Paradise Lost is an epic poem in blank verse by the English poet John Milton (1608–1674). The first version, published in 1667, consists of ten books with over ten thousand lines of verse. A second edition followed in 1674, arranged into twelve books with minor revisions throughout. It is considered to be Milton's masterpiece, and it helped solidify his reputation as one of the greatest English poets of all time. The poem concerns the biblical story of the fall of man: the temptation of Adam and Eve by the fallen angel Satan and their expulsion from the Garden of Eden.
Walker Percy, OblSB was an American writer whose interests included philosophy and semiotics. Percy is noted for his philosophical novels set in and around New Orleans; his first, The Moviegoer, won the National Book Award for Fiction.
Self-help or self-improvement is "a focus on self-guided, in contrast to professionally guided, efforts to cope with life problems" —economically, physically, intellectually, or emotionally—often with a substantial psychological basis.
Personal life is the course or state of an individual's life, especially when viewed as the sum of personal choices contributing to one's personal identity.
Roland Gérard Barthes was a French literary theorist, essayist, philosopher, critic, and semiotician. His work engaged in the analysis of a variety of sign systems, mainly derived from Western popular culture. His ideas explored a diverse range of fields and influenced the development of many schools of theory, including structuralism, anthropology, literary theory, and post-structuralism.
Unfinished Tales of Númenor and Middle-earth is a collection of stories and essays by J. R. R. Tolkien that were never completed during his lifetime, but were edited by his son Christopher Tolkien and published in 1980. Many of the tales within are retold in The Silmarillion, albeit in modified forms; the work also contains a summary of the events of The Lord of the Rings told from a less personal perspective.
Metafiction is a form of fiction that emphasizes its own narrative structure in a way that inherently reminds the audience that they are reading or viewing a fictional work. Metafiction is self-conscious about language, literary form, and story-telling, and works of metafiction directly or indirectly draw attention to their status as artifacts. Metafiction is frequently used as a form of parody or a tool to undermine literary conventions and explore the relationship between literature and reality, life and art.
Symbolic interactionism is a sociological theory that develops from practical considerations and alludes to humans' particular use of shared language to create common symbols and meanings, for use in both intra- and interpersonal communication.
George Herbert Mead was an American philosopher, sociologist, and psychologist, primarily affiliated with the University of Chicago. He was one of the key figures in the development of pragmatism. He is regarded as one of the founders of symbolic interactionism, and was an important influence on what has come to be referred to as the Chicago School of Sociology.
George Caspar Homans was an American sociologist, founder of behavioral sociology, the 54th president of the American Sociological Association, and one of the architects of social exchange theory. Homans is best known in science for his research in social behavior and his works The Human Group, Social Behavior: Its Elementary Forms, his contributions to exchange theory, and the different propositions he developed to explain social behavior. He is also the third great grandson of the second President of the United States, John Adams.
Narratology is the study of narrative and narrative structure and the ways that these affect human perception. The term is an anglicisation of French narratologie, coined by Tzvetan Todorov. Its theoretical lineage is traceable to Aristotle (Poetics) but modern narratology is agreed to have begun with the Russian formalists, particularly Vladimir Propp, and Mikhail Bakhtin's theories of heteroglossia, dialogism, and the chronotope first presented in The Dialogic Imagination (1975).
The Abolition of Man is a 1943 book by C. S. Lewis. Subtitled "Reflections on education with special reference to the teaching of English in the upper forms of schools", it uses a contemporary text about poetry as a starting point for a defense of objective value and natural law. Lewis goes on to warn readers about the consequences of doing away with ideas of objective value. It defends "man's power over nature" as something worth pursuing but criticizes the use of it to debunk values, the value of science itself being among them. The title of the book then, is taken to mean that moral relativism threatens the idea of humanity itself. The book was first delivered as a series of three evening lectures at King's College, Newcastle, part of the University of Durham, as the Riddell Memorial Lectures on 24–26 February 1943.
Peter John Kreeft is a professor of philosophy at Boston College and The King's College. A convert to Catholicism, he is the author of over eighty books on Christian philosophy, theology and apologetics. He also formulated, together with Ronald K. Tacelli, Twenty Arguments for the Existence of God in their Handbook of Christian Apologetics.
Anthony George Wilden was a writer, social theorist, college lecturer, and consultant. Wilden published numerous books and articles which intersect a number of fields, including systems theory, film theory, structuralism, cybernetics, psychiatry, anthropological theory, water control projects, urban ecosystems, resource conservation, and communications and social relations.
The Message in the Bottle: How Queer Man Is, How Queer Language Is, and What One Has to Do with the Other is a collection of essays on semiotics written by Walker Percy and first published in 1975. Percy writes at what he sees as the conclusion of the modern age and attempts to create a middle ground between the two dying ideologies of that age: Judeo-Christian ethics, which give the individual freedom and responsibility; and the rationalism of science and behavioralism, which positions man as an organism in an environment and strips him of this freedom.
Louise Michelle Rosenblatt was an American university professor. She is best known as a researcher into the teaching of literature.
Fiction theory is a discipline that applies a form of possible world theory to literature. Drawing on concepts found in related theories and psychological ideas such as parasocial interaction (PSI) and fictionalism, theorists of fiction study the relationships between perceived textual worlds and reality outside the text. Thus, the primary principle of fiction theory is that the relationships between the speculative nature of fiction and the actual world in which we live are complicated. This further suggests that perceived truths born out of fiction worlds develop a sense of coherency in which they maintain a sense of realism. As a result, this theory offers alternate ways of exploring and asking questions about relations between the fictitious and the actual world.
The argument from consciousness is an argument for the existence of God that claims characteristics of human consciousness cannot be explained by the physical mechanisms of the human body and brain, therefore asserting that there must be non-physical aspects to human consciousness. This is held as indirect evidence of God, given that notions about souls and the afterlife in Judaism, Christianity, and Islam would be consistent with such a claim.
The sociology of literature is a subfield of the sociology of culture. It studies the social production of literature and its social implications. A notable example is Pierre Bourdieu's 1992 Les Règles de L'Art: Genèse et Structure du Champ Littéraire, translated by Susan Emanuel as Rules of Art: Genesis and Structure of the Literary Field (1996).
Quantum fiction is a genre of speculative fiction that reflects modern experience of the material world and reality as influenced by quantum theory and new principles in quantum physics. It is characterized by the use of an element in quantum mechanics as a storytelling device. The genre is not necessarily science-themed, and blurs the line separating science fiction and fantasy into a broad scope of mainstream literature that transcends the mechanical model of science and involves the fantasy of human perception or imagination as realistic components affecting the everyday physical world.
