She was born in Russia, a student of Veaki and Rontiris, she changed, with some times, in a characteristic role with laughs, she began with Marika Kotopouli's company, employed with Katerona of Manolidou-Aronis-Horn company, she enlisted herself for a decade in the power of the National Theatre and played with Lambeti - Horn, Moussouri, Katrakis, Vergis, Myrat (Murat), Vougiouklaki, Alexandrakis, Galineas, Dandoulaki, Ferti, Denissis, Kalogeropoulou and many others, received her little stone in the history of Greek theatre. She presented for many years (from 1939) on stage, on screen and on television.
Louiza Podimata died on 9 March 2001.
Year | Film title (English translation) | Original title and transliteration | Role |
---|---|---|---|
1960 | Papadopoulos Family | Οικογένεια Παπαδοπούλου Ikoyenia Papadoopoulou | Katina Karidoglou |
1960 | O taxitzis | Ο ταξιτζής | - |
1963 | The Third Way | Ο τρίτος δρόμος O tritos dromos | - |
1964 | Kravgi | Κραυγή | - |
1965 | O epanastasis | Ο επαναστάτης | - |
1966 | Up to the Ships | Μέχρι το πλοίο Mehri to plio | - |
1967 | An milouisse to parelthon mou | Αν μιλούσε το παρελθόν μου | - |
1969 | I archontissa tou limaniou | Η αρχόντισσα του λιμανιού The Harbour Countess | Eleni |
1969 | I orgi tou adikimenou | Η οργή του αδικημένου | - |
1971 | Zoi choris chamogelo | Ζωή χωρίς χαμόγελο | - |
1972 | Katigoro ti zoi | Κατηγορώ τη ζωή | - |
1972 | I amartia tis omorfias | Η αμαρτία της ομορφιάς | - |
1972 | Oi xenitemenoi | Οι ξενιτεμένοι | - |
1972 | O echthros tou laou | Ο εχθρός του λαού | - |
1973 | Thema syneidiseos | Θέμα συνειδήσεως | - |
1974 | Enas nomotagis politis | Ένας νομοταγής πολίτης | - |
1977 | O kyr Giannis ekpaidevetai | Ο κυρ Γιώργης εκπαιδεύεται | a lady |
1983 | Trelos kai pasis Ellados | Τρελός και πάσης Ελλάδος | - |
Year | Title (English translation) | Original title and transliteration | Channel |
---|---|---|---|
1972 | Koritsi tis Kyriakis | Κορίτσι της Κυριακής | EIRT |
1972 | Stisichorou '73 | Στησιχόρου ’73 | YENED |
1973 | Gioi tou Kein/Kine? | Γιοι του Κάιν | EIRT |
1974 | Luna Park | Λούνα Παρκ Amusement Park | EIRT |
1977 | Oi Pantheoi | Οι Πανθέοι | ERT |
1979 | Tycheroi kai atychoi | Τυχεροί και άτυχοι | YENED |
1981 | Ola tou gamou dyskola | Όλα του γάμου δύσκολα | ERT |
1982 | Avles kai retire | Αυλές και ρετιρέ | YENED |
1983 | Mrs. Do-Re-Mi | Η Κυρία Ντο-Ρε-Μί I Kiria Do-Re-Mi | ERT |
1990 | Akrivi mou Sofia | Ακριβή μου Σοφία | ET1 |
1997 | Athens to Thessaloniki | Αθήνα - Θεσσαλονίκη Athina-Thessaloniki | ET1 |
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The best-known fact about the Restoration drama is that it is immoral. The dramatists did not criticize the accepted morality about gambling, drink, love, and pleasure generally, or try, like the dramatists of our own time, to work out their own view of character and conduct. What they did was, according to their respective inclinations, to mock at all restraints. Some were gross, others delicately improper.... The dramatists did not merely say anything they liked: they also intended to glory in it and to shock those who did not like it.
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