Lucienne Peiry, born in Lausanne on 4 September 1961, holds a doctorate (PhD) in the history of art; she is a specialist in Outsider Art ("Art Brut"), an exhibition curator, a lecturer and the author of several publications. She gives lectures in both Switzerland and elsewhere in Europe, and has been teaching Outsider Art at the Swiss Federal Institute of Technology (EPFL, College of Humanities) [1] in Lausanne since 2010. Since 2016, she has also been teaching at the University of Lausanne (Department of Social and Political Sciences) [2] [3]
Brought up in the canton of Fribourg, in 1996 Lucienne Peiry was the first woman to obtain a Phd in the History of Art in Lausanne (capital of Switzerland's canton of Vaud). Her thesis was the first to be devoted to "Art Brut" and to the history of the collection that Jean Dubuffet instigated. [4] It was initially published by Flammarion (Paris) as "L'Art Brut," (1997, new editions 1999, 2001, [5] 2006, [6] 2010; [7] English translation 2001, [8] new edition 2006; [9] German translation 2005; [10] Chinese translation 2015 [11] ); an enlarged and updated version by Flammarion appeared in 2016 [12] (400 pp, 500 illus.).
Formerly, Lucienne Peiry was a journalist with Radio suisse romande (French language radio broadcasts) and, at the same time, a freelance exhibition curator (1987–2001). In 2001, she took over the direction of Lausanne's Collection de l'art brut from Michel Thévoz . [13] In that position, she set up a number of temporary exhibitions and added to the museum's holdings by discovering Outsider Art creators in Switzerland and in various other countries of Europe, as well as in notably India, Japan, China, Benin and Bali.
The author of several works and articles on Outsider Art, Lucienne Peiry has also directed numerous publications and exhibition catalogues for the museum, including the cult book "Collection de l'Art Brut, Lausanne," published by Flammarion-Skira of Paris in 2012 (French, English, German). [14]
Lucienne Peiry has encouraged the museum to produce or coproduce (with the filmmakers Philippe Lespinasse and Erika Manoni) several documentaries on Outsider Art creators. [4] In 2001 she launched a teaching program for the Collection de l'Art Brut (young persons guided tours, activities books, workshops, publications), which she continued to develop. [15]
In 2003, she organized an exhibition on Louis Soutter (title: "Louis Soutter et la musique"), jointly with the Basel Museum of Art and the Cantonal Museum of Fine Art Lausanne. [16] Christian Zacharias, director of the Lausanne Chamber Orchestra (OCL) participated in the project. She set up various partnerships with other Swiss cultural institutions, including the Théâtre de Vidy in Lausanne, the Museum of Art and History in Fribourg, and Lausanne's Petit Théâtre.
Appointed Director of Research and International Relations for the Collection de l'Art Brut in 2012, Lucienne Peiry gave up her position as museum director. She is now in charge of promoting the Lausanne museum abroad (exhibitions, lectures) and of seeking out new Outsider Art creators throughout the world (Europe, Asia, Africa, and more). She encourages studies on the creators she discovers, and on behalf of new publications and documentary films. She also lends advice to students and researchers, being called upon as an expert for works on Outsider Art at various universities (including the "hautes écoles") in Switzerland and abroad. [15]
Since 2012, she has also kept up a monthly artistic contribution for the RTS (Radio Télévision Suisse) broadcasting company, on behalf of their "A vous de jouer" (your turn to play) program on Espace 2. [4]
Lucienne Peiry curated an exhibition on the encyclopedic art work of Armand Schulthess ("The Poetic Labyrinth of Armand Schulthess") at Neuchâtel's Centre Dürrenmatt in 2014, [17] and again at Lugano's Museo cantonale d'Arte in 2016. [18] Two trilingual exhibition catalogues were published for the two events. [19] [20]
In 2017 she curated the show "Inextricabilia, Enchevêtrements magiques" (Inextricabilia – Magical Mesh) [21] at the maison rouge in Paris: in addition to the show's catalogue, [22] many articles and newspaper accounts appeared, [23] [24] [25] [26] [27] together with a major analysis by the art historian Valérie Arconati in the French daily newspaper Libération . [28] [29] Later she curates an exhibition about Curzio Di Giovanni (HEP, Lausanne, 2018) which gathers around 80 drawings shown for the first time to the public, and also the exhibition "Rhinocéros, féroce?", [30] [31] [32] [33] where she creates a dialogue between art and science with rhinoceroses painted and drawn by Gaston Dufour and real stuffed rhinoceroses (Musée cantonal de zoologie, Lausanne, 2019-2020). [34] [35]
She publishes the book "Écrits d'Art Brut. Graphomanes extravagants" (Seuil edition, 2020), which is the catalogue of the exhibition that took place at the Tinguely Museum in Basel in 2021-2022. [36]
Lucienne Peiry curated the exhibition "Écrits d’Art Brut – Wild Expression & Thought" [37] [38] which was presented from October 2021 to January 2022 at the Tinguely Museum in Basel.
From May to September 2022, her exhibition "Parures d'Art Brut" [39] is on view at the Musée des Beaux-Arts du Locle, in Switzerland.
Since 2021 is she part of the research committee for Art Brut at the Centre Pompidou, which has been founded after the donation of the Bruno Decharme collection. [40]
This is a non exhaustive list of Lucienne Peiry's publications.
Outsider art is art made by self-taught individuals who are untrained and untutored in the traditional arts with typically little or no contact with the conventions of the art worlds.
Nek Chand Saini was a self-taught Indian artist, known for building the Rock Garden of Chandigarh, an eighteen-acre sculpture garden in the city of Chandigarh.
Aloïse Blanche Corbaz was a Swiss outsider artist included in Jean Dubuffet's initial collection of psychiatric art. She is one of very few acclaimed female outsider artists.
Johann Knüpfer (1866–1910) was a schizophrenic outsider artist and one of the "schizophrenic masters" profiled by Hans Prinzhorn in his field-defining work Artistry of the Mentally Ill.
Heinrich Anton Müller was a Swiss outsider artist and painter.
Mat(tijs) Visser studied architecture in Delft, the Netherlands and is since then an organiser of performances and art exhibitions. He was head of exhibitions at Museum Kunst Palast in Düsseldorf for eight years (2001–08), curated historical exhibitions and is best known for his Artempo exhibition at Palazzo Fortuny in Venice. He was the founding director of the international ZERO foundation in Düsseldorf from 2008 to 2017 and is a researcher at the Institute for Contemporary Archeology in Antwerp. As director from 0-projects he advises museums around the world on collection presentations.
Pascal-Désir Maisonneuve was a French artist and mosaicist whose work is considered to be outsider art.
Eijiro Miyama was a Japanese outsider artist who lived in Kanagawa Prefecture. He was often referred to as Bōshi Ojisan due to his habit of riding his bicycle around the streets of Yokohama wearing eccentric clothing and large, elaborate hats or headgear adorned with dolls and other recycled objects. Miyama died on June 13, 2024.
Regula Tschumi is a Swiss social anthropologist and art historian.
Ataa Oko Addo was a Ghanaian builder of figurative palanquins and figurative coffins, and at over 80 years of age he became a painter of Art Brut.
Charles Steffen (1927–1995) was an American self-taught artist from Chicago, Illinois. He belongs to the outsider art movement and is known for his drawings of an imaginary world "peopled by creatures resembling aliens."
Eugenio Santoro, was an Italian-born Swiss outsider artist.
Augustin Lesage was a French coal miner who became a painter and artist through the help of what he considered to be spirit voices. His style utilizes patterns and symmetry on a large scale, often accompanied by bright, vibrant colors. He was untrained and is considered an outsider artist, part of Art Brut.
Laure Pigeon (1882–1965) was a French medium who produced an oeuvre of 500 drawings related to her Spiritualist practice. She is considered one of the foremost Art Brut creators.
Jeanne Tripier (1869–1944) was a French medium who produced works of text, drawing and embroidery under Spiritualist influence. She is considered part of the Art Brut canon.
Anna Zemánková was a Czech painter. She was one of the world's most important artists of art brut. However, her high artistic culture, the diversity of her work, and her clear inner vision make her a departure from the original definition of art brut, and she figures in this category as a solitaire. Eighteen of Zemánková’s works were included in the seminal 2013 Venice Biennale. Her works were exhibited in New York, Paris, and on solo exhibitions in Lausanne and Prague. She is represented in the world's most important art brut collections and auctioned at Christie's.
Magali Herrera (1914–1992) was a Uruguayan self taught artist who wrote, danced, acted and made films in addition to producing the oeuvre of paintings of Utopias, for which she is known.
Emma Hauck was a German outsider artist known for her artistic, handwritten letters to her husband while she was institutionalized in a mental hospital. Though these letters were never delivered, they have since come to be regarded as works of art due to their abstraction and repetitive content. In many cases the letters consist of only the words "Come sweetheart" or "Come" written over and over in flowing script.
Martine Aballéa is a French-American artist born in 1950.
The Pictet Collection is a private art collection established by the Pictet financial group since 2004. It is composed of paintings, photographs, drawings, sculptures, installations and videos made by artists born in or having a strong cultural link with Switzerland. In 2021, the collection had over 900 works of art.
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