 First edition | |
| Author | Peter Straub |
|---|---|
| Country | United States |
| Language | English |
| Genre | Horror |
| Published | October 14, 2003, Random House |
| Media type | |
| Pages | 320 |
| ISBN | 1-4000-6092-3 |
| Followed by | In the Night Room |
Lost Boy, Lost Girl is a 2003 horror/suspense novel by American writer Peter Straub. The book won the 2003 Bram Stoker Award for Best Novel [1] and was a 2004 August Derleth Award nominee. [2]
The novel revolves around a middle-aged writer named Timothy Underhill, struggling to help his brother Philip and his nephew, Mark, cope with the recent suicide of Philip's wife, Nancy. A perplexing series of events revolving around a haunted house, a pedophilic serial killer and the lost girl of the title, is triggered when Mark suddenly goes missing and is suspected to be the latest victim of the killer. Mark had begun to harbor an obsession, after the death of his mother, with an abandoned house on the Underhills' street. Timothy and Philip struggle to connect the threads of this mystery and find Mark before he falls victim to the horrors of the abandoned home; horrors both human and supernatural in nature.
A sequel, In the Night Room (2004), continues the story.
Philip Kindred Dick, often referred to by his initials PKD, was an American science fiction writer. He wrote 44 novels and about 121 short stories, most of which appeared in science fiction magazines during his lifetime. His fiction explored varied philosophical and social questions such as the nature of reality, perception, human nature, and identity, and commonly featured characters struggling against elements such as alternate realities, illusory environments, monopolistic corporations, drug abuse, authoritarian governments, and altered states of consciousness. He is considered one of the most important figures in 20th century science fiction.
Timothy Thomas Powers is an American science fiction and fantasy author. His first major novel was The Drawing of the Dark (1979), but the novel that earned him wide praise was The Anubis Gates (1983), which won the Philip K. Dick Award, and has since been published in many other languages. His other written work include Dinner at Deviant's Palace (1985), Last Call (1992), Expiration Date (1996), Earthquake Weather (1997), Declare (2000), and Three Days to Never (2006). Powers has won the World Fantasy Award twice for his critically acclaimed novels Last Call and Declare. His 1987 novel On Stranger Tides served as inspiration for the Monkey Island franchise of video games and was optioned for the fourth Pirates of the Caribbean film.
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Peter Francis Straub was an American novelist and poet. He had success with several horror and supernatural fiction novels, among them Julia (1975), Ghost Story (1979) and The Talisman (1984), the latter co-written with Stephen King. He explored the mystery genre with the Blue Rose trilogy, consisting of Koko (1988), Mystery (1990) and The Throat (1993). He fused the supernatural with crime fiction in Lost Boy, Lost Girl (2003) and the related In the Night Room (2004). For the Library of America, he edited the volume H. P. Lovecraft: Tales and the anthology American Fantastic Tales. Straub received such literary honors as the Bram Stoker Award, World Fantasy Award, and International Horror Guild Award.
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Black House is a horror novel by American writers Stephen King and Peter Straub. Published in 2001, it is the sequel to The Talisman. This is one of King's numerous novels, such as Hearts in Atlantis and Insomnia, which tie in with the Dark Tower series. Black House was nominated for the Bram Stoker Award for Best Novel.
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In the Night Room is a 2004 horror-thriller novel by American author Peter Straub, a sequel to his 2003 book Lost Boy, Lost Girl. The work was first published in hardback on October 26, 2004 through Random House and it won the 2004 Bram Stoker Award for Novel. Straub encountered some difficulties while writing In the Night Room and had written several different passages for the work before growing bored with each version before writing it using the same technique he used for its predecessor in which he "reached down inside the book and turned it inside out."
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