Luana Vitra (b. 1995 Contagem, Minas Gerais, Brazil) is a contemporary sculpture, performance and installation artist, based in Contagem, Brazil. She is known for her work with minerals. [1] Vitra was awarded the Frieze Focus Stand Prize (2025), PIPA Prize (2023), EDP Tomie Ohtake (2020), Prince Clauss Seed Award (2022), and Bolsa Pampulha (2022). [2]
Vitra's work is included in the collections of Pampulha Art Museum, Pinacoteca do Estado de São Paulo, and Rijkscollectie. [3]
The daughter of a carpenter and a teacher, Vitra grew up in Contagem, a city in the Belo Horizonte agglomeration known for its concentration of heavy industry. [4] Vitra credits her upbringing for influence on materials and subjects she focuses on in her work. Her practice is rooted in the philosophical and spiritual traditions of the Afro-Brazilian diaspora, which often regard the earth as an ancestor [5]
Vitra received a Bachelor in Fine Arts with a degree in sculpture at Guignard University of Art of Minas Gerais (State University of Minas Gerais) in 2018, and studied dance at Escola Livre de Artes 2014 -2017. [6]
Luana Vitra's work has been shown in prestigious venues such as the 2023 São Paulo Biennial. [7] , 2025 Sharjah Biennial, [8] and in a solo exhibition in SculptureCenter in New York in 2025 [5] She won the 2023 PIPA Prize. [9] In a 2025 article in the New York Times , Siddhartha Mitter named Vitra "one of Brazil's fastest-rising young artists". [4]
Her exhibition "Amulets" at SculptureCenter, New York in 2025 was described as "reimagining minerals as agents of resistance," giving them a political agency through their "inorganic memory". [10] The exhibition included minerals strewn on the floor "like devotional offerings" and ritualistic shapes that express the contrast between the groundedness of minerals and something more transcendent. [10]
The Brazilian gallery Mitre Galeria won the Frieze Art Fair Focus Stand award in 2025 for its presentation of Luana Vitra's solo project Série Giro (2024). [11]