Maaike Braat-Rolvink | |
---|---|
Born | Arnhem, Netherlands | 12 March 1907
Died | 23 August 1992 85) Amsterdam, Netherlands | (aged
Nationality | Dutch |
Known for | Painting |
Spouse | Leendert Pieter Johan Braat |
Maaike Braat-Rolvink (1907-1992) was a Dutch painter.
Braat-Rolvink née Rolvink was born on 12 March 1907 in Arnhem. She studied at the Kunstoefening (Art Exercise Academy) in Arnhem. Around 1930 she traveled to Paris and studied with Gaston Balande. She was married to the sculptor Leendert Pieter Johan Braat (1908-1982). [1] Her work was included in the 1939 exhibition and sale Onze Kunst van Heden (Our Art of Today) at the Rijksmuseum in Amsterdam. [2] In 1959 she received a silver medal from the city of Paris for her entry to the Salon Féminin at the Musée d’Art Moderne de la Ville de Paris . [3] She was a member of the Federatie van Verenigingen van Beroeps Beeldende Kunstenaars (Federation of Associations of Professional Visual Artists) in Amsterdam. [1] She was also a member of De Zeester. [4]
Onze Kunst van Heden was an exhibition held in the winter of 1939 through 1940 at the Rijksmuseum in Amsterdam. Due to the threat of invasion in the years leading up to World War II, the Netherlands' government stored many items from the Rijksmuseum's permanent collection. The resulting empty gallery space was utilized by contemporary Dutch artists to exhibit and sell their art. It was organized by the director of the Rijksmuseum Frederik Schmidt Degener. The show was open to all artists, with each artist allowed to enter four pieces. 902 artists exhibited 3,200 works of art in 74 rooms and cabinets of the Rijksmuseum.
„De kunstenaar kan in tijden van maatschappelijke benauwenis weinig positiefs doen om rampen af te wenden, maar wel kan hij door mede te helpen nationale uitingen op het eigenaardigst naar voren te brengen het gemeenschapsbesef versterken. Wanneer de belangstelling van het publiek uitgaat naar deze manifestatie, die in zulk een omvang in Holland nog niet gezien is, dan zal menige kunstenaar zich op zijn beurt gesterkt voelen".
"The artist can do little positive in times of social distress to avert disasters, but he can, by helping to bring out national expressions in the most idiosyncratic way, strengthen the sense of community. When the public is interested in this event, which has not yet been seen to such an extent in Holland, many artists will feel strengthened in turn."
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