Embroidery is the art of decorating fabric or other materials using a needle to stitch thread or yarn. Embroidery may also incorporate other materials such as pearls, beads, quills, and sequins. In modern days, embroidery is usually seen on hats, clothing, blankets, and handbags. Embroidery is available in a wide variety of thread or yarn colour. It is often used to personalize gifts or clothing items.
Richard was an English prince who was King of the Romans from 1257 until his death in 1272. He was the second son of John, King of England, and Isabella, Countess of Angoulême. Richard was nominal Count of Poitou from 1225 to 1243, and he also held the title Earl of Cornwall since 1225. He was one of the wealthiest men in Europe and joined the Barons' Crusade, where he achieved success as a negotiator for the release of prisoners and assisted with the building of the citadel in Ascalon.
The Royal School of Needlework (RSN) is a hand embroidery school in the United Kingdom, founded in 1872 and based at Hampton Court Palace since 1987.
Ann Macbeth was a British embroiderer, designer, teacher and author. She was a member of the Glasgow Movement where she was an associate of Margaret MacDonald and Charles Rennie Mackintosh, and many other 'Glasgow Girls'. She was also an active suffragette and designed banners for suffragists and suffragettes movements.
A cope is a liturgical long mantle or cloak, open at the front and fastened at the breast with a band or clasp. It may be of any liturgical colour.
Fiber art refers to fine art whose material consists of natural or synthetic fiber and other components, such as fabric or yarn. It focuses on the materials and on the manual labor on the part of the artist as part of the works' significance, and prioritizes aesthetic value over utility.
Mary "May" Morris was an English artisan, embroidery designer, jeweller, socialist, and editor. She was the younger daughter of the Pre-Raphaelite artist and designer William Morris and his wife and artists' model, Jane Morris.
Opus Anglicanum or English work is fine needlework of Medieval England done for ecclesiastical or secular use on clothing, hangings or other textiles, often using gold and silver threads on rich velvet or linen grounds. Such English embroidery was in great demand across Europe, particularly from the late 12th to mid-14th centuries and was a luxury product often used for diplomatic gifts.
Events from the 1230s in England.
Samite was a luxurious and heavy silk fabric worn in the Middle Ages, of a twill-type weave, often including gold or silver thread. The word was derived from Old French samit, from medieval Latin samitum, examitum deriving from the Byzantine Greek ἑξάμιτον hexamiton "six threads", usually interpreted as indicating the use of six yarns in the warp. Samite is still used in ecclesiastical robes, vestments, ornamental fabrics, and interior decoration.
The decade of the 1230s in art involved some significant events.
English embroidery includes embroidery worked in England or by English people abroad from Anglo-Saxon times to the present day. The oldest surviving English embroideries include items from the early 10th century preserved in Durham Cathedral and the 11th century Bayeux Tapestry, if it was worked in England. The professional workshops of Medieval England created rich embroidery in metal thread and silk for ecclesiastical and secular uses. This style was called Opus Anglicanum or "English work", and was famous throughout Europe.
Elizabeth Mortimer, Lady Percy and Baroness Camoys, was a medieval English noblewoman, the granddaughter of Lionel of Antwerp, 1st Duke of Clarence, and great-granddaughter of King Edward III. Her first husband was Sir Henry Percy, known to history as 'Hotspur'. She married secondly Thomas Camoys, 1st Baron Camoys. She is represented as 'Kate, Lady Percy,' in Shakespeare's Henry IV, Part 1, and briefly again as 'Widow Percy' in Henry IV, Part 2.
Queen Elizabeth II's coronation took place on 2 June 1953. Ordered in October 1952, her gown took eight months of research, design, workmanship, and intricate embroidery to complete. It featured the floral emblems of the countries of the United Kingdom and those of the other states within the Commonwealth of Nations, including the English Tudor rose, Scots thistle, Welsh leek, Irish shamrock, Canadian maple leaf, Australian wattle, New Zealand silver fern, South African protea, Indian lotus flower for India, the Lotus flower of Ceylon, and Pakistan's wheat, cotton, and jute.
François Lesage was a French couture embroiderer. Lesage was globally known in the art of embroidery and worked for the largest fashion and haute couture houses. His atelier is now part of Chanel through the company's subsidiary, Paraffection.
Katherine of England was the fifth child of Henry III and his wife, Eleanor of Provence. According to 13th-century chronicler Matthew Paris, when Katherine died she was deaf and may have had an intellectual disability, though it is unclear whether this is true. Some modern historians have theorised that Katherine alternately may have had a degenerative disease or a childhood illness; historians disagree on what disease or disability she may have had, or if she had one at all. She died when she was three years old. Her parents "celebrated her birth and commemorated her in death."
Lady Audrey Walsingham was an English courtier. She served as Lady of the Bedchamber to queen Elizabeth I of England, and then as Mistress of the Robes to Anne of Denmark from 1603 until 1619.
The Fermo chasuble of St. Thomas Becket is a garment belonging to Thomas Becket, Archbishop of Canterbury from 1162 until his murder in 1170.
Christopher Shawe or Shaw was an English embroiderer and textile artist who worked on masque costume for Anne of Denmark. He was a member of the Worshipful Company of Broderers.
A silkwoman was a woman in medieval, Tudor, and Stuart England who traded in silks and other fine fabrics. London silkwomen held some trading rights independently from their husbands and were exempted from some of the usual customs and laws of coverture. The trade and craft of the silkwoman was encouraged by a statute of Henry VI of England as a countermeasure to imports of silk thread, and a suitable occupation for "young gentlewomen and other apprentices".
