Related Research Articles
The Natural Son is a comedy play by the British writer Richard Cumberland. It was first staged at the Drury Lane Theatre in London in December 1784. The play is notable for the return of the popular character Major O'Flaherty from Cumberland's 1771 play The West Indian.
The Battle of Hastings is a 1778 play by the English writer Richard Cumberland. It is a tragedy set around the Battle of Hastings in 1066. It was staged at the Drury Lane Theatre in October 1778 by Richard Brinsley Sheridan. Sheridan later mocked Cumberland's sensitivity to criticism by modelling the character Sir Fretful Plagiary, in his 1779 play The Critic, after him.
Busiris, King of Egypt is a 1719 tragedy by the British writer Edward Young. It is set in Ancient Egypt during the reign of Busiris. It was considered a success, enjoying a good run and was subsequently published by Jacob Tonson.
The Revenge is a 1721 tragedy by the British writer Edward Young. Although initially it did not enjoy the same success as his previous play Busiris, King of Egypt, it later became a much-revived work during the eighteenth century particularly popular because of the Othello-like role of the Moorish character Zanga. John Philip Kemble revived the work briefly in 1798 before Edmund Kean in 1815 did so with great success and it became part of his repertoire.
King Charles I is a 1737 tragedy by the British writer William Havard. Written as an imitation of the style of Shakespeare's history plays, it focuses on the imprisonment of Charles I following his defeat in the Civil War and execution by the English Republic. It was a major success and anticipated later works by portraying Charles as a devoted family man who is undone by the scheming of Oliver Cromwell and his allies.
Scanderbeg, A Tragedy is a 1733 tragedy by the British writer William Havard. It is based on the life of Skanderbeg who led a rebellion against the Ottoman Empire in the fifteenth century. Another play about him George Lillo's The Christian Hero was produced two years later.
Regulus is a 1744 tragedy by the British writer William Havard. It portrays the career of Marcus Atilius Regulus, a Roman Consul at the time of the First Punic War. It ran for seven performances during the season.
Art and Nature is a 1738 comedy play by the British writer James Miller. The play received a rough reception from what Miller described a "faction" in the Drury Lane audience, and its run was not extended beyond a single night. He described its subsequent publication as an attempt to vindicate himself.
The Coffee House is a 1738 comedy play by the British writer James Miller, written as an afterpiece. After being performed at Drury Lane, it was published later that year with some alterations to the play's original text.
The Mother-in-Law is a 1734 comedy play by the British writer James Miller. Also known by the longer title The Mother-in-Law, or the Doctor the Disease it debuted at the Haymarket Theatre in London.
Mustapha is a 1739 tragedy by the British writer David Mallet. It is based on Mustafa, the son of Ottoman ruler Suleiman the Magnificent.
The Double Mistake is a 1766 comedy play by the British writer Elizabeth Griffith. It was her most successful play along with The School for Rakes.
The Perplexities is a 1767 comedy play by the British actor and writer Thomas Hull. It was a reworking of an earlier Restoration-era play Adventures of Five Hours by Samuel Tuke, itself based on an original Spanish work.
Creusa, Queen of Athens is a 1754 tragedy by the British writer William Whitehead. It is based on the story of Creusa of Athens.
The School for Lovers is a 1762 comedy play by the British writer William Whitehead.
Gil Blas is a 1751 comedy play by the British writer Edward Moore. It is based on the novel Gil Blas by French writer Alain-René Lesage.
The Countess of Salisbury is a 1767 tragedy by Hall Hartson. It is inspired by the 1762 novel Longsword by Irish writer Thomas Leland, who had been Hartson's tutor. It is based on the life of William Longespée, 3rd Earl of Salisbury, son of Henry II of England, and his wife Ela of Salisbury, 3rd Countess of Salisbury.
High Life Below Stairs is a 1759 comedy play by the British writer James Townley. An afterpiece, it premiered at Drury Lane on a double bill with a revival of Dryden's The Mourning Bride. A popular hit, it was frequently revived.
The School for Rakes is a 1769 comedy play by the British writer Elizabeth Griffith. It was inspired by the 1767 French play Eugénie by Pierre Beaumarchais.
The Triumphs of Love and Honour is a 1731 tragedy by the British writer Thomas Cooke.
References
- ↑ Watson p.541
