He has published ten novels, including Vampyr (2020), GlassHouse (2018), The Combinations (2016; shortlisted for The Guardian's Not the Booker Prize), Cairo (2014; longlisted for the Dublin IMPAC Award), and Breakfast at Midnight (2012; described by 3:AM's Richard Marshall as "a perfect modern noir"). In addition, he is the author of numerous collections of poetry – most recently, Monument (with John Kinsella, 2020), East Broadway Rundown (2015) The Rube Goldberg Variations (2015), & Synopticon (with John Kinsella, 2012). He has also authored a number of volumes of criticism, including Videology (2015) & The Organ-Grinder's Monkey: Culture after the Avantgarde (2013). His poetry has appeared in the anthologies Thirty Australian Poets, The Best Australian Poems, Calyx: 30 Contemporary Australian Poets & The Penguin Anthology of Australian Poetry.
In 1997 he received the Max Harris prize for poetry at the Penola Festival (Adelaide) and in 2000 he was awarded the Nassau Review Prize (New York). His screenplay Clair Obscur won honourable mention at the 2009 Trieste Film Festival.< In 2004, Armand founded the Prague International Poetry Festival, and since 2009 has co-organised the Prague Microfestival.
He is a member of the editorial board of Rhizomes: Studies in Cultural Knowledge and founding editor (1994) of the online journal HJS (Hypermedia Joyce Studies). He is the founding editor of VLAK Magazine, and directs the Centre for Critical & Cultural Theory at Charles University, Prague.
Works
Armand's poems have appeared in Meanjin, Agenda, The Age, Stand, Poetry Review, Verse and Sulfur, as well as The Penguin Anthology of Australian Poetry (ed. John Kinsella 2008), Calyx: 30 Contemporary Australian Poets (eds. Michael Brennan and Peter Minter, 2000), and The Best Australian Poems (ed. Peter Rose, 2008). He is author of five volumes of poetry and a number of chapbooks including: Land Partition (2001), Inexorable Weather (2001), Malice in Underland (2003) and Strange Attractors (2003). The Garden, a work of experimental fiction was published in 2001.
Armand's novels include Clair Obscur (2011); Breakfast at Midnight (2012), critically acclaimed and described by critics as a “twisted, brilliantly savage acid noir”[1] and a “wonderfully executed nod to Kafka's special brand of disorienting surrealism”;[2]Canicule (2013); Cairo (2014), which was shortlisted for the Guardian's Not the Booker Prize, Abacus (Vagabond, 2015), The Combinations (2016), shortlisted for the Guardian's Not the Booker Prize and praised as "an important and corrosive novel, which is a commitment to creativity in the face of absurdity, a politics of avant garde literary concentration and experience”,[3] and most recently, Vampyr (2020) and The Garden: Director's Cut (2020).
In 2013, Breakfast at Midnight was translated into Czech by David Vichnar and published by Argo Press.
Armand's critical and theoretical work has been published in journals such as CTheory, Triquarterly and Culture Machine. His most recent books include Videology, vols. 1 & 2 (2015, 2017), Helixtrolysis: Cyberology & the Joycean “Tyrondynamon Machine” (2014), The Organ Grinder's Monkey (2013),Solicitations: Essays on Criticism & Culture (2008), Event States: Discourse, Time, Mediality (2007) and Contemporary Poetics (2007).
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John Kinsella is an Australian poet, novelist, critic, essayist and editor. His writing is strongly influenced by landscape, and he espouses an "international regionalism" in his approach to place. He has also frequently worked in collaboration with other writers, artists and musicians.
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Pierre Joris is a Luxembourger-American poet, essayist, translator, and anthologist. He has moved between Europe, North Africa, and the United States for fifty-five years, publishing over eighty books of poetry, essays, translations and anthologies — most recently Interglacial Narrows and Always the Many, Never the One: Conversations In-between, with Florent Toniello, both from Contra Mundum Press. In 2020 his two final Paul Celan translations came out: Microliths They Are, Little Stones and The Collected Earlier Poetry (FSG). In 2019 Spuyten Duyvil Press published Arabia Deserta. Other recent books include: A City Full of Voices: Essays on the Work of Robert Kelly ; Adonis and Pierre Joris, Conversations in the Pyrenees ; Stations d'al-Hallaj ; The Book of U. His translation of Egyptian poet Safaa Fathy's Revolution Goes Through Walls came out in 2018 from SplitLevel. In June 2016 the Théatre National du Luxembourg produced his play The Agony of I.B.. Earlier publications include: An American Suite ; Barzakh: Poems 2000-2012 ; Breathturn into Timestead: The Collected Later Poetry of Paul Celan ; A Voice full of Cities: The Collected Essays of Robert Kelly and The University of California Book of North African Literature.
Sonia Sanchez is an American poet, writer, and professor. She was a leading figure in the Black Arts Movement and has written over a dozen books of poetry, as well as short stories, critical essays, plays, and children's books. In the 1960s, Sanchez released poems in periodicals targeted towards African-American audiences, and published her debut collection, Homecoming, in 1969. In 1993, she received Pew Fellowship in the Arts, and in 2001 was awarded the Robert Frost Medal for her contributions to the canon of American poetry. She has been influential to other African-American poets, including Krista Franklin. Sanchez is a member of The Wintergreen Women Writers Collective.
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Nationality words link to articles with information on the nation's poetry or literature.
Nationality words link to articles with information on the nation's poetry or literature.
Nationality words link to articles with information on the nation's poetry or literature.
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