James Fletcher Hamilton Henderson was an American pianist, bandleader, arranger and composer, important in the development of big band jazz and swing music. He was one of the most prolific black musical arrangers and, along with Duke Ellington, is considered one of the most influential arrangers and bandleaders in jazz history. Henderson's influence was vast. He helped bridge the gap between the Dixieland and the swing eras. He was often known as "Smack" Henderson.
Coleman Randolph Hawkins, nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches". Hawkins cited as influences Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, and vibrato-laden tonal style, was the main influence on a generation of tenor players that included Chu Berry, Charlie Barnet, Tex Beneke, Ben Webster, Vido Musso, Herschel Evans, Buddy Tate, and Don Byas, and through them the later tenormen, Arnett Cobb, Illinois Jacquet, Flip Phillips, Ike Quebec, Al Sears, Paul Gonsalves, and Lucky Thompson. While Hawkins became known with swing music during the big band era, he had a role in the development of bebop in the 1940s.
Charles Melvin "Cootie" Williams was an American jazz, jump blues, and rhythm and blues trumpeter.
The swing era was the period (1933–1947) when big band swing music was the most popular music in the United States. Though this was its most popular period, the music had actually been around since the late 1920s and early 1930s, being played by black bands led by such artists as Duke Ellington, Jimmie Lunceford, Bennie Moten, Cab Calloway, Earl Hines, and Fletcher Henderson, and white bands from the 1920s led by the likes of Jean Goldkette, Russ Morgan and Isham Jones. An early milestone in the era was from "the King of Swing" Benny Goodman's performance at the Palomar Ballroom in Los Angeles on August 21, 1935, bringing the music to the rest of the country. The 1930s also became the era of other great soloists: the tenor saxophonists Coleman Hawkins, Ben Webster and Lester Young; the alto saxophonists Benny Carter and Johnny Hodges; the drummers Chick Webb, Gene Krupa, Jo Jones and Sid Catlett; the pianists Fats Waller and Teddy Wilson; the trumpeters Louis Armstrong, Roy Eldridge, Bunny Berigan, and Rex Stewart.
Ray Willis Nance was an American jazz trumpeter, violinist and singer. He is best remembered for his long association with Duke Ellington and his orchestra.
Wilbur Dorsey "Buck" Clayton was an American jazz trumpeter who was a member of Count Basie's orchestra. His principal influence was Louis Armstrong, first hearing the record "Confessin' That I Love You" as he passed by a shop window.
Russell Keith Procope was an American clarinetist and alto saxophonist who was a member of the Duke Ellington orchestra.
William Alonzo "Cat" Anderson was an American jazz trumpeter known for his long period as a member of Duke Ellington's orchestra and for his wide range, especially his ability to play in the altissimo register.
Richard Aaron Katz was an American jazz pianist, arranger and record producer. He freelanced throughout much of his career, and worked in a number of ensembles. He co-founded Milestone Records in 1966 with Orrin Keepnews.
Edward Joseph Bertolatus, also known as Eddie Bert, was an American jazz trombonist.
Joseph Benjamin Wilder was an American jazz trumpeter, bandleader, and composer.
Alvin Stoller was an American jazz drummer. Though he seems to have been largely forgotten, he was held in high regard in the 1940s and 1950s. He was best known for playing drums on both Mitch Miller's recording of "The Yellow Rose of Texas" and Stan Freberg's parody of Miller's recording.
George "Buster" Cooper was an American jazz trombonist.
James Louis Chirillo is an American jazz guitarist, banjoist, composer, arranger, and band leader.
Anthony Branker is an American musician and educator of Caribbean descent.
The American Jazz Orchestra was an American big band jazz ensemble founded in New York City, active from 1986 to 1993.
John W. Eckert is an American jazz trumpeter, known primarily as a big band sideman.
MusicMasters was a record label based in Ocean, New Jersey.
Edward Morris Berger was an American librarian, discographer, author, editor, historian, photographer, educator, jazz producer, and record label owner. For more than forty years, Berger was affiliated with the Institute of Jazz Studies at Rutgers University. He was also a longtime friend and business associate of the jazz instrumentalist and composer Benny Carter.
Harlem Renaissance is a live album celebrating saxophonist/composer Benny Carter's 85th birthday recorded in 1992 and released by the MusicMasters label.
