Lydia Lunch: The War Is Never Over is a 2019 documentary film about musician Lydia Lunch. It was directed by New York underground filmmaker Beth B. [1] [2]
No wave is a music genre, named for the transient avant-garde music and visual art scene from which it emerged in the late 1970s in downtown New York City.
James George Thirlwell, also known as Clint Ruin, Frank Want, and Foetus, among other names, is an Australian musician, composer, and record producer. He is known for juxtaposing a variety of different musical styles.
Noise rock is a noise-oriented style of experimental rock that spun off from punk rock in the 1980s. Drawing on movements such as minimalism, industrial music, and New York hardcore, artists indulge in extreme levels of distortion through the use of electric guitars and, less frequently, electronic instrumentation, either to provide percussive sounds or to contribute to the overall arrangement.
Teenage Jesus and the Jerks were an influential American no wave band, based in New York City, who formed part of the city's no wave movement.
Lydia Lunch is an American singer, poet, writer, actress and self-empowerment speaker. Her career began during the 1970s New York City no wave scene as the singer and guitarist of Teenage Jesus and the Jerks.
James Sclavunos is an American drummer, multi-instrumentalist musician, record producer, and writer. He is best known as a drummer, having been a member of two seminal no wave groups in the late 1970s. He is also noted for stints in Sonic Youth and the Cramps, and has been a member of Nick Cave and the Bad Seeds since 1994. Sclavunos has led his own group the Vanity Set since 2000.
Weasel Walter is an American composer, improviser, multi-instrumentalist, producer, and founder of ugEXPLODE Records. Walter's work has been informed by techniques and traditions of music including Avant-garde, experimental, no wave, free jazz, extreme metal, punk jazz, hardcore punk, noise, new music and free improvisation. He coined the term "brutal prog" to describe the aggressively dissonant strain of prog played by groups like his band The Flying Luttenbachers.
Rowland Stuart Howard was an Australian rock musician, guitarist and songwriter, best known for his work with the post-punk group The Birthday Party and his subsequent solo career.
The Cinema of Transgression is a term coined by Nick Zedd in 1985 to describe a New York City-based underground film movement, consisting of a loose-knit group of artists using shock value and black humor in their films. Key players in this movement were Zedd, Kembra Pfahler, Tessa Hughes-Freeland, Casandra Stark, Beth B, Tommy Turner, Jon Moritsugu, Manuel DeLanda, David Wojnarowicz, Richard Kern, and Lydia Lunch, who in the late 1970s and mid-1980s began to make very low-budget films using cheap 8 mm cameras.
Honeymoon in Red is a concept album by a band of the same name, released in 1987, primarily written by Lydia Lunch and Rowland S. Howard. Honeymoon in Red is sometimes referred to as a band or alternately as a collaboration between Lydia Lunch and members of The Birthday Party.
Kristian Hoffman is an American musician.
Die Haut were an experimental German post-punk and post-rock band in Berlin during the 1980s and 1990s, with such records as the Nick Cave collaboration Burnin' the Ice. The only constant member was Christoph Dreher.
Ervillers is a commune in the Pas-de-Calais department in the Hauts-de-France region of France.
Gregg Foreman is an American musician and DJ born in Philadelphia. Foreman gained recognition originally as the front man of The Delta 72, a band that created a frenetic and honest style channeling post-punk rock sensibilities with 1960s British Invasion R&B. The live gigs of The Delta 72 have been characterized by Gregg's energetic stage performances and James Brown-like moves.
The Underground was a music club located in the Allston neighborhood of Boston that featured local, national and international acts performing independent and post-punk music. Although the emerging acts who played there included Mission of Burma, The Cure and New Order, its lifespan was short, from February 1980 until June 1981.
Drunk on the Pope's Blood/The Agony Is the Ecstacy is a split compilation EP by the post-punk acts The Birthday Party and Lydia Lunch, released on February 18, 1982, through 4AD. It contains live material from a show performed on November 26, 1981, at The Venue in London. Three of the four Birthday Party tracks were included on their Live 1981-82 CD. Their version of the song "Loose" and the Lydia Lunch piece have never been officially reissued on CD. The Lydia Lunch side is a single track recorded up to the run-out groove, causing the song to play endlessly on manual turntables.
The Drowning of Lucy Hamilton an album by Lydia Lunch and Lucy Hamilton. It was released in 1985 through Widowspeak. It is the soundtrack to the Richard Kern film The Right Side of My Brain.
Scott B and Beth B were among the best-known New York No Wave underground film makers of the late 1970s and early 1980s.
Black Box is a 1978 American short film directed by Scott B and Beth B and starring Lydia Lunch and Bob Mason.
Alan Vega 70th Birthday Limited Edition EP Series is a series of eight EPs with contributions from various artists paying tribute to Alan Vega and his band Suicide. The individual 10" vinyl EPs were pressed in limited quantities and released through the London-based label Blast First Petite. According to the project's press release, the series was originally intended to be a monthly year-long series across 12 EPs, but ended up being released periodically over three years starting in 2008, continuing into 2010. The series launched with simultaneous releases of Dream Baby Dream and Shadazz on October 28, 2008. Each EP features one or two artists covering either a Suicide or Alan Vega solo track, paired with either a previously unreleased live or demo version of a Suicide or Vega solo song. Most releases in the series featured what Blast First referred to as a "major" artist and also an "upcoming" artist. Most of the EPs were also released digitally around the time of the 10" vinyl release, with some seeing limited-edition CD releases as well.