Louis Friedsell | |
---|---|
Born | 1863 or 1865 |
Died | New York, US | June 25, 1923
Louis Friedsell (born 1863 or 1865 - 1923) was a conductor and composer for the Yiddish theatre.
Friedsell was born in 1863 or 1865 in Yekaterinoslav in the Russian Empire
He wrote the music for about 150 plays and operettas (partly by himself, partly with other music writers). A large number of his songs were written for historical operettas and comedies. [1] As a conductor he made at least eleven recordings for the United Hebrew Disc and Cylinder Company. [2]
He died June 25, 1923, in New York City.
John Philip Sousa was an American composer and conductor of the late Romantic era known primarily for American military marches. He is known as "The March King" or the "American March King", to distinguish him from his British counterpart Kenneth J. Alford. Among Sousa's best-known marches are "The Stars and Stripes Forever", "Semper Fidelis", "The Liberty Bell", "The Thunderer", and "The Washington Post".
Otto Abels Harbach, born Otto Abels Hauerbach was an American lyricist and librettist of nearly 50 musical comedies and operettas. Harbach collaborated as lyricist or librettist with many of the leading Broadway composers of the early 20th century, including Jerome Kern, Louis Hirsch, Herbert Stothart, Vincent Youmans, George Gershwin, and Sigmund Romberg. Harbach believed that music, lyrics, and story should be closely connected, and, as Oscar Hammerstein II's mentor, he encouraged Hammerstein to write musicals in this manner. Harbach is considered one of the first great Broadway lyricists, and he helped raise the status of the lyricist in an age more concerned with music, spectacle, and stars. Some of his more famous lyrics are "Smoke Gets in Your Eyes", "Indian Love Call" and "Cuddle up a Little Closer, Lovey Mine".
Victor August Herbert was an American composer, cellist and conductor of English and Irish ancestry and German training. Although Herbert enjoyed important careers as a cello soloist and conductor, he is best known for composing many successful operettas that premiered on Broadway from the 1890s to World War I. He was also prominent among the Tin Pan Alley composers and was later a founder of the American Society of Composers, Authors, and Publishers (ASCAP). A prolific composer, Herbert produced two operas, a cantata, 43 operettas, incidental music to 10 plays, 31 compositions for orchestra, nine band compositions, nine cello compositions, five violin compositions with piano or orchestra, 22 piano compositions and numerous songs, choral compositions and orchestrations of works by other composers, among other music.
Franz Lehár was an Austro-Hungarian composer. He is mainly known for his operettas, of which the most successful and best known is The Merry Widow.
Leopold von Auer was a Hungarian violinist, academic, conductor, composer, and instructor. Many of his students went on to become prominent concert performers and teachers.
Franz von Suppé, born Francesco Ezechiele Ermenegildo de Suppé was an Austrian composer of light operas and other theatre music. He came from the Kingdom of Dalmatia, Austro-Hungarian Empire. A composer and conductor of the Romantic period, he is notable for his four dozen operettas, including the first operetta to a German libretto. Some of them remain in the repertory, particularly in German-speaking countries, and he composed a substantial quantity of church music, but he is now chiefly known for his overtures, which remain popular in the concert hall and on record. Among the best-known are Poet and Peasant, Light Cavalry, Morning, Noon, and Night in Vienna and Pique Dame.
Henry Louis Reginald De Koven was an American music critic and prolific composer, particularly of comic operas.
Joseph Heinrich Georg Hellmesberger Jr., also known as Pepi Hellmesberger, was an Austrian composer, violinist and conductor.
Jerry Hadley was an American operatic tenor. He received three Grammy awards for his vocal performances in the recordings of Jenůfa, Susannah, and Candide. Hadley was a leading American tenor for nearly two decades. He was mentored by soprano Joan Sutherland and her husband, conductor Richard Bonynge. Leonard Bernstein chose Hadley for his 1989 recording of Candide on Deutsche Grammophon. Aside from singing opera and operetta, Hadley also sang on Broadway.
Wilhelm Meyer Lutz was a German-born British composer and conductor who is best known for light music, musical theatre and burlesques of well-known works.
Louis-Gaston Ganne was a conductor and composer of French operas, operettas, ballets, and marches.
José María Lacalle García, known in the United States of America as Joseph M. Lacalle was a clarinetist, composer, conductor and music critic. He is best known for composing the song "Amapola". His surname is misspelled LaCalle in some sources.
Franz Marszalek was a German conductor and composer, who was a leading figure in operetta. He began his studies in Wrocław, and moved to Berlin in 1933. He conducted the Cologne Radio Orchestra from 1949 to 1965, with an emphasis on operetta music. He was a longtime friend of the operetta composer Eduard Künneke, whose music he championed in concerts and in recordings with the Cologne Radio Orchestra and the Cologne Radio Symphony Orchestra.
Alexander Olshanetsky was an American composer, conductor, and violinist. He was a major figure within the Yiddish theatre scene in New York City from the mid-1920s until his death in 1946.
Joseph Rumshinsky (1881–1956) was a Jewish composer born near Vilna, Lithuania. Along with Sholom Secunda, Alexander Olshanetsky and Abraham Ellstein, he is considered one of the "big four" composers and conductors of American Yiddish theater.
Chester Edward Ide was an American composer and music teacher, primarily known for his operettas, some major instrumental works, and his participatory teaching methods.
Alfred James Caldicott was an English musician and composer of operas, cantatas, children's songs, humorous songs and glees.
Frédéric Barbier was a 19th-century French composer.
Kalman Juvelier was an Austrian-born Yiddish theatre actor and manager, Broder singer, Tenor, and recording artist of the late nineteenth and early twentieth centuries, who was active both in Europe and the United States. After emigrating to the United States in 1900, he became a key figure in the Yiddish theatre in New York, working with such notables as Boris Thomashefsky, David Kessler, Bertha Kalich and Jacob P. Adler and was director of the Hebrew Actor's Union as well as the Jewish Theatrical Alliance. From roughly 1905 to 1918, he recorded roughly 90 Yiddish language discs, mostly Yiddish theatre music, for most of the major record labels in the New York area.
Johann Brandl was an Austrian composer and conductor of theatre orchestras, for many years conductor at the Carltheater in Vienna.