William Kempe, commonly referred to as Will Kemp, was an English actor and dancer specialising in comic roles and best known for having been one of the original stage actors in early dramas by William Shakespeare. Roles associated with his name may include the great comic creation, Falstaff, and his contemporaries considered him the successor to the great clown of the previous generation, Richard Tarlton.
Philip Henslowe was an Elizabethan theatrical entrepreneur and impresario. Henslowe's modern reputation rests on the survival of his diary, a primary source for information about the theatrical world of Renaissance London.
The King's Men is the acting company to which William Shakespeare (1564–1616) belonged for most of his career. Formerly known as the Lord Chamberlain's Men during the reign of Queen Elizabeth I, they became the King's Men in 1603 when King James I ascended the throne and became the company's patron.
John Heminges was an actor in the King's Men, the playing company for which William Shakespeare wrote. Along with Henry Condell, he was an editor of the First Folio, the collected plays of Shakespeare, published in 1623. He was also the financial manager for the King's Men.
The Curtain Theatre was an Elizabethan playhouse located in Hewett Street, Shoreditch, just outside the City of London. It opened in 1577, and continued staging plays until 1624.
The Lord Chamberlain's Men was a company of actors, or a "playing company", for which Shakespeare wrote during most of his career. Richard Burbage played most of the lead roles, including Hamlet, Othello, King Lear, and Macbeth. Formed at the end of a period of flux in the theatrical world of London, it had become, by 1603, one of the two leading companies of the city and was subsequently patronized by James I.
In Renaissance-era London, playing company was the usual term for a company of actors. These companies were organised around a group of ten or so shareholders, who performed in the plays but were also responsible for management. The sharers employed "hired men" – that is, the minor actors and the workers behind the scenes. The major companies were based at specific theatres in London; the most successful of them, William Shakespeare's company the King's Men, had the open-air Globe Theatre for summer seasons and the enclosed Blackfriars Theatre in the winters. The Admiral's Men occupied the Rose Theatre in the 1590s, and the Fortune Theatre in the early 17th century.
John Lowin was an English actor.
The Admiral's Men was a playing company or troupe of actors in the Elizabethan and Stuart eras. It is generally considered the second most important acting troupe of English Renaissance theatre.
Lord Strange's Men was an Elizabethan playing company, comprising retainers of the household of Ferdinando Stanley, Lord Strange. They are best known in their final phase of activity in the late 1580s and early 1590s. After 25 September 1593, they were known as the Earl of Derby's Men, that being the date of Stanley's accession to his father's title.
Augustine Phillips was an Elizabethan actor who performed in troupes with Edward Alleyn and William Shakespeare. He was one of the first generation of English actors to achieve wealth and a degree of social status by means of his trade.
Alexander Cooke was an actor in the King's Men and the Lord Chamberlain's Men, the acting companies of William Shakespeare, John Heminges and Richard Burbage.
Lawrence Fletcher was a Jacobean actor, and man of mystery.
Nicholas Tooley was a Renaissance actor in the King's Men, the acting company of William Shakespeare.
Thomas Pope was an Elizabethan actor, a member of the Lord Chamberlain's Men and a colleague of William Shakespeare. Pope was a "comedian and acrobat."
Richard Cowley was an actor in English Renaissance theatre, a colleague of William Shakespeare and Richard Burbage in the Lord Chamberlain's Men and the King's Men.
George Bryan was an actor in English Renaissance theatre, a member of the Lord Chamberlain's Men with William Shakespeare and Richard Burbage.
The Earl of Sussex's Men was a playing company or troupe of actors in Elizabethan and Jacobean England, most notable for their connection with the early career of William Shakespeare.
John Underwood was an early 17th-century actor, a member of the King's Men, the theatrics company of William Shakespeare.
King's Men personnel were the people who worked with and for the Lord Chamberlain's Men and the King's Men from 1594 to 1642. The company was the major theatrical enterprise of its era and featured some of the leading actors of their generation – Richard Burbage, John Lowin, and Joseph Taylor among other – and some leading clowns and comedians, like Will Kempe and Robert Armin. The company benefitted from the services of William Shakespeare, John Fletcher, and Philip Massinger as regular dramatists.
