Oswaldo Guayasamín was an Ecuadorian master painter and sculptor of Quechua and Mestizo heritage.
Jorge Enrique Adoumخورخي انريكي ادوم was an Ecuadorian writer, poet, politician, and diplomat. He was one of the major exponents of Latin American poetry. His work received such prestigious awards as the first Casa de las Américas Prize in Cuba, the most important honor in Latin American letters. Though hailed by Nobel Prize winner Pablo Neruda as the best poet of his generation in Latin America, Adoum’s work is unknown in the English-speaking world.
Luis Enrique Tábara is a master Ecuadorian painter and teacher representing a whole Hispanic pictorial and artistic culture.
Carlos Catasse, born Carlos Tapia Sepúlveda in Santiago, Chile, formed his new last name by combining the first two letters of his first, middle and last names. Catasse is a Chilean painter of international recognition. Since 1969, he has lived and painted in Quito, Ecuador, the country that in 1986 granted him with Ecuador’s National Prize for Painting, the Premio Eugenio Espejo. Catasse has had a great number of individual exhibitions throughout Latin America, as well as, Switzerland, Italy, Germany, Spain, and the United States. After Catasse died in Quito, Ecuador at the age of 65, his remains were cremated in a cemetery in the Ecuadorian capital, and there are plans to open a gallery exhibition of his works.
Aníbal Villacís was a master painter from Ecuador who used raw earthen materials such as clay and natural pigments to paint on walls and doors throughout his city when he could not afford expensive artist materials. As a teenager, Villacís taught himself drawing and composition by studying and recreating the illustrated ad posters for bullfights in Quito. In 1952, Jose Maria Velasco Ibarra, former President of Ecuador, discovered Villacís and offered him a scholarship to study in Paris.
Camilo Egas was an Ecuadorian master painter and teacher, who was also active in the United States and Europe.
Estuardo Maldonado is a Latin American sculptor and painter inspired by the Constructivist movement. Maldonado is a member of VAN, the group of Informalist painters founded by Enrique Tábara. Other members of VAN included, Aníbal Villacís, Luis Molinari, Hugo Cifuentes, León Ricaurte and Gilberto Almeida. Maldonado's international presence is largely due to his participation in over a hundred exhibits outside of Ecuador.
Baroque sculpture is the sculpture associated with the Baroque style of the period between the early 17th and mid 18th centuries. In Baroque sculpture, groups of figures assumed new importance, and there was a dynamic movement and energy of human forms—they spiralled around an empty central vortex, or reached outwards into the surrounding space. Baroque sculpture often had multiple ideal viewing angles, and reflected a general continuation of the Renaissance move away from the relief to sculpture created in the round, and designed to be placed in the middle of a large space—elaborate fountains such as Bernini's Fontana dei Quattro Fiumi, or those in the Gardens of Versailles were a Baroque speciality. The Baroque style was perfectly suited to sculpture, with Gian Lorenzo Bernini the dominating figure of the age in works such as The Ecstasy of St Theresa (1647–1652). Much Baroque sculpture added extra-sculptural elements, for example, concealed lighting, or water fountains, or fused sculpture and architecture to create a transformative experience for the viewer. Artists saw themselves as in the classical tradition, but admired Hellenistic and later Roman sculpture, rather than that of the more "Classical" periods as they are seen today.
Luis Alberto Chucho Bolaños León is an Ecuadorian football midfielder.
Bernardo de Legarda was an Ecuadorian sculptor and painter who exemplified the Quito School movement.
Jaime Valencia was an Ecuadorian painter and sculptor. He studied Art at Escuela de Bellas Artes. He achieved 3rd prize in the Mariano Arguilera contest in 1957 and the 1st prize the following year. His artwork has been exhibited throughout Latin America. Valencia sculpted the principal facade for the Casa de la Cultura Ecuatoriana Benjamin Carrion in Quito. He also sculpted the busts of two former presidents of Ecuador which are located on the corner of Amazonas and George Washington streets in Quito. He was born in Quito.
The Quito School is a Latin American artistic tradition that constitutes essentially the whole of the professional artistic output developed in the territory of the Royal Audience of Quito — from Pasto and Popayán in the north to Piura and Cajamarca in the south — during the Spanish colonial period (1542-1824). It is especially associated with the 17th and 18th centuries and was almost exclusively focused on the religious art of the Catholic Church in the country. Characterized by a mastery of the realistic and by the degree to which indigenous beliefs and artistic traditions are evident, these productions were among of the most important activities in the economy of the Royal Audience of Quito. Such was the prestige of the movement even in Europe that it was said that King Carlos III of Spain (1716–1788), referring to one of its sculptors in particular, opined: "I am not concerned that Italy has Michelangelo; in my colonies of America I have the master Caspicara".
Abbott Lawrence Pattison was an American sculptor and abstract artist.
Miguel Betancourt is an Ecuadorian contemporary artist living in Quito, Ecuador. He was formed as an artist in Ecuador, the United States, and the United Kingdom. His paintings are a fusion of local cultural motives and colors, and Western artistic influence.
Manuel Chili – known as Caspicara – was an Ecuadorian sculptor who exemplified the Quito School movement of the 18th century Andes. His major religious works, characterized by polychromed wood sculptures in an elegant Spanish Baroque style, are preserved in the Quito Cathedral and the Church of San Francisco de Quito, Ecuador, and in Popayán, Colombia. His work was rediscovered in 1791 and championed by Eugenio Espejo, then the country's leading intellectual.
Miguel Hernández Urbán is a Mexican painter and sculptor noted for his monumental works in stainless steel. He trained as a sculptor at the Escuela Nacional de Artes Plásticas but moved into painting under Antonio Rodríguez Luna. He returned to sculpture in the 1980s, experimenting with stainless steel, creating monumental works with it starting in the 1990s. In 1992, he founded the Symposium on Stainless Steel Sculpture in his hometown, the first of its kind in the work, which has since attracted participants from the Americas, Europe and Asia.
Naya o La Chapetona (1900) is a novel by the Ecuadorian priest Manuel Belisario Moreno.
Carel Nicolaas Visser was a Dutch sculptor. He is considered an important representative of Dutch abstract-minimalist constructivism in sculpture.
El poder brutal, also known as La cara del diablo, is a colossal sculpture located in Ecuador. It is carved into the living rock of a mountain on the Alóag–Santo Domingo road, about 5 kilometers from the town of Tandapi; for this reason it is sometimes known as el diablo de Tandapi. It is especially famous for its size and because it is located on the most traveled route between Quito and Guayaquil.
