Love Betrayed | |
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Written by | William Burnaby |
Date premiered | January 1703 [1] |
Place premiered | Lincoln's Inn Fields Theatre |
Original language | English |
Genre | Comedy |
Love Betrayed is a 1703 comedy play by the English writer William Burnaby. [2] It is also known by the longer title Love Betray'd; Or, The Agreeable Disappointment. It was a reworking of Shakespeare's Twelfth Night . [3]
The original cast included John Verbruggen as Moreno, George Powell as Drances, Barton Booth as Sebastian, Thomas Doggett as Taquilet, George Pack as Pedro, William Fieldhouse as Rodoregue, Elizabeth Barry as Villaretta, Abigail Lawson as Laura, Elinor Leigh as Dromia and Anne Bracegirdle as Caesario.
The Shakespeare Jubilee was staged in Stratford-upon-Avon between 6 and 8 September 1769. The jubilee was organised by the actor and theatre manager David Garrick to celebrate the Jubilee of the birth of William Shakespeare. It had a major impact on the rising tide of bardolatry that led to Shakespeare's becoming established as the English national poet. Thomas Arne composed the song Soft Flowing Avon for the Jubilee.
The Shakespeare Ladies Club refers to a group of upper class and aristocratic women who petitioned the London theatres to produce William Shakespeare's plays during the 1730s. In the 1700s they were referred to as "the Ladies of the Shakespear’s Club," or even more simply as "Ladies of Quality," or "the Ladies." Known members of the Shakespeare Ladies Club include Susanna Ashley-Cooper, Elizabeth Boyd, and Mary Cowper. The Shakespeare Ladies Club was responsible for getting the highest percentage of Shakespeare plays produced in London during a single season in the eighteenth century; as a result they were celebrated by their contemporaries as being responsible for making Shakespeare popular again.
The Female Fortune Teller is a 1726 comedy play by the British writer Charles Johnson. It is a reworking of Edward Ravenscroft's 1683 restoration comedy Dame Dobson.
The Revenge is a 1721 tragedy by the British writer Edward Young. Although initially it did not enjoy the same success as his previous play Busiris, King of Egypt, it later became a much-revived work during the eighteenth century particularly popular because of the Othello-like role of the Moorish character Zanga. John Philip Kemble revived the work briefly in 1798 before Edmund Kean in 1815 did so with great success and it became part of his repertoire.
Timon in Love is a 1733 comedy play by John Kelly. It is an adaptation of a French play based on Timon of Athens and is not related to Shakespeare's Timon of Athens.
The Universal Passion is a 1737 comedy play by the British writer James Miller. It is a reworking of Shakespeare's Much Ado About Nothing.
Merope is a 1731 tragedy by the British writer George Jeffreys. It takes place in Ancient Greece, based around the myth of Merope. Voltaire wrote his own play Mérope on the subject in 1743.
The Rival Modes is a 1727 comedy play by the British writer James Moore Smythe.
Love in a Forest is a 1723 comedy play by Charles Johnson. It is a substantial reworking of Shakespeare's As You Like It cutting out characters and passages, while borrowing from other Shakespeare plays amongst other things.
The Unhappy Penitent is a 1701 tragedy by the English writer Catherine Trotter. It is set at the French court of the late fifteenth century where Charles III plans to break his marriage agreement with Margaret of Austria so that he can make a dynastic union with Anne of Brittany acquiring the Duchy of Brittany for France.
Antiochus the Great is a 1701 tragedy by the English writer Jane Wiseman. It is also known by the longer title of Antiochus the Great, or, The Fatal Relapse. It is based on the life of Antiochus the Great, the Greek ruler of Ancient Syria.
The Governour of Cyprus is a 1703 play by the English writer John Oldmixon. It premiered at the Lincoln's Inn Fields Theatre in London, but the exact date was unclear with some sources putting the first performance in December 1702.
The Different Widows is a 1703 comedy play by the British writer Mary Pix.
The Fine Lady's Airs is a 1708 comedy play by the British writer Thomas Baker.
The City Ramble is a 1711 comedy play by the British writer Elkanah Settle. It should not be confused with the 1715 play A City Ramble.
Everybody Mistaken is a 1716 comedy play by the British writer William Taverner. The title is also written as Every Body Mistaken. A farce, it is a reworking of The Comedy of Errors by William Shakespeare.
The Cobbler of Preston is a 1716 comedy play by Christopher Bullock, although a separate play of the same title was written by Charles Johnson the same year. A one-act afterpiece is the origin of the phrase "Tis impossible to be sure of anything but Death and Taxes". In the preface to the published version Bullock suggested that he had begun writing the play just four days before its premiere. It takes inspiration from The Taming of the Shrew by William Shakespeare and is set in Preston, Lancashire. The town had recently been scene of fighting during the 1715 Jacobite Rebellion at the Battle of Preston. Bullock's play does not overtly reference the rebellion, but has undertones supportive of the Hanoverian Dynasty.
Adventures in Madrid or The Adventures in Madrid is a 1706 comedy play by the English writer Mary Pix. It was her final staged work.
The Double Gallant is a 1707 comedy play by the British writer Colley Cibber.
The Rival Fools is a 1709 comedy play by the British writer Colley Cibber. It drew inspiration from the earlier play Wit at Several Weapons. Despite Cibber's previous record of turning out hits, it was not a great success.