Jacopo Bellini was one of the founders of the Renaissance style of painting in Venice and northern Italy. His sons Gentile and Giovanni Bellini, and his son-in-law Andrea Mantegna, were also famous painters.
Gentile da Fabriano was an Italian painter known for his participation in the International Gothic painter style. He worked in various places in central Italy, mostly in Tuscany. His best-known works are his Adoration of the Magi from the Strozzi Altarpiece (1423), and the Flight into Egypt. Following a visit to Florence in the 1419, he came in contact with humanism, which influenced his work throughout the rest of his career. He became highly influential for other painters in Florence, especially because of his use of detail based on the observations he made of the natural world.
Pisanello, born Antonio di Puccio Pisano or Antonio di Puccio da Cereto, also erroneously called Vittore Pisano by Giorgio Vasari, was one of the most distinguished painters of the early Italian Renaissance and Quattrocento. He was acclaimed by poets such as Guarino da Verona and praised by humanists of his time, who compared him to such illustrious names as Cimabue, Phidias and Praxiteles.
Giovanni di Paolo di Grazia was an Italian painter, working primarily in Siena, becoming a prolific painter and illustrator of manuscripts, including Dante's texts. He was one of the most important painters of the 15th century Sienese School. His early works show the influence of earlier Sienese masters, but his later style was more individual, characterized by cold, harsh colours and elongated forms. His style also took on the influence of International Gothic artists such as Gentile da Fabriano. Many of his works have an unusual dreamlike atmosphere, such as the surrealistic Miracle of St. Nicholas of Tolentino painted about 1455 and now housed in the Philadelphia Museum of Art, while his last works, particularly Last Judgment, Heaven, and Hell from about 1465 and Assumption painted in 1475, both at Pinacoteca Nazionale (Siena), are grotesque treatments of their lofty subjects. Giovanni's reputation declined after his death but was revived in the 20th century.
Giovanni Santi was an Italian painter, decorator, and the father of Raphael. He was born in 1435 at Colbordolo in the Duchy of Urbino. He studied under Piero della Francesca and was influenced by Fiorenzo di Lorenzo. He was court painter to the Duke of Urbino and painted several altarpieces. He died in Urbino.
Palazzo dei Diamanti is a Renaissance palace located on Corso Ercole I d'Este 21 in Ferrara, region of Emilia Romagna, Italy. The main floor of the Palace houses the Pinacoteca Nazionale di Ferrara.
The Adoration of the Magi is a painting by the Italian painter Gentile da Fabriano. The work, housed in the Uffizi Gallery in Florence, Italy, is considered his finest work, and has been described as "the culminating work of International Gothic painting".
The Valle Romita Polyptych is a painting by the Italian late Gothic painter Gentile da Fabriano, dating from c. 1410-1412 and now housed in the Pinacoteca di Brera in Milan. It was originally executed for the Franciscan hermitage of Valle Romita near Gentile's birthplace, Fabriano.
The Madonna of Humility is a tempera-on-panel painting by the Italian late medieval artist Gentile da Fabriano, dating from around 1420-1423 and housed in the Museo nazionale di San Matteo, Pisa.
The Adoration of the Christ Child is a tempera and gold on panel painting by the Italian late medieval artist Gentile da Fabriano, dating from around 1420–1421 and housed in the Getty Center of Los Angeles, United States.
Saint Francis Receiving the Stigmata is an oil and tempera painting by Gentile da Fabriano, executed c. 1420, now in the Magnani-Rocca Foundation in the Province of Parma in Italy. It is the back of a processional banner - the front showing the Coronation of the Virgin is now in the Getty Center in Los Angeles.
Coronation of the Virgin is a tempera painting by the Italian artist Gentile da Fabriano, executed c. 1420, now in the Getty Museum. It originated as the front of the a processional banner - the reverse showed Saint Francis Receiving the Stigmata and is now in Parma.
The Pinacotecta Nazionale is an art gallery in Ferrara, Emilia-Romagna, Italy. It is located on the piano nobile of the Palazzo dei Diamanti, a work of Renaissance architecture by Biagio Rossetti, commissioned by Leonello d’Este in 1447. Not to be confused with the Civic Museum on the lower floor, which has hosted temporary exhibitions of contemporary art since 1992, the Pinacoteca houses a collection of paintings by the Ferrarese School dating from the thirteenth to the eighteenth centuries. It was founded in 1836 by the Municipality of Ferrara after Napoleon's widespread dissolution of churches threatened the protection of important public artworks. The gallery is formed as much around notable northern Italian painters as it is around the exquisite interior decoration of the palace itself, together with remnants of frescoes from local churches and later acquisitions from the Sacrati Strozzi collection.
Madonna and Child is the only surviving fragment of a larger tempera and gold on panel painting by Gentile da Fabriano, executed c. 1423–1425. It is now in the Berenson collection at Villa I Tatti in Settignano. It is dated to the artist's Florentine period due to stylistic similarities with the Madonnas in his Quaratesi Polyptych and Yale Madonna
Madonna and Child is a tempera and gold on panel painting by Gentile da Fabriano, executed c. 1424, now in the Yale University Art Gallery in New Haven. It is signed on the left jamb "Gent / Fabriano". Previously traditionally dated to 1420–1423, the new accepted dating is based on similarities between the background architecture and the north door of the Florence Baptistery, completed by Lorenzo Ghiberti in 1424.
Madonna and Child is a tempera and gold on panel painting by Gentile da Fabriano, executed c. 1420–1423, now in the National Gallery of Art in Washington, D.C. The work is generally identified as one of the first the artist produced in Florence, where he had arrived in summer 1420, at roughly the point at which he was working on the Pala Strozzi. It may have been the central panel of a polyptych, the rest of which is now lost.
Madonna and Child with Two Saints or Madonna and Child in Glory between Saint Francis and Saint Clare is a c.1390-1395 tempera and gold on panel painting by Gentile da Fabriano, now in the Pinacoteca Malaspina in Pavia. It is one of the earliest surviving works attributed to the artist.
Madonna and Child with Two Saints and a Donor is a c.1395-1400 tempera and gold leaf on panel painting by Gentile da Fabriano, the earliest surviving major work by the artist. Probably painted for the church of Santa Caterina in Castelvecchio in Fabriano, near to which it is now in the Gemäldegalerie in Berlin.
Madonna and Child Enthroned with Two Angels is a c.1410-1415 tempera and gold on panel painting by Gentile da Fabriano. Its original provenance is unknown, though its small size probably means it was made for private devotion. It is first recorded in the early 20th century, when it was in the Casa Persicini in Belluno, which suggests it links to the painter's time in Venice. It is now in the Philbrook Art Center in Tulsa, Oklahoma.
The Intercession Altarpiece is a five-panel tempera and gold on panel painting by Gentile da Fabriano, produced during his stay in Florence from 1420 to 1423. Its original location is unknown, though it is now in the sacristy of Chiesa di San Niccolò Oltrarno in Florence. It is named after its central panel of Jesus and the Virgin Mary interceding to God the Father. The two outermost panels show Louis of Toulouse and Bernard of Clairvaux. The two inner side-panels show the Resurrection of Lazarus and a group of three saints.
