Plot
 | This article needs a plot summary.(January 2024) |
| Lotus Lady | |
|---|---|
| Directed by | Phil Rosen |
| Written by | Harry Sinclair Drago |
| Starring | |
| Cinematography | M.A. Anderson |
| Edited by | Carl Himm |
Production company | Audible Pictures |
| Distributed by | Greiver Productions |
Release date |
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| Country | United States |
| Language | English |
Lotus Lady is a 1930 American drama film directed by Phil Rosen and starring Fern Andra, Ralph Emerson and Betty Francisco. [1]
| This article needs a plot summary.(January 2024) |
Emerson, Lake & Palmer were an English progressive rock supergroup formed in London in 1970. The band consisted of Keith Emerson (keyboards) of the Nice, Greg Lake of King Crimson, and Carl Palmer of Atomic Rooster. With nine RIAA-certified gold record albums in the US, and an estimated 48 million records sold worldwide, they are one of the most popular and commercially successful progressive rock groups of the 1970s, with a musical sound including adaptations of classical music with jazz and symphonic rock elements, dominated by Emerson's flamboyant use of the Hammond organ, Moog synthesizer, and piano.
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Transcendentalism is a philosophical, spiritual, and literary movement that developed in the late 1820s and 1830s in the New England region of the United States. A core belief is in the inherent goodness of people and nature, and while society and its institutions have corrupted the purity of the individual, people are at their best when truly "self-reliant" and independent. Transcendentalists saw divine experience inherent in the everyday, rather than believing in a distant heaven. Transcendentalists saw physical and spiritual phenomena as part of dynamic processes rather than discrete entities.
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No Way to Treat a Lady is a 1968 American psychological thriller film with elements of black comedy, directed by Jack Smight, and starring Rod Steiger, Lee Remick, George Segal, and Eileen Heckart. Adapted by John Gay from William Goldman's 1964 novel of the same name, it follows a serial killer in New York City who impersonates various characters in order to gain the trust of women before murdering them.
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Love Is the Power of Women is a 1924 German silent drama film directed by Erich Engel and Georg Bluen and starring Fern Andra, Henri Peters-Arnolds, and Fred Immler. The film's sets were designed by the art directors Bernhard Schwidewski and Oscar Friedrich Werndorff.
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