LuAnn Tafoya | |
---|---|
Born | 1938 |
Nationality | Puebloan |
Known for | Pottery |
LuAnn Tafoya (born 1938 in Santa Clara Pueblo, New Mexico) is a Native American potter. Like her mother, Margaret Tafoya, and her grandmother Sara Fina Tafoya, she creates large ceramic pieces using traditional methods. [1] [2] She is known for her large, highly polished black and red vessels decorated with variations on classic imagery and forms, like traditional bear paw imprints, the avanyu, clouds, birds, kiva steps, winds and gourds. [3]
Tafoya prospects, sifts, and mixes her clay with volcanic sand at Santa Clara Pueblo in much the same way as her ancestors. The black and red clay slips for the coating come from Santo Domingo Pueblo. She uses a coiling method to create the height and shape of her pieces, after which she applies a clay slip coating and polishes until a high shine is obtained, using small quantities of lard intermittently, and carves the pieces with screwdrivers. The pots are fired in traditional open firing after being slowly pre-heated. [4]
Her work is in collections across the US, including the Heard Museum, the Cantor Arts Center at Stanford University, the National Museum of the American Indian and the National Museum of Women in the Arts.
Maria Poveka Montoya Martinez was a Puebloan artist who created internationally known pottery. Martinez, her husband Julian, and other family members, including her son Popovi Da, examined traditional Pueblo pottery styles and techniques to create pieces which reflect the Pueblo people's legacy of fine artwork and crafts. The works of Maria Martinez, and especially her black ware pottery, are in the collections of many museums, including the Smithsonian, the Metropolitan Museum of Art, the Denver Art Museum, and more. The Penn Museum in Philadelphia holds eight vessels – three plates and five jars – signed either "Marie" or "Marie & Julian".
Lucy Martin Lewis was a Native American potter from Acoma Pueblo, New Mexico. She is known for her black-on-white decorative ceramics made using traditional techniques.
Maria Margarita "Margaret" Tafoya was the matriarch of Santa Clara Pueblo potters. She was a recipient of a 1984 National Heritage Fellowship awarded by the National Endowment for the Arts, which is the United States government's highest honor in the folk and traditional arts.
Anita Louise Suazo is a Native American potter from Santa Clara Pueblo, New Mexico, United States.
Nathan Youngblood is a Native American potter from Santa Clara Pueblo, New Mexico, United States.
Roxanne Swentzell is a Santa Clara Tewa Native American sculptor, ceramic artist, Indigenous food activist, and gallerist. Her artworks are in major public collections and she has won numerous awards.
Helen Cordero was a Cochiti Pueblo potter from Cochiti, New Mexico. She was renowned for her storyteller pottery figurines, a motif she invented, based upon the traditional "singing mother" motif.
Jody Naranjo is a contemporary Tewa pottery maker from the Santa Clara Pueblo, New Mexico in the United States. She comes from a family of traditional Tewa potters. She learned the craft of pottery from her mother, Dolly Naranjo, and other female relatives. She attended the Institute of American Indian Arts. Naranjo was selling her artwork at age fifteen at the New Mexico History Museum. Her style is identifiable and showcases her keen sense of humour. Jody has 3 daughters and maintains her connections to her heritage and friends. She is represented by Blue Rain Gallery in Santa Fe.
Dextra Quotskuyva Nampeyo was a Native American potter and artist. She was in the fifth generation of a distinguished ancestral line of Hopi potters.
Tammy Garcia is a Santa Clara Pueblo sculptor and ceramic artist. Garcia translates Pueblo pottery forms and iconography into sculptures in bronze and other media.
Grace Medicine Flower is a potter, best known for her intricately carved miniature redware and blackware.
Paul Joseph "Speckled Rock" Tafoya was a Native American artist who was noted for his paintings, bear fetishes, bronze sculptures of Native American dancers, and redware and blackware pottery. A member of the Tewa and a resident of the Santa Clara Pueblo in New Mexico, Paul was the owner of the Merrock Galeria, which featured the work of contemporary pueblo artists.
Angela Tafoya Baca was a Native American artist who was known for her redware and blackware pottery, especially melon bowls and bowls featuring a bear paw design. She had one of the longest careers of the potters in Santa Clara Pueblo in New Mexico. She was a member of the Tewa and a resident of Santa Clara Pueblo.
Christine McHorse, also known as Christine Nofchissey McHorse, was a Navajo ceramic artist from Santa Fe, New Mexico.
Susan Folwell is a Native American artist from Santa Clara Pueblo, New Mexico, known for her work in the ceramic industry. Her work ties in Native designs and history and has been used by Folwell to demonstrate her viewpoints on society and politics. Folwell has been described by the Heard Museum as an "innovator in Pueblo pottery".
Jason Garcia is a contemporary Native American artist in the United States, who was born in Santa Clara, New Mexico. His work has been exhibited the Smithsonian in Washington D.C, the Heard Museum in Phoenix, the Palm Springs Art Museum, and many more. He won the 2018 Mentor Fellowship Award under the Native Arts and Cultures Foundation amongst many others.
Helen Shupla (1928-1985) was an American potter from Santa Clara Pueblo, New Mexico.
Black-on-black ware is a 20th- and 21st-century pottery tradition developed by Puebloan Native American ceramic artists in Northern New Mexico. Traditional reduction-fired blackware has been made for centuries by Pueblo artists and other artists around the world. Pueblo black-on-black ware of the past century is produced with a smooth surface, with the designs applied through selective burnishing or the application of refractory slip. Another style involves carving or incising designs and selectively polishing the raised areas. For generations several families from Kha'po Owingeh and P'ohwhóge Owingeh pueblos have been making black-on-black ware with the techniques passed down from matriarch potters. Artists from other pueblos have also produced black-on-black ware. Several contemporary artists have created works honoring the pottery of their ancestors.
Sara Fina Gutiérrez Tafoya (1863-1949) was a Tewa matriarch potter from Kha'po Owingeh, New Mexico.