| Lovely Mary | |
|---|---|
 | |
| Directed by | Edgar Jones |
| Written by | Richard Barry |
| Produced by | Louis B. Mayer |
| Starring | Mary Miles Minter |
| Distributed by | Metro Pictures |
Release date |
|
Running time | 5 reels |
| Country | United States |
| Languages | Silent English intertitles |
Lovely Mary is a 1916 silent drama film directed by Edgar Jones (actor) and starring Mary Miles Minter. As with many of Minter's features, it is thought to be a lost film. [1]
As detailed in film magazines, [2] [3] the film is set in the Florida Everglades in 1901, at which point state law permitted citizens to employ convicts. Mary Lane (Minter) is the last heiress of a southern family, whose inheritance consists of a plot of land. Manning and Dempster, representatives of competing real estate firms, bid to buy this land. Dempster schemes to buy the land at a price far below its worth, and when a neighbour discovers, Dempster shoots the neighbour and frames Manning for the crime. Manning is found guilty and sentenced to hard labour.
Mary, who has fallen in love with Manning and does not believe him to be guilty, convinces the governor to let her employ him on her estate. Meanwhile, a fight between Dempster and a witness to the murder, and a dying confession, result in the evidence of Manning's innocence. The film ends with Manning's release, his marriage to Mary, and the promise of their happy future on the plot of land, which they have decided to keep.
Mary Miles Minter was an American actress, and one of the leading ladies who established the early Hollywood star system. She appeared in 53 silent films from 1912 to 1923.
Youth's Endearing Charm is a 1916 American silent drama film directed by William C. Dowlan. The film stars Mary Miles Minter, Wallace McDonald, and Harry von Meter. The script for the film was adapted by J. Edward Hungerford from a novel of the same name written by Maibelle Heikes Justice. This was Minter's first film with Mutual Film, having previously been with Metro Pictures. A print is preserved at the Library of Congress.
Dulcie's Adventure is a 1916 American silent drama film, directed by James Kirkwood, and starring Mary Miles Minter and Bessie Banks. The script for the film was adapted by William Pigott from a novel written by R. Strauss. The film is notable for being the first time that Allan Forrest appeared as Minter's leading man; the two would make a further 19 features together, ending with The Heart Specialist. As with many of Minter's features, it is believed to be a lost film.
The Trail of the Lonesome Pine is a 1923 American silent Western film directed by Charles Maigne and starring Mary Miles Minter. It was adapted by Will M. Ritchey from the play and novel of the same name by John Fox Jr. This was the second time that Maigne had directed Minter in an adaptation of a Fox novel, the first being 1920's A Cumberland Romance. This was Minter's final film; her contract with Paramount Pictures was not renewed, and she stated that she was "through" with films. As with many of Minter's features, The Trail of the Lonesome Pine is thought to be a lost film.
Dimples is a 1916 silent drama film directed by Edgar Jones. The film stars Mary Miles Minter in the lead role.
A Dream or Two Ago is a 1916 American silent drama film directed by James Kirkwood and starring Mary Miles Minter. It is one of approximately a dozen of Minter's films known to have survived. The film was restored in 2004 and was shown along with The Innocence of Lizette (1916) at a Dutch film festival.
The Innocence of Lizette is a 1916 American silent comedy-drama film directed by James Kirkwood and starring Mary Miles Minter. It is one of approximately a dozen of Minter's films which are known to have survived. The film was restored in the Netherlands in 2004 and was shown at several European film festivals along with A Dream or Two Ago, another Minter feature from 1916.
The Gentle Intruder is a 1917 American silent drama film directed by James Kirkwood and starring Mary Miles Minter. The film was Minter's sixth production with Mutual Film. It is one of approximately a dozen of Minter's films known to have survived; a copy is held by the Dutch Filmmuseum.
Peggy Leads the Way is a 1917 American silent drama film directed by Lloyd Ingraham and starring Mary Miles Minter. It also features Andrew Arbuckle, Carl Stockdale, Allan Forrest, Emma Kluge, and Margaret Shelby, who is Minter's older sister. It is one of approximately a dozen of Minter's films to have survived, a copy having first been found at the Dutch Filmmuseum. It was sold to the American Film Institute in 1991 and is held at the UCLA Film and Television Archive.
Her Country's Call is a 1917 American silent drama film directed by Lloyd Ingraham and starring Mary Miles Minter, along with George Periolat and Allan Forrest. The film is the final instalment in a series a films written by Abraham Lincoln impersonator Benjamin Chapin, who also appeared in the film as Lincoln. It was one of many films of the time that catered to the vogue for patriotic pictures after America joined World War 1, with ample shots of soldiers and the American flag. As with many of Minter's features, it is thought to be a lost film.
The Mate of the Sally Ann is a 1917 American silent comedy-drama film directed by Henry King and starring Mary Miles Minter. As with many of Minter's features, it is thought to be a lost film.
Beauty and the Rogue is a 1918 American silent comedy crime drama film directed by Henry King and starring Mary Miles Minter. It was filmed under the working title of "Mademoiselle Tiptoe," based on a story by Arthur Berthelet and adapted for the screen by Elizabeth Mahoney, who was the screenwriter for many of Minter's Mutual Film features. As with many of Minter's features, it is thought to be a lost film.
Powers That Prey is a 1918 silent comedy-drama film directed by Henry King and starring Mary Miles Minter, with whom King stated that he enjoyed working. The film is based on a story called Extra! Extra! by Will M. Ritchey, which was also the working title of the film. As with many of Minter's features, it is thought to be a lost film.
Social Briars is a 1918 American silent comedy-drama film directed by Henry King and starring Mary Miles Minter. The story was by Jeanne Judson, and it was filmed under the working title of "The Greater Call." As with many of Minter's features, it is thought to be a lost film.
Nurse Marjorie is a 1920 American silent drama film directed by William Desmond Taylor and starring Mary Miles Minter. It is based on a 1906 play, Nurse Marjorie, by Israel Zangwill, with a scenario by Julia Crawford Ivers. It is one of approximately a dozen of Minter's films know to survive today, and one of even fewer readily available for the general public to view.
The Heart Specialist is a 1922 American silent romantic comedy film directed by Frank Urson and starring Mary Miles Minter and Allan Forrest. It was adapted by Harvey Thew from a story by Mary Morrison. As with many of Minter's features, it is thought to be a lost film.
Guilty of Love is a 1920 American silent drama film directed by Harley Knoles and written by Rosina Henley who adapted the play by Avery Hopwood. The film stars Dorothy Dalton, Julia Hurley, Henry Carvill, Augusta Anderson, Edward Langford, and Charles Lane. The film was released on August 22, 1920, by Paramount Pictures.
Tillie is a 1922 American silent drama film directed by Frank Urson and starring Mary Miles Minter. The scenario was written by Alice Eyton, based on the novel Tillie, the Mennonite Maid by Helen Reimensnyder Martin. Tillie reunited Minter with Allan Forrest, her most frequent leading man from her time at Mutual Film and the American Film Company, for the first time since their 1919 picture Yvonne from Paris. As with many of Minter's features, Tillie is thought to be a lost film.
A Bit of Jade is a 1918 silent comedy-drama film directed by Edward Sloman and starring Mary Miles Minter. As with many of Minter’s features, it is thought to be a lost film.
A Bachelor's Wife is a 1919 silent drama film directed by Emmett J. Flynn and starring Mary Miles Minter. As with many of Minter's films, the film is thought to be a lost film. In the weeks before its release, some film magazines listed the feature under its working title “Mary O’Rourke.”
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