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Lowell Gallagher is an American literary theorist and professor of English at UCLA. He specializes in early modern English literature, particularly early modern English Catholicism and Edmund Spenser. He was an author and an editor for the following works: The text of casuistry in the Renaissance - Volume 1 (1989), The text of casuistry in the Renaissance - Volume 2 (1989), Sodomscapes: Hospitality in the Flesh (Fordham UP, 2017), [1] Medusaś Gaze: Casuistry and Conscience in the Renaissance (Stanford UP, 1991), [2] Catholic Figures, Queer Narratives (Palgrave Macmillan, 2007, co-edited with Frederick S. Roden and Patricia Juliana Smith), Knowing Shakespeare: Senses, Embodiment and Cognition (Palgrave Macmillan, 2010, co-edited with Shankar Raman) [3] and Redrawing the Map of Early Modern English Catholicism (University of Toronto Press, 2012).
Gallagher received his Ph.D. from Stanford University in 1989. [4]
Casuistry is a process of reasoning that seeks to resolve moral problems by extracting or extending theoretical rules from a particular case, and reapplying those rules to new instances. This method occurs in applied ethics and jurisprudence. The term is also commonly used as a pejorative to criticize the use of clever but unsound reasoning, especially in relation to moral questions.
Stephen Jay Greenblatt is an American Shakespearean, literary historian, and author. He has served as the John Cogan University Professor of the Humanities at Harvard University since 2000. Greenblatt is the general editor of The Norton Shakespeare (2015) and the general editor and a contributor to The Norton Anthology of English Literature.
Sir Sidney Lee was an English biographer, writer, and critic.
Stephen Booth was a professor of English literature at the University of California, Berkeley. He was a leading Shakespearean scholar.
Sir Andrew Jonathan Bate, CBE, FBA, FRSL, is a British academic, biographer, critic, broadcaster, novelist and scholar. He specialises in Shakespeare, Romanticism and Ecocriticism. He is Foundation Professor of Environmental Humanities in a joint appointment of the College of Liberal Arts, the School of Sustainability and the Global Futures Laboratory at Arizona State University, as well as a Senior Research Fellow at Worcester College in the University of Oxford, where he holds the title of Professor of English Literature. From 2017 to 2019 he was Gresham Professor of Rhetoric in the City of London. Until September 2019 he was Provost of Worcester College, Oxford. He was knighted in 2015 for services to literary scholarship and higher education.
Andrew John Gurr is a contemporary literary scholar who specializes in William Shakespeare and English Renaissance theatre.
Bryan Reynolds, Claire Trevor Professor and Chancellor's Professor at the University of California-Irvine, is an American critical theorist, performance theorist, and Shakespeare scholar who developed the combined social theory, performance aesthetics, and research methodology known as transversal poetics. He is also a playwright, director, performer, and cofounder of the Transversal Theater Company, an Amsterdam-based collective of American and European artists, which has produced a number of his works. Reynolds received his bachelor's degree in English Literature at the University of California, Berkeley, and his master's and doctoral degrees in English and American Literature and Language at Harvard University. He has been a Professor of Drama at the University of California, Irvine since 1998. He has held visiting professorships at the University of London-Drama, the University of Amsterdam-Theater Studies, Utrecht University-Theater Studies, University of Cologne-American Studies, Johann Wolfgang Goethe University Frankfurt am Main-American Studies, University College Utrecht-Arts and Humanities, the University of California, San Diego-Theatre, Literature, Cognitive Science, the American University of Beirut-English, University of Tsukuba-Humanities and Social Sciences, University of Nairobi-Department of Literature, Alpen-Adria-Universität Klagenfurt-Communications, University of Lorraine-Arts, Sciences, & Business Management, INSEEC Business School -Marketing, Paris, Bordeaux, Lyon; and he has taught at Deleuze Camp at Schloss Wahn, University of Cologne, Germany, and the Grotowski Institute in Wrocław, Poland, among other academic and performing arts institutions. Reynolds is also a regular contributor to Freeskier Magazine, where he publishes articles derived from his ongoing research on extreme sports.
Debora Kuller Shuger is a literary historian and scholar. She studies early modern, Renaissance, late 16th- and 17th century England. She writes about Tudor-Stuart literature; religious, political, and legal thought; neo-Latin; and censorship of that period.
The Three Ladies of London is an Elizabethan comedy about usury that was probably first performed in 1581; it was published in a quarto edition both in 1584 and 1592. The play is unusual and noteworthy as a philo-Semitic response to the prevailing anti-Semitism of Elizabethan drama and the larger contemporaneous English society.
Pseudo-Martyr is a 1610 polemical prose tract in English by John Donne. It contributed to the religious pamphlet war of the time, and was Donne's first appearance in print. It argued that English Roman Catholics should take the Oath of Allegiance of James I of England. It was printed by William Stansby for Walter Burre.
Murray (Meir) Roston is an Israeli Emeritus professor of English Literature at Bar-Ilan University.
Kevin M. Sharpe was a historian, Director of the Centre for Renaissance and Early Modern Studies, Leverhulme Research Professor and Professor of Renaissance Studies at Queen Mary, University of London. He is best known for his work on the reign of Charles I of England.
Ellen Spolsky is Professor Emerita of English at Bar-Ilan University, Israel. She is a literary scholar and theorist who has published several monographs that deal with topics such as early English literary history, Shakespeare, history of literary theory, word and image relations, cognitive cultural theory, iconotropism, performance theory, and some aspects of evolutionary literary theory. Her books and essays discuss both the universal and historically local aspects of Renaissance art, poetry and drama.
David Hawkes is a Professor of English at Arizona State University, Tempe, in the U.S. state of Arizona. He is the author of seven books and the editor of three. He has published over one hundred articles and reviews in such journals as The Nation,The New Criterion,In These Times,The Athenaeum Review, the Journal of the History of Ideas, the Journal of Interdisciplinary Economics, the Huntington Library Quarterly,ELH,ELR,Modernist Cultures,Renaissance Quarterly,Literature and Theology and many other academic and popular publications. He is a regular contributor to the Times Literary Supplement. He currently lives in Phoenix AZ, Philadelphia PA, and Istanbul, Turkey.
Graham Holderness is a writer and critic who has published as author or editor 60 books, mostly on Shakespeare, and hundreds of chapters and articles of criticism, theory and theology. He was one of the founders of British Cultural materialism, a pioneer of critical-creative writing, and a significant contributor to interdisciplinary work in Literature and Theology.
Carla Mazzio, an American literary and cultural critic, specializes in early modern literature in relationship to the history of science, medicine, and health, the history of language, media technologies, and the printed book, and the history of speech pathologies with a focus on the harmful social construction of the “inarticulate” person or community. Her research has been supported by the Guggenheim Foundation, the National Endowment for the Humanities, and the Radcliffe Institute for Advanced Study at Harvard University.
Andy Wood is a British social historian. Mostly, he works on the period 1500–1800, but his work on folklore has taken him into the mid-twentieth century. His research interests include popular politics, rebellion, popular memory, belief, popular culture, local identity, folklore, migration patterns, urban and rural society, the mid-Tudor crisis, the English Revolution, popular understandings of Renaissance drama, class identities, and local traditions. With his friend John H. Arnold, he co-authored a critique of Ken MacLeod's science-fiction writing. He also has an interest in the history of the British Left in the late twentieth century. His fourth book, The Memory of the People: Custom and Popular Senses of the Past in Early Modern England, won the American Historical Association's Leo Gershoy Award. Wood is currently writing two books: I Predict a Riot: a history of the World in Twelve Rebellions ; Letters of Blood and Fire: Authority and Resistance in England, 1500-1640.
Douglas Bruster is an American literary critic and Shakespeare scholar. He is the Mody C. Boatright Regents Professor of American and English Literature and Distinguished Teaching Professor at The University of Texas at Austin where he researches the works of William Shakespeare and his contemporaries.
Patrick Gerard Cheney is an American scholar of English Renaissance Literature. He is Edwin Erle Sparks Professor of English and Comparative Literature at the Pennsylvania State University.
Eric Rasmussen is an American scholar, academic and author. He is Regents Teaching Professor and Foundation Professor of English at the University of Nevada.