Luis Laorga (1919 - 1990) was a Spanish architect. [1]
Luis Laorga was a key architect in the Spanish architecture of the second half of the twentieth century. His contributions are of great relevance, both for his built projects as well as for the way to produce them. It is certainly one of the architects that changed the architectural scene in Spain. During his professional career he signed around 600 projects, many of them relevant proposals, more than a dozen of which were awarded first prizes in different competitions.
He became an architect in 1946. In his first years he obtained the first prize in four important competitions, three of them together with Javier Sáenz de Oiza, former classmate: the Santuario de Aránzazu, [2] the Basílica de la Merced [3] and the planning of the aqueduct area in Segovia. [4] They were awarded the Spanish National Award of Architecture in 1947. Simultaneously, he developed other projects, such as the church of the Rosario in Batán. [5]
During the 50s he worked, above all, in housing projects, from social housing, such as the ‘poblado mínimo’ of Caño Roto, [6] to the houses for the USAF in Madrid and Zaragoza. [7] He designed also various complexes for self-construction in the periphery of Madrid, [8] as well as several houses in the countryside. His collective housing buildings are remarkable too, being particularly outstanding Ponzano 71 and Concha Espina 65. [9] During those years he developed also projects for educational facilities, such as Recuerdo, in Chamartín, [10] and a number of rural schools.
In the 1960 decade he faced multiple big scale projects. Together with José López Zanón, he developed the projects for the Laboral Universities of Coruña, [11] Madrid, [12] Cáceres and Huesca; [13] the Nautical Schools of Cádiz, Bilbao, San Sebastián, Tenerife, Lanzarote, Alicante and Vigo, as well as the Civil Engineering University of Madrid. [14]
Also, during the 60s Laorga completed a large number of educational facility projects, such as Nuestra Señora de los Milagros, in Ourense; San Buenaventura School, in Madrid; the seminary of the Paules, in Andújar; Melchor Cano School, in Tarancón or the Colegio Mayor Loyola, in the Ciudad Universitaria of Madrid. He built likewise five churches: La Natividad and La Visitación, in Moratalaz; San Juan de Ávila, in Usera; La Merced, in Los Peñascales and Nuestra Señora de la Peña, in Vallecas.
In parallel to such a number of projects and to the dedication to his numerous relatives and friends, Laorga was always committed to multiple social initiatives of diverse scales and in different fields. For example, father Llanos explains how Laorga took him to the Pozo del Tío Raimundo and built for him the first ‘chabola’, shack. [15] During the 50s and 60s he developed many other works in the Pozo: classrooms, a school, a cinema or a nursery.
In the 70s Laorga abandoned the big scale, with very few exceptions, and focused in single family houses, most of them for relatives or friends, until 1981, when a stroke resulted in a hemiplegia that made him quit architecture definitely.
He displayed a very personal language in all his projects. He begins with total rationality in the disposition of uses and elements of the programme, and then, with constructive and structural rigour, employs a variety of materials and solutions. It is a sober but expressive, fresh and frugal way of doing architecture. Those are projects with a strong character, in which the different layers are articulated with each other with simplicity, from the adaptation to the place, scale and uses, to the comfort of the users. The rigour of calculating every detail and the greatest economy of means result, however, in comfortable and homely projects. This is so thanks, to a great extent, to how the materials and their disposition characterize the construction. Every project has a unique personality, even though they are developed with similar strategies and comparable programmes. All of them have been drawn with formal freedom, which presents itself, above all, in the details and the singular elements of the programme. [16]
Andrés Mignucci Giannoni FAIA was a Puerto Rican architect and urbanist of Corsican ancestry. His work received recognition for its integration of the disciplines of architecture, urban design and landscape architecture in the creation of public spaces with a sense of place, human scale, and environmental responsibility. In 2005 Andrés Mignucci was elected to the College of Fellows of the American Institute of Architects. In 2012, he was awarded the Henry Klumb Award by the Puerto Rico College of Architects. In 2019, Mignucci received the Distinguished Professor Award by the Association of Collegiate Schools of Architecture, and was named Arts and Literary Arts Scholar in Residence at the Rockefeller Foundation's Bellagio Center in Bellagio, Italy.
Joaquín del Palacio (Kindel) was a Spanish photographer who was born in Madrid in 1905 and died in Madrid in 1989. He changed his name to Kindel to adapt to the foreign names that were starting to work in Spain and so look modern too: KIN came from Joaquín and DEL was for the beginning of his last name. For him, taking pictures was "just a matter of look and shoot when he saw something he liked. And light, rather than technique".
Paseo de la Castellana, commonly known as La Castellana, is a major thoroughfare in Madrid, Spain. Cutting across the city from south to north, it has been described as the "true structuring axis" of the city.
The Church of the Conception is a Neogothic Catholic church in Madrid, Spain.

Modesto López Otero was a Spanish architect. He taught for many years in the Superior Technical School of Architecture of Madrid. He directed construction of the Madrid University City, much of which was damaged during the Spanish Civil War (1936–39). He designed many houses, office buildings, monuments and churches. The Arco de la Victoria (1956) celebrates the victory of the Nationalist forces led by General Francisco Franco over the Republicans.
Guillermo Bermúdez Umaña was a Colombian architect and professor of the National University of Colombia. His works are mainly private homes and public buildings, mostly in Bogota.

Carmen Espegel Alonso, is a Doctor of Architecture at the Escuela Técnica Superior de Arquitectura de Madrid (Spain), where she teaches Architectural Project classes representing the Espegel Teaching Unit. She has been working at her own studio since 1985 and in 2003 she founded the firm espegel-fisac arquitectos. Her reference work, "Heroines of Space. Women Architects in the Modern Movement", is a theoretical and historical synthesis of the role of women in Architecture.
José Antonio Sosa Diaz-Saavedra is a Spanish architect, university professor and researcher. He is a member of the Royal Canarian Academy of Fine Arts of St. Michael Archángel.
Antonio Lamela Martínez was a Spanish architect.

Luis Lacasa Navarro was a Spanish architect. His work in Spain and Paris before and during the Spanish Civil War (1936–39) was rationalist and functional. He is best known as co-designer of the Spanish Pavilion at the 1937 Paris Exposition, a work designed to showcase the modern legitimacy of the embattled Spanish Republic. After the war he went into exile in the Soviet Union.
The Casa Sindical is a building in Madrid, Spain. It currently hosts the headquarters of the Ministry of Health of Spain.
The Calle Mayor is a centric street in Madrid, Spain. Located in the Centro District, the Calle Mayor starts in the Puerta del Sol and ends at the cuesta de la Vega.
The Valencia Tower is a residential building in Madrid, Spain. It is the most known as well as most controversial project by Javier Carvajal.
The Spanish Architecture Award is a prize which has been given biannually by the Consejo Superior de los Colegios de Arquitectos de España (CSCAE) since 1993.
Carmen Córdova (1929–2011) was an Argentine architect who was part of the Modern Architecture Organization (OAM). In 1994 she became the first woman dean of the Faculty of Architecture, Design, and Urban Planning at the University of Buenos Aires. In 2004, she received a Lifetime Achievement Award from the Fondo Nacional de las Artes.
José López Sallaberry was a Spanish architect and urbanist who worked in the Neoplateresca style.
The calle de Serrano, or simply Serrano, is a street in Madrid, Spain. It is noted as location for luxury flagship stores.
The Hospital Universitario de la Princesa is a hospital located in the Lista neighborhood in Madrid, Spain, part of the hospital network of the Servicio Madrileño de Salud (SERMAS).
Manuel de las Casas was a Spanish architect.
Hanequin de Cuéllar was a Spanish architect and sculptor who worked in Castile. In the documentation, he is named only as Hanequin and modern historians have given him the last name of Cuéllar because he lived and worked in the area of influence of Cuéllar (Segovia), and possibly to differentiate him from his father, Hannequin de Bruxelles, also an architect.