that contains multiple "slaves". The "slave" records from the loop bin master tape the 4 tracks for both A and B sides to an open-faced "pancake" reel (similar to motion picture film wound on a plastic core) of raw 1/8" audio tape (for cassettes), or all 8 tape tracks to back-lubricated 1/4" audio tape (for 8-track cartridges) also wound on a "pancake" reel, at the same high speed. After it is recorded, this pancake of tape is then loaded onto special machines called loaders. For cassettes, the loader has cassette shells containing only a leader called "C-0" cassettes that are loaded one at a time or into a hopper where the C-0s are fed automatically depending on the type of loader. The tape from the pancake is then spliced onto the C-0 cassette's leader and then wound into the cassette by the loader. For 8-tracks, the tape is wound from the slave recorder onto a device mounted on its side, called a "sidewinder", which holds several small reels, and extracts and winds the tape from the slave recorder onto each reel into an endless-loop configuration (with the tape being pulled from the center of the wind), where each full reel is then placed in an empty 8-track cartridge and spliced together, either by machine or by hand, with a foil splice that holds the loop together. The foil splice also serves to automatically engage an 8-track player to advance to the next program when played.

The loop of tape in the duplicator's bin usually will have a segment of clear leader spliced in between the beginning and end of the tape loop (with some duplicators using a metal foil splice instead). This clear leader splice is read by an optical sensor (or in the case of a foil splice, coming in contact with electrical contacts in the tape path) in the loop bin duplicator, which triggers a cue tone that is recorded to the reel of pancake tape. This cue tone is read by the loader, and engages it, for cassettes, to stop and cut the tape from the pancake and either splice it to the leader in the C-0 cassette shell, or for 8-tracks, to disengage winding to an internal cartridge reel on the "sidewinder" mechanism and then cut the tape (a process for both types of media called "de-spooling"), with the winding resuming to a new reel afterwards. In fact, part of this de-spooling tone (also known as a "tailor tone" or "trigger tone") can be heard at the leader splice or foil splice of some previously recorded audio cassettes and 8-tracks respectively, as a very low-frequency arpeggiated rumbling of about 20 Hertz, sounding similar to how "motorboating" sounds with a radio or audio amplifier affected by such, but as an actual higher-frequency tone when played back at a higher speed (as it was when recorded to the tape at high speed during duplication).

In the XDR duplication process for audio cassettes, the loop bin duplicators use 1"-wide loop tape instead (like what is used for 8-track duplication), yielding in a better quality duplication.

Digital loop bin duplicator

Digital loop bins were also introduced in the early 1990s. The early digital loop bins replaced the source tape with audio data stored on hard drives that was read and sent to digital-to-analog converters that were connected to the "slave" recorders, but they were prone to failure because of the amount of stress put on the hard disks.

The hard disks were replaced by huge RAM buffers which eliminated the failures but added greatly to the expense of the equipment. Since a digital bin was capable of playback speeds of 256:1 or better, a single bin could perform as two by splitting the buffer between two different programs. A program could be loaded and looped for production while an additional program could be loaded into the buffer. A real-time monitoring system could play back the audio stored in either buffer to check for potential flaws in the audio while both programs were looping for production.

Another difficulty to overcome was the means for loading a digital bin. A bin could be loaded manually by recording directly into the bin's buffer, or it could be loaded by a high speed data device. At the time digital bins were first put into production, an S-VHS based storage device manufactured by Honeywell called a VLDS (Very Large Data Store) was used. A single S-VHS tape was capable of storing over 5 GB of data. These extremely expensive storage devices were eventually replaced by CD loading.

The benefits of using a digital loop bin are:

The disadvantages:

Related Research Articles

<span class="mw-page-title-main">Tape drive</span>

A tape drive is a data storage device that reads and writes data on a magnetic tape. Magnetic-tape data storage is typically used for offline, archival data storage. Tape media generally has a favorable unit cost and a long archival stability.

<span class="mw-page-title-main">VHS</span> Consumer-level analog videotape recording and cassette form standard

VHS is a standard for consumer-level analog video recording on tape cassettes invented in 1976 by the Victor Company of Japan and was the competitor to the ill-fated Sony Betamax system.

<span class="mw-page-title-main">Cassette tape</span> Magnetic audio tape recording format

The Compact Cassette, also commonly called a cassette tape, audio cassette, or simply tape or cassette, is an analog magnetic tape recording format for audio recording and playback. Invented by Lou Ottens and his team at the Dutch company Philips in 1963, Compact Cassettes come in two forms, either containing content as a prerecorded cassette (Musicassette), or as a fully recordable "blank" cassette. Both forms have two sides and are reversible by the user. Although other tape cassette formats have also existed—for example the Microcassette—the generic term cassette tape is normally used to refer to the Compact Cassette because of its ubiquity.

<span class="mw-page-title-main">Digital Audio Tape</span> Digital audio cassette format developed by Sony

Digital Audio Tape is a signal recording and playback medium developed by Sony and introduced in 1987. In appearance it is similar to a Compact Cassette, using 3.81 mm / 0.15" magnetic tape enclosed in a protective shell, but is roughly half the size at 73 mm × 54 mm × 10.5 mm. The recording is digital rather than analog. DAT can record at sampling rates equal to, as well as higher and lower than a CD at 16 bits quantization. If a comparable digital source is copied without returning to the analogue domain, then the DAT will produce an exact clone, unlike other digital media such as Digital Compact Cassette or non-Hi-MD MiniDisc, both of which use a lossy data-reduction system.

<span class="mw-page-title-main">Tape recorder</span> Machine for recording sound

An audio tape recorder, also known as a tape deck, tape player or tape machine or simply a tape recorder, is a sound recording and reproduction device that records and plays back sounds usually using magnetic tape for storage. In its present-day form, it records a fluctuating signal by moving the tape across a tape head that polarizes the magnetic domains in the tape in proportion to the audio signal. Tape-recording devices include the reel-to-reel tape deck and the cassette deck, which uses a cassette for storage.

A cassette deck is a type of tape machine for playing and recording audio cassettes that does not have a built-in power amplifier or speakers, and serves primarily as a transport. It can be a part of an automotive entertainment system, a part of a portable mini system or a part of a home component system. In the latter case it is also called a component cassette deck or just a component deck.

<span class="mw-page-title-main">Reel-to-reel audio tape recording</span> Audio recording using magnetic tape spooled on open reels

Reel-to-reel audio tape recording, also called open-reel recording, is magnetic tape audio recording in which the recording tape is spooled between reels. To prepare for use, the supply reel containing the tape is placed on a spindle or hub. The end of the tape is manually pulled from the reel, threaded through mechanical guides and over a tape head assembly, and attached by friction to the hub of the second, initially empty takeup reel. Reel-to-reel systems use tape that is 1412, 1, or 2 inches wide, which normally moves at 3+347+12, 15 or 30 inches per second. Domestic consumer machines almost always used 14 inch (6.35 mm) or narrower tape and many offered slower speeds such as 1+78 inches per second (4.762 cm/s). All standard tape speeds are derived as a binary submultiple of 30 inches per second.

<span class="mw-page-title-main">Video tape recorder</span> Tape recorder designed to record and play back video and audio material on magnetic tape

A video tape recorder (VTR) is a tape recorder designed to record and playback video and audio material from magnetic tape. The early VTRs were open-reel devices that record on individual reels of 2-inch-wide (5.08 cm) tape. They were used in television studios, serving as a replacement for motion picture film stock and making recording for television applications cheaper and quicker. Beginning in 1963, videotape machines made instant replay during televised sporting events possible. Improved formats, in which the tape was contained inside a videocassette, were introduced around 1969; the machines which play them are called videocassette recorders.

Print-through is a generally undesirable effect that arises in the use of magnetic tape for storing analog information, in particular music, caused by contact transfer of signal patterns from one layer of tape to another as it sits wound concentrically on a reel.

TEAC Corporation is a Japanese electronics manufacturer. TEAC was created by the merger of the Tokyo Television Acoustic Company, founded in 1953, and the Tokyo Electro-Acoustic Company, founded in 1956.

NT is a digital memo recording system introduced by Sony in 1992, sometimes marketed under the name Scoopman.

<span class="mw-page-title-main">Type B videotape</span> Broadcast magnetic tape-based videotape format used in Europe

1–inch type B VTR is a reel-to-reel analog recording video tape format developed by the Bosch Fernseh division of Bosch in Germany in 1976. The magnetic tape format became the broadcasting standard in continental Europe, but adoption was limited in the United States and United Kingdom, where the Type C videotape VTR met with greater success.

<span class="mw-page-title-main">XDR (audio)</span>

XDR, also known as SDR is a quality-control and duplication process for the mass-production of pre-recorded audio cassettes. It is a process designed to provide higher quality audio on pre-recorded cassettes by checking the sound quality at all stages of the tape duplication process. In this way, the dynamic range of audio recorded on an XDR-duplicated cassette can be up to 13 decibels greater.

<span class="mw-page-title-main">Fidelipac</span> Magnetic tape sound recording format used in broadcasting

The Fidelipac, commonly known as a "NAB cartridge" or simply "cart", is a magnetic tape sound recording format, used for radio broadcasting for playback of material over the air such as radio commercials, jingles, station identifications, and music. Fidelipac is the official name of this industry standard audio tape cartridge. It was developed in 1954 by inventor George Eash, and commercially introduced in 1959 by Collins Radio Co. at the 1959 NAB Convention. The cartridge was often used at radio stations until the late 1990s, when such formats as MiniDisc and computerized broadcast automation predominated.

Foster Denki KK is an electronics company that manufactures loudspeakers and audio equipment for other companies or sells them under the trade name Fostex. It is traded on the Tokyo Stock Exchange.

Magnetic-tape data storage is a system for storing digital information on magnetic tape using digital recording.

<span class="mw-page-title-main">RCA tape cartridge</span> Magnetic tape audio format introduced in 1958

The RCA tape cartridge is a magnetic tape audio format that was designed to offer stereo quarter-inch reel-to-reel tape recording quality in a convenient format for the consumer market. It was introduced in 1958, following four years of development. This timing coincided with the launch of the stereophonic phonograph record. It was introduced to the market by RCA in 1958.

HiPac, is an audio tape cartridge format, introduced in August 1971 on the Japanese consumer market by Pioneer and discontinued in 1973 due to lack of demand. In 1972 it only achieved a market share of 3% in equipping new cars. In the mid 1970s, the format was repurposed as a children's educational toy called ポンキー and was used in the analog tape delay "Melos Echo Chamber".

An endless tape cartridge is a tape cartridge or cassette that contains magnetic audio tape that can be played in an endless loop, without the need to rewind to repeat.

<span class="mw-page-title-main">Revox B215</span> Cassette deck manufactured from 1985–1990

The Revox B215 is a cassette deck manufactured by Studer from 1985 until around 1990. A professional version with different control layout and audio path electronics was manufactured concurrently as the Studer A721. A later improved version was marketed as the Revox B215S. Because it was expensive compared to other consumer models and had exceptionally good mechanical performance and durability, the B215 was used primarily by professional customers—radio stations, recording studios and real-time cassette duplicators.

References