Lord Strange's Men was an Elizabethan playing company, comprising retainers of the household of Ferdinando Stanley, Lord Strange (pronounced "strang"). [1] [2] They are best known in their final phase of activity in the late 1580s and early 1590s. After 25 September 1593, they were known as the Earl of Derby's Men, that being the date of Stanley's accession to his father's title.
Early iterations of the company were active in the 1560s and 1570s; Henry Stanley, 4th Earl of Derby, kept players both before and after his accession to the title in 1572. A later iteration was active throughout the 1580s, playing at Court in 1580–1, 1583, and 1585–6. And "active" was the key word: they were a troupe of acrobats, led by John Symons "the Tumbler." In 1588 the company went through a re-organization: Symons and the other tumblers left for a competing troupe, Queen Elizabeth's Men. Lord Strange's became a company more devoted to acting; William Kempe, Thomas Pope, and George Bryan, all future Lord Chamberlain's Men, may have joined the company at this time. [3]
In November 1589, the Lord Mayor of London ordered the company not to stage any performances within the city. In response, Strange's Men immediately went to the Cross Keys Inn to mount a performance.
Lord Strange's Men were associated with the Lord Admiral's Men from 1590 to 1594; in the winter of 1591 Strange's Men gave six performances at Court. They were also performing at The Theatre, and perhaps at the Curtain as well. The "plot" of one of their plays, The Seven Deadly Sins, survives from this era, with a cast list that includes Richard Burbage, William Sly, Richard Cowley, and Augustine Phillips, more Lord Chamberlain's Men of the future.
Between February and June 1592 they were at Henslowe's Rose Theatre, where they acted a repertory of 23 plays that included one or more of Shakespeare's Henry VI trilogy. It has been argued that during that season William Shakespeare was a member of the company and had a hand in one of their plays, A Knack to Know a Knave. [4] They gave three more Court performances in the winter of 1592–3; but on 28 January 1593 bubonic plague broke out again in London, an outbreak so severe that it would disrupt the entire framework of professional theatre in the capital. A combination of Strange's and Admiral's actors, led by Edward Alleyn, toured the countryside in 1593–4, visiting Kent, Southampton, Bath, Bristol, Shrewsbury, and perhaps to York and Chester before turning south again to Leicester and Coventry.
When Ferdinando Stanley died in April 1594, the company was still touring, in East Anglia and Hampshire. They returned to London in June, after the plague had abated. The company endured a radical re-organization at this time; many members left to join a new version of another troupe, under the patronage of Lord Hunsdon, the Lord Chamberlain — which became famous as the company of William Shakespeare and Richard Burbage, the Lord Chamberlain's Men. [5]
A company of actors continued to function as Derby's Men, under the patronage of the sixth Earl; this organization probably included men who did not make the move to the Chamberlain's company. [6] Derby's Men concentrated on touring the provincial towns outside London for the remainder of their career, down to 1618 – though they enjoyed one flurry of London activity under the leadership of Robert Browne around the turn of the century, including four performances at Court in 1600 and 1601.
Richard Burbage was an English stage actor, widely considered to have been one of the most famous actors of the Globe Theatre and of his time. In addition to being a stage actor, he was also a theatre owner, entrepreneur, and painter. He was the younger brother of Cuthbert Burbage. They were both actors in drama. Burbage was a business associate and friend to William Shakespeare.
The Lord Chamberlain's Men was a company of actors, or a "playing company", for which Shakespeare wrote during most of his career. Richard Burbage played most of the lead roles, including Hamlet, Othello, King Lear, and Macbeth. Formed at the end of a period of flux in the theatrical world of London, it had become, by 1603, one of the two leading companies of the city and was subsequently patronized by James I.
Henry Stanley, 4th Earl of Derby KG was a prominent English nobleman, diplomat, and politician. He was an ambassador, Privy Counsellor and participated in the trials of Mary, Queen of Scots and the Earl of Arundel.
William Stanley, 6th Earl of Derby, KG was an English nobleman and politician. Stanley inherited a prominent social position that was both dangerous and unstable, as his mother was heir to Queen Elizabeth I under the Third Succession Act, a position inherited in 1596 by his deceased brother's oldest daughter, Anne, two years after William had inherited the Earldom from his brother. After a period of European travel in his youth, a long legal battle eventually consolidated his social position. Nevertheless, he was careful to remain circumspect in national politics, devoting himself to administration and cultural projects, including playwriting.
The Admiral's Men was a playing company or troupe of actors in the Elizabethan and Stuart eras. It is generally considered the second most important acting troupe of English Renaissance theatre.
Ferdinando Stanley, 5th Earl of Derby, was an English nobleman and politician. He was the son of Henry Stanley, 4th Earl of Derby, and Lady Margaret Clifford. Ferdinando had a place in the line of succession to Elizabeth I according to the will of Henry VIII, after his mother, whom he predeceased. His sudden death led to suspicions of poisoning amid fears of Catholic plots to overthrow Elizabeth.
The Earl of Pembroke's Men was an Elizabethan era playing company, or troupe of actors, in English Renaissance theatre. They functioned under the patronage of Henry Herbert, 2nd Earl of Pembroke. Early and equivocal mentions of a Pembroke's company reach as far back as 1575; but the company is known for certain to have been in existence in 1592. In that year, a share in the company was valued at £80.
The Earl of Worcester's Men was an acting company in Renaissance England. An early formation of the company, wearing the livery of William Somerset, 3rd Earl of Worcester, is among the companies known to have toured the country in the mid-sixteenth century. A later iteration of the company toured through the 1580s and '90s; little is known about its activities, though in 1583 it included the sixteen-year-old Edward Alleyn, at the start of his illustrious career.
Augustine Phillips was an Elizabethan actor who performed in troupes with Edward Alleyn and William Shakespeare. He was one of the first generation of English actors to achieve wealth and a degree of social status by means of his trade.
Thomas Pope was an Elizabethan actor, a member of the Lord Chamberlain's Men and a colleague of William Shakespeare. Pope was a "comedian and acrobat."
William Sly was an actor in English Renaissance theatre, a colleague of William Shakespeare and Richard Burbage in the Lord Chamberlain's Men and the King's Men.
Richard Cowley was an actor in English Renaissance theatre, a colleague of William Shakespeare and Richard Burbage in the Lord Chamberlain's Men and the King's Men.
George Bryan was an actor in English Renaissance theatre, a member of the Lord Chamberlain's Men with William Shakespeare and Richard Burbage.
Queen Elizabeth's Men was a playing company or troupe of actors in English Renaissance theatre. Formed in 1583 at the express command of Queen Elizabeth, it was the dominant acting company for the rest of the 1580s, as the Admiral's Men and the Lord Chamberlain's Men would be in the decade that followed.
The Prescot Playhouse was an Elizabethan theatre in the town of Prescot, which was then in Lancashire. The playhouse was built before 1603, probably in the mid-1590s, and probably remained in theatrical use until 1609. It was one of the few free-standing theatres in England outside London, and probably hosted performances by the playing companies maintained by the Earls of Derby.
The Earl of Leicester's Men was a playing company or troupe of actors in English Renaissance theatre, active mainly in the 1570s and 1580s in the reign of Elizabeth I. In many respects, it was the major company in Elizabethan drama of its time, and established the pattern for the companies that would follow: it was the first to be awarded a royal patent, and the first to occupy one of the new public theatres on a permanent basis.
The Shadow of Night is a long poem written by George Chapman; it was first published in 1594, in an edition printed by Richard Field for William Ponsonby, the prestigious publisher of Edmund Spenser and Sir Philip Sidney.
The Earl of Sussex's Men was a playing company or troupe of actors in Elizabethan and Jacobean England, most notable for their connection with the early career of William Shakespeare.
In the historical era of English Renaissance drama, an Inn-yard theatre or Inn-theatre was a common inn with an inner courtyard with balconies that provided a venue for the presentation of stage plays.
The Earl of Oxford’s Men, alternatively Oxford’s Players, were acting companies in late Medieval and Renaissance England patronised by the Earls of Oxford. The name was also sometimes used to refer to tumblers, musicians, and animal acts that were under the patronage of the Earls or hired by them. The most notable troupe of this name was the acting company of the Elizabethan era patronised by Edward de Vere, the 17th Earl of Oxford (1550-1604), that originally derived from an earlier company, the Earl of Warwick’s Men, and was active from 1580 to 1587. It was revived probably in the late 1590s and ultimately was absorbed by yet another troupe, Worcester's Men, in late 1602.