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Margaret Booth was an American film editor. In a career lasting seven decades, Booth was most associated with Metro-Goldwyn-Mayer (MGM).
Walter Scott Murch is an American film editor, director, writer and sound designer. His work includes THX 1138, Apocalypse Now, The Godfather I, II, and III, American Graffiti, The Conversation, Ghost and The English Patient, with three Academy Award wins.
Liam Paul Paris Howlett is an English record producer, musician, songwriter, co-founder and leader of the British electronic band the Prodigy.
Irvine "Cotton" Eugene Warburton was an American college football quarterback (1933) who became a film and television editor with sixty feature film credits. He worked for the Metro-Goldwyn-Mayer Studios and for the Walt Disney Studios, and is probably best known for his Academy Award-winning editing of Mary Poppins (1964).
Verna Fields was an American film editor, film and television sound editor, educator, and entertainment industry executive. In the first phase of her career, from 1954 through to about 1970, Fields mostly worked on smaller projects that gained little recognition. She was the sound editor for several television shows in the 1950s. She worked on independent films including The Savage Eye (1959), on government-supported documentaries of the 1960s, and on some minor studio films such as Peter Bogdanovich's first film, Targets (1968). For several years in the late 1960s, she was a film instructor at the University of Southern California. Her one major studio film, El Cid (1961), led to her only industry recognition in this phase of her career, which was the 1962 Golden Reel award for sound editing.
Dorothea Carothers"Dede" Allen was an American film editor.
Carol Sue Littleton, ACE is an American film editor. Her work includes Body Heat (1981), E.T. the Extra-Terrestrial (1982), The Big Chill (1983), Places in the Heart (1984), Silverado (1985), The Accidental Tourist (1988), and Wyatt Earp (1994). She won the Primetime Emmy Award for the ABC movie Tuesdays with Morrie (1999). In January 2024, she received an Honorary Oscar for her work.
Anne Voase Coates was a British film editor with a more than 60-year-long career. She was perhaps best known as the editor of David Lean's epic film Lawrence of Arabia in 1962, for which she won an Oscar. Coates was nominated five times for the Academy Award for Best Film Editing for the films Lawrence of Arabia, Becket (1963), The Elephant Man (1980), In the Line of Fire (1993) and Out of Sight (1998). In an industry where women accounted for only 16 per cent of all editors working on the top 250 films of 2004, and 80 per cent of the films had absolutely no women on their editing teams at all, Coates thrived as a top film editor. She was awarded BAFTA's highest honour, a BAFTA Fellowship, in February 2007 and was given an Academy Honorary Award, which are popularly known as a Lifetime Achievement Oscar, in November 2016 by the Academy of Motion Picture Arts and Sciences.
Gerald Bernard "Jerry" Greenberg was an American film editor with more than 40 feature film credits. Greenberg received both the Academy Award for Best Film Editing and the BAFTA Award for Best Editing for the film The French Connection (1971). In the 1980s, he edited five films with director Brian De Palma.
Harold Frank Kress was an American film editor with more than fifty feature film credits; he also directed several feature films in the early 1950s. He won the Academy Award for Best Film Editing for How the West Was Won (1962) and again for The Towering Inferno (1974), and was nominated for four additional films; he is among the film editors most recognized by the Academy of Motion Picture Arts & Sciences. He also worked publicly to increase the recognition of editing as a component of Hollywood filmmaking.
Pia Di Ciaula ACE, CCE is a BAFTA winning international film editor best known for editing 'A Very English Scandal', 'The Crown' and 'Tyrannosaur'.
Antony Gibbs was an English film and television editor with more than 40 feature film credits. He was a member of the American Cinema Editors (ACE).
Helen Victoria van Dongen was a pioneering editor of documentary films who was active from about 1925–1950. She collaborated with filmmaker Joris Ivens from 1925 to 1940, made several independent documentaries, and edited two of Robert Flaherty's films before retiring from filmmaking in her 40s.
Barry M. Malkin was an American film editor with about 30 film credits. He is noted for his extended collaboration with director Francis Ford Coppola, having edited most of Coppola's films from 1969 to 1997. In particular, Malkin worked with Coppola on four of the component and compilation films of the Godfather trilogy, though he did not edit the first film, The Godfather. Film critic Roger Ebert called the first two Godfather films a "cultural bedrock".
Lesley Walker is a British film and television editor with more than thirty feature film credits. She came into prominence in the 1980s, when she "developed a fast and snappy editing style in the decade, with A Letter to Brezhnev (1985), Mona Lisa, Cry Freedom (1987), and Shirley Valentine." She has worked extensively with directors Terry Gilliam and Richard Attenborough.
Nino Baragli was an Italian film editor with more than 200 film credits. Among his films in English, The Good, the Bad and the Ugly (1966) and Once Upon a Time in the West (1968), both directed by Sergio Leone, are perhaps the best known.
Annette Frieda Kuhn, FBA is a British author, cultural historian, educator, researcher, editor and feminist. She is known for her work in screen studies, visual culture, film history and cultural memory. She is Professor and Research Fellow in Film Studies at Queen Mary University of London.
Emma E. Hickox A.C.E is a British film editor based in Los Angeles and London.
Kate Amend is an American documentary film editor whose career spans more than thirty years. She is known for being a dedicated editor who finds the emotional center of each scene she works with. A member of American Cinema Editors, Amend is the recipient of an Eddie Award for Into the Arms of Strangers: Stories of the Kindertransport (2001); she was nominated for a Primetime Emmy Award for The Case Against 8 (2014). She was the editor on two Academy Award-winning films: Into the Arms of Strangers (2014) and the Long Way Home (1997). She is the recipient of the International Documentary Association’s inaugural award for Outstanding Achievement in Editing. Amend graduated from UC Berkeley and San Francisco State University with a master's in humanities, later gaining an interest in film while teaching her discipline at the City College of San Francisco. She worked briefly at a production company of exploitation films before breaking into documentary work as an apprentice editor on Johanna Demetrakas's Right Out of History (1980). Amend is also noted for her work on Birth Story (2012) and The Long Way Home (1997).
Jerome Thoms was an American film editor.
References
- Crittenden, Roger (2006). Fine Cuts: The Art of European Film Editing. CRC Press. ISBN 9781136054105.
- Oldham, Gabriella (2012). First Cut 2: More Conversations with Film Editors. University of California Press. ISBN 9780520273504.
