Lynette Bosch

Lynette Bosch
Other names	Lynette M.F. Bosch
Alma mater	Princeton University
Scientific career
Thesis	Manuscript illumination in Toledo (1446-1495) : the liturgical books  (1985)

Lynette M. de F. Bosch is an art historian who specializes in the Italian and Spanish Renaissance, as well as modern Latin American and Cuban art. She was named a distinguished professor at State University of New York at Geneseo in 2016.

Education and career

Bosch received a B.A. in art history from Queens College in 1975 and an M.A. from Hunter College in 1978. In 1985 she earned a Ph.D. from Princeton University. ^[1] From 1990 until 1992 Bosch was an assistant professor at the State University of New York at Cortland, at which point she moved to Brandeis University where she remained until 1998. In 1999 she moved to the State University of New York at Geneseo as an assistant professor, and she was promoted to full professor in 2005. In 2016 she was named a distinguished professor. ^[2]

Bosch's primary areas of expertise are the Italian Renaissance, Italian Mannerism, and Latin American works of the 20th and 21st centuries, particularly Cuban-American, Mexican, and Chilean painters. ^{[2] [ better source needed ]}

Selected publications

• Bosch, Lynette M. F. (1996). Ernesto Barreda, 1946-1996. Santiago, Chile. ISBN   978-956-272-532-3.
• Bosch, Lynette M. F. (2000). Art, Liturgy, and Legend in Renaissance Toledo. University Park, Pa: Penn State Press. ISBN   978-0-271-01968-0. ^[3]
• Gracia, Jorge J. E.; Bosch, Lynette M. F.; Borland, Isabel Alvarez (2009-01-08). Identity, Memory, and Diaspora. SUNY Press. ISBN   978-0-7914-7318-4. ^[4]
• Borland, Isabel Alvarez; Bosch, Lynette M. F. (2010-01-01). Cuban-American Literature and Art. Albany: SUNY Press. ISBN   978-0-7914-9374-8. ^[5]
• BOSCH, LYNETTE M. F. (2023). Mannerism, Spirituality and Cognition. Routledge. ISBN   978-1-032-56987-1.

References

1. "Lynette Bosch CV" (PDF). SUNY GENESEO. Retrieved April 13, 2025.
2. "Lynette Bosch | SUNY Geneseo". www.geneseo.edu. Retrieved 2025-04-15.
3. Reviews of Art, Liturgy, and Legend in Renaissance Toledo
   • Wunder, Amanda (2002). "Review of Art, Liturgy, and Legend in Renaissance Toledo: The Mendoza and the Iglesia Primada" . The Sixteenth Century Journal. 33 (3): 886–887. doi:10.2307/4144079. ISSN   0361-0160. JSTOR   4144079.
   • Sobré, Judith Berg (2003). "Review of Art, Liturgy and Legend in Renaissance Toledo". Studies in Iconography. 24: 236–239. ISSN   0148-1029. JSTOR   23923681.
   • Mann, Richard G. (2002). "Review of Art, Liturgy, and Legend in Renaissance Toledo: The Mendoza and the Iglesia Primada" . Renaissance Quarterly. 55 (2): 715–716. doi:10.2307/1262339. ISSN   0034-4338. JSTOR   1262339.
4. Reviews of Identity, Memory, and Diaspora
   • Landeira, Joy (2008). "Review of Identity, Memory, and Diaspora: Voices of Cuban-American Artists, Writers, and Philosophers". Hispania. 91 (4): 831–832. ISSN   0018-2133. JSTOR   40648218.
5. Reviews of Cuban-American Literature and Art
   • González-Abellás, Miguel (2010). "Review of Cuban-American Literature and Art: Negotiating Identities". Chasqui. 39 (1): 162–164. ISSN   0145-8973. JSTOR   27822256.
   • Zalacain, Daniel (2010). "Review of Cuban-American Literature and Art". Hispania. 93 (1): 144–145. ISSN   0018-2133. JSTOR   25703409.
   • Valdés, Vanessa K. (2011). "Review of Cuban-American Literature and Art: Negotiating Identities". Callaloo. 34 (3): 972–975. ISSN   0161-2492. JSTOR   41243206.