Lucius Junius Brutus | |
---|---|
Written by | Nathaniel Lee |
Date premiered | 8 December 1680 |
Place premiered | Dorset Garden Theatre, London |
Original language | English |
Genre | Tragedy |
Lucius Junius Brutus; Father of his Country is a Restoration tragedy play by Nathaniel Lee from 1680. It depicts the life of Roman statesman Lucius Junius Brutus. [1] It was first staged at the Dorset Garden Theatre by the Duke's Company.
The original cast included Thomas Betterton as Lucius Junius Brutus, William Smith as Titus, Joseph Williams as Tiberius, John Wiltshire as Collatinus, Thomas Gillow as Valerius, Henry Norris as Horatius, William Fieldhouse and Thomas Percival as Fecilian Priests, James Nokes as Vindicius, Thomas Jevon as Fabritius, Mary Slingsby as Sempronia, Mary Betterton as Lucretia and Elizabeth Barry as Teraminta. [2] It was published the following year by Jacob Tonson, and dedicated to the Earl of Dorset.
The play became controversial at court and was suppressed after its third performance due to some lines from the character of Lucius Tarquinius Superbus (last king of Rome) that were taken to be a reflection on King Charles II. [3]
It served as an inspiration for the play The Tragedy of Brutus; or, The Fall of Tarquin by John Howard Payne. [4]
This article contains information about the literary events and publications of 1680.
Nathaniel Lee was an English dramatist. He was the son of Dr Richard Lee, a Presbyterian clergyman who was rector of Hatfield and held many preferments under the Commonwealth; Dr Lee was chaplain to George Monck, afterwards Duke of Albemarle, but after the Restoration he conformed to the Church of England, and withdrew his approval for Charles I's execution.
Mary Saunderson (1637–1712), later known as Mary Saunderson Betterton after her marriage to Thomas Betterton, was an actress and singer in England during the 1660s and 1690s. She is considered one of the first English actresses.
The Duke's Company was a theatre company chartered by King Charles II at the start of the Restoration era, 1660. Sir William Davenant was manager of the company under Prince James, Duke of York's patronage. During this period, theatres began to flourish again after being closed due to restrictions throughout the English Civil War and Interregnum. The Duke's Company existed from 1660 until 1682 when it merged with the King's Company to form the United Company.
Mary, Lady Slingsby, born Aldridge, was an English actress. After a marriage lasting 1670 to 1680 to John Lee, an actor, during which she was on the stage as Mrs. Lee, she was widowed. She then married Sir Charles Slingsby, 2nd Baronet, a nephew of Sir Robert Slingsby, and performed as Lady Slingsby. Theatre historians have pointed out the difficulty in identifying her roles in the period when Elinor Leigh, wife of Anthony Leigh, was performing as Mrs. Leigh, because the homophones "Lee" and "Leigh" were not consistently spelled at the time.
The Patriot, or, The Italian Conspiracy is a 1702 tragedy by the English writer Charles Gildon. Based on the life of Cosimo de' Medici but also inspired by Nathaniel Lee's 1680 work Lucius Junius Brutus set during the Roman Republic.
Joseph Williams was an English stage actor of the seventeenth and early eighteenth century.
Thomas Gillow was an English stage actor of the Restoration era. His name was sometimes written Gilloe or Gillo.
The Princess of Cleve is a 1680 tragedy by the English writer Nathaniel Lee, inspired by the recent French novel La Princesse de Clèves by Madame de La Fayette set during the sixteenth century. It premiered at the Dorset Garden Theatre in London, staged by the Duke's Company. The original cast included Joseph Williams as Prince of Cleve, Thomas Betterton as Duke Nemours, Anthony Leigh as St. Andre, Thomas Gillow as Vidam of Chartres, James Nokes as Poltrot, Elizabeth Barry as Princess of Cleve, Mary Slingsby as Marguerite, Elinor Leigh as Tournon and Mary Betterton as Elianor. Incidental music was composed by Thomas Farmer. The play was not published until 1689.
John Wiltshire was an English stage actor of the Restoration Era. He joined the King's Company in 1675, before transferring to the rival Duke's Company in 1679 possibly as a replacement for Matthew Medbourne who was arrested in the Popish Plot and subsequently died in Newgate. From 1682 until his death he was part of the merged United Company. According to the autobiography of Colley Cibber he subsequently joined the English Army as captain and was killed in action fighting with William III's forces in Flanders during the Nine Years' War. His surname is also sometimes spelled as Wilshire.
Thomas Percival or Percivall was an English stage actor of the seventeenth century. He was a member of the Duke's Company from 1671 to 1682 and then the merged United Company until 1686. Throughout his career he was confined to playing supporting roles, never graduating to major parts. He was the father of the actress Susanna Verbruggen. In 1693, following his retirement from the stage, he was arrested for coin clipping, a capital crime, for which he was sentenced to hang at Tyburn. The intercession of his daughter with Mary II saw his sentence commuted to transportation, but before he reached Portsmouth he died of natural causes.
The Misery of Civil War is a 1680 tragedy by the English writer John Crowne. It was originally staged by the Duke's Company at the Dorset Garden Theatre in London. The play was staged at the height of the Popish Plot, something Crowne addressed in his prologue. Although he states that "by his feeble skill 'tis built alone, The Divine Shakespeare did not lay one Stone" the plot in fact drew heavily on Henry VI, Part 2 and Part 3
Caesar Borgia, Son Of Pope Alexander The Sixth is a 1679 tragedy by the English writer Nathaniel Lee. It was first staged at the Dorset Garden Theatre by the Duke's Company. The prologue was provided by John Dryden.
The Massacre of Paris is a 1689 tragedy by the English writer Nathaniel Lee. It was first staged by the United Company at the Theatre Royal, Drury Lane. It is based around the 1572 St. Bartholomew's Day massacre which led the killing of many Huguenots during the French Wars of Religion. The events had previously been portrayed in Christopher Marlowe's Elizabethan play The Massacre at Paris.
The Empress of Morocco is a 1673 tragedy by the English writer Elkanah Settle. It was originally staged by the Duke's Company at the Dorset Garden Theatre in London. The cast included Henry Harris as Muly Labas, William Smith as Muly Hamet, Thomas Betterton as Grimalhaz, Matthew Medbourne as Hametalhaz, John Crosby as Abdelcador, Mary Betterton as Laula and Mary Lee as Mariamne. The published version was dedicated to Henry Howard, Earl of Norwich.
The Siege of Babylon is a 1677 tragedy by the English writer Samuel Pordage. It was originally staged at the Dorset Garden Theatre by the Duke's Company.
Theodosius; Or, The Force Of Love is a 1680 tragedy by the English writer Nathaniel Lee. It was first staged by the Duke's Company at the Dorset Garden Theatre. It takes place during the reign of the Roman Emperor Theodosius II. Incidental music for the play was composed by Henry Purcell.
The Destruction of Troy is a 1678 tragedy by the English writer John Banks. It was first staged by the Duke's Company at the Dorset Garden Theatre in London. It depicts the Trojan War as inspired by Homer's Iliad.
Circe is a 1677 tragedy by the English writer Charles Davenant. It was first staged by the Duke's Company at the Dorset Garden Theatre in London. The play's music was composed by John Banister.
Troilus And Cressida; Or, Truth Found Too Late is a 1679 tragedy by the English writer John Dryden. It was first staged by the Duke's Company at the Dorset Garden Theatre in London. It was a reworking of William Shakespeare's 1602 play Troilus and Cressida, set during the Trojan Wars. In acknowledgement of this Dryden has the prologue spoken by Shakespeare's ghost, defending the alterations made to the play.