Lunchmeat VHS

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Lunchmeat VHS
Lunchmeat2.jpg
Lunchmeat VHS, Issue 2
EditorJosh Schafer
EditorTed Gilbert
Categories Horror, VHS
FrequencySporadic
First issueAugust 2008
Country United States
Based in Elmer, New Jersey
LanguageEnglish
Website http://www.lunchmeatvhs.com/

Lunchmeat VHS is a niche magazine, brand, and online community dedicated to the culture, appreciation, and preservation of VHS (Video Home System) tapes, particularly those that feature obscure and cult films. Since its inception, Lunchmeat VHS has become a significant hub for enthusiasts of the VHS format, often showcasing rare and forgotten titles, as well as providing a platform for discussion and nostalgia.

Contents

Content and Features

Lunchmeat VHS features a variety of content, including:

History

Lunchmeat VHS was founded in 2008 by Josh Schafer, an avid VHS collector and enthusiast. The magazine began as a passion project aimed at celebrating and preserving the unique charm and cultural significance of VHS tapes. Initially a print magazine, it quickly garnered a dedicated following, leading to an expansion into an online platform.

Community and Events

Lunchmeat VHS fosters a vibrant community of VHS enthusiasts through its online presence and social media platforms. The magazine hosts and participates in various events, such as VHS swap meets, film screenings, and conventions dedicated to retro media. These events provide opportunities for collectors to trade tapes, share knowledge, and celebrate their shared passion.

Other Ventures

In addition to the magazine, Lunchmeat VHS has branched out into several other ventures:

Brands and Publications

Lunchmeat VHS has expanded its influence in the realm of retro media through various other publications:

Home Video Horrors: An ongoing project created by Josh Schafer and photographer/designer Jacky Lawrence. This unique series serves as photo tributes to cult horror films from the VHS era. The project places iconic video box covers in meticulously crafted scenes that reflect the essence of the films they feature, offering a meta mise-en-scène experience.

The primary output of this project is the annual Home Video Horrors Calendar. Each year's calendar highlights different cult horror films, showcasing the distinct and often exaggerated artwork that defined the genre during the late 20th century. The calendar features obscure holidays, the birthdays of horror icons. The character Rotty Rentals, an undead video store clerk, hosts and guides you through the calendar, providing facts and trivia about each month’s featured title.

Stuck On VHS: An art-book co-written by Josh Schafer and Jacky Lawrence that focuses on the art and allure of VHS rental stickers. It samples and explores the creativity and variety behind the often eye-catching and nostalgic stickers that adorned VHS rental tapes, offering insights into the cultural impact of these micro-artworks.

Impact and Legacy

Lunchmeat VHS has played a crucial role in the resurgence of interest in VHS tapes, influencing a new generation of collectors and filmmakers. Its dedication to preserving VHS culture has helped ensure that these tapes, and the unique experiences they offer, are not forgotten in the digital age. The magazine's efforts have also highlighted the importance of physical media in an era dominated by streaming services.

Related Research Articles

<span class="mw-page-title-main">Cult film</span> Film that has acquired a cult following

A cult film or cult movie, also commonly referred to as a cult classic, is a film that has acquired a cult following. Cult films are known for their dedicated, passionate fanbase which forms an elaborate subculture, members of which engage in repeated viewings, dialogue-quoting, and audience participation. Inclusive definitions allow for major studio productions, especially box-office bombs, while exclusive definitions focus more on obscure, transgressive films shunned by the mainstream. The difficulty in defining the term and subjectivity of what qualifies as a cult film mirror classificatory disputes about art. The term cult film itself was first used in the 1970s to describe the culture that surrounded underground films and midnight movies, though cult was in common use in film analysis for decades prior to that.

<span class="mw-page-title-main">VHS</span> Consumer-level analog videotape recording and cassette form standard

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A re-edited film is a motion picture that has been modified from the manner in which it was showcased in its original theatrical release. Reasons for this type of editing may range from the distributor's demands to accommodating different audience groups. Fan-made movie edits are often met with controversy, as they bring up issues of copyright law.

German underground horror is a subgenre of the horror film, which has achieved cult popularity since first appearing in the mid-1980s. Horror films produced by the German underground scene are usually trademarked by their intensity, taking on topics that are culturally taboo such as rape, necrophilia, and extreme violence.

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<span class="mw-page-title-main">Home video</span> Prerecorded video media that are either sold, rented, or streamed for home entertainment

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Videogram is the alter ego of Swedish composer/producer Magnus Jan Michael Sellergren. The originator of the VHS-inspired horror synth sound, the project debuted with the "Charles Bronson" digital single and S/T album in 2014, coinciding with Doc Terror's Italian Horror Week.

<i>Rewind This!</i> 2013 American film

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V/H/S is an American horror anthology franchise that includes seven found footage films, two spin-off films, and one miniseries. Created from an original story idea by Brad Miska, the plot centers around a number of disturbing VHS tapes that are discovered by innocent viewers and the possessive influence of the videos over those who see them. Realized by a collaboration of various filmmakers and different casts, the installments are mostly standalone in nature; though recurring elements indicate the same fictional villain as the source for all of its videos.

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Doorways to Horror is a horror board game played with a VCR designed by Sid Sackson and published in 1986 by Pressman Toy Corporation alongside Doorways to Adventure. Players scan through various doorways on a videotape recording, playing cards to capture creatures and win Gold Certificates in order to be the richest player by the end of the game. The tape includes clips from public domain media, including Cyrano De Bergerac, Africa Screams, Algiers, and The Terror.

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