Louis Joseph Watteau (10 April 1731 - 17 August 1798), known as the Watteau of Lille (a title also given to his son) was a French painter active in Lille.
He played a decisive role in the foundation of what would become the Musée des Beaux-Arts de Lille, opened in 1803, by producing the first ever inventory of paintings confiscated by the state during the French Revolution.
Jacint Rigau-Ros i Serra, known in French as Hyacinthe Rigaud, was a Catalan-French baroque painter most famous for his portraits of Louis XIV and other members of the French nobility.
Théodore Chassériau was a Dominican-born French Romantic painter noted for his portraits, historical and religious paintings, allegorical murals, and Orientalist images inspired by his travels to Algeria. Early in his career he painted in a Neoclassical style close to that of his teacher Jean-Auguste-Dominique Ingres, but in his later works he was strongly influenced by the Romantic style of Eugène Delacroix. He was a prolific draftsman, and made a suite of prints to illustrate Shakespeare's Othello. The portrait he painted at the age of 15 of Prosper Marilhat, makes Théodore Chassériau the youngest painter exhibited at the Louvre museum.
Émile Friant was a French artist.
French art consists of the visual and plastic arts originating from the geographical area of France. Modern France was the main centre for the European art of the Upper Paleolithic, then left many megalithic monuments, and in the Iron Age many of the most impressive finds of early Celtic art. The Gallo-Roman period left a distinctive provincial style of sculpture, and the region around the modern Franco-German border led the empire in the mass production of finely decorated Ancient Roman pottery, which was exported to Italy and elsewhere on a large scale. With Merovingian art the story of French styles as a distinct and influential element in the wider development of the art of Christian Europe begins.
Aimé Nicolas Morot was a French painter and sculptor in the Academic Art style.
Charles André Mare (1885–1932), or André-Charles Mare, was a French painter and textile designer, and co-founder of the Company of French Art in 1919. He was a designer of colorful textiles, and was one of the founders of the Art Deco movement.
The Palais des Beaux-Arts de Lille is a municipal museum dedicated to fine arts, modern art, and antiquities. It is one of the largest art museums in France.
François Louis Joseph Watteau, known like his father as the Watteau of Lille, was a French painter, active in his birthplace. He was the son of the painter Louis Joseph Watteau (1731–1798) and grandson of Noël Joseph Watteau (1689–1756) – Noël was the brother of Jean-Antoine Watteau, the painter of "fêtes galantes". From 1808 to his death, he was deputy curator of the Palais des Beaux-Arts de Lille, which his father had helped to found.
Arnould de Vuez was a painter of Flemish origin active in Lille from 1680 to 1720.
Pieter van Mol or Peter van Mol was a Flemish painter known for his history paintings of religious subject matter, and to a lesser extent for his allegorical compositions, genre scenes and portraits. His style was profoundly influenced by Rubens, Abraham Janssens and Artus Wolffort. He was court painter to the King and Queen of France.
René Marie Joseph Leleu was a French sculptor and medallist.
Jean-Édouard Dargent, known as Yan' Dargent and in his later years Yann Dargent, was born in Saint-Servais on 15 October 1824 and died in Paris on 19 November 1899. He was a French painter and illustrator. Most of his paintings depicted Brittany.
Paul Claude-Michel Carpentier was a French portrait, genre, history painter and author. He studied with Jean-Jacques Lebarbier (1738–1826) and briefly with Jacques-Louis David (1748–1825). Until 1824 he exhibited at the Salons under his family name LeCarpentier, but after 1824 shortened his last name to Carpentier.
Joseph Édouard Stevens was a Belgian animalier painter and engraver.
Alphonse Leroy was a French engraver and photographer.
The musée des beaux-arts de Valenciennes is a municipal museum in the French town of Valenciennes. Its collections originated as the collection of the Académie valenciennoise de peinture et de sculpture. It opened to the public for the first time in 1801 and was moved into the town hall in 1834.
Clément Louis Marie Anne Belle was a French painter and tapestry designer.
Paul Victor Mathey was a French painter and engraver.
Eugène Henri Alexandre Chigot (1860–1923) was a post impressionist French painter. A pupil of his father, the military painter Alphonse Chigot, in 1881 he entered the internationally renowned École des Beaux-Arts in Paris where he was exposed to the ideas of the realist movement of the Barbizon School and to Impressionism. He settled in Étaples in the Pas-de-Calais in an artists’ colony, later returning to Paris where he became a founder of the Salon d’Automne. An official military painter he painted a series of canvases in Calais and Nieuwpoort recording the destruction caused by the First World War. Chigot's reputation was built on his maritime and landscape paintings that arose from his affinity to Flanders and the Pas-de-Calais. He recorded the lives of the people of Flanders placing them within a landscape of soft opalescent light. Later his paintings show traces of expressionism and a more vibrant pallette. He was also a skilled nocturne painter who travelled extensively within France, Italy and Spain.
The Beakful, in French, La Becquée, or Woman Feeding Her Children is an oil-on-canvas painting by French artist Jean-François Millet, made in 1860. It is held at the Palais des Beaux-Arts de Lille.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
