Madonna and Child is an oil on panel painting by Cima da Conegliano, created in 1500, now in the National Museum of Wales in Cardiff. [1]
This painting depicts the Madonna with a white veil on her head and the Child in her arms. At the base of the work, the marble parapet bears the artist's signature on a cartouche; in the background on the right there is a small Turkish knight. [2]
In art, a Madonna is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches. The word is from Italian ma donna 'my lady' (archaic). The Madonna and Child type is very prevalent in Christian iconography, divided into many traditional subtypes especially in Eastern Orthodox iconography, often known after the location of a notable icon of the type, such as the Theotokos of Vladimir, Agiosoritissa, Blachernitissa, etc., or descriptive of the depicted posture, as in Hodegetria, Eleusa, etc.
Madonna and Child was painted by one of the most influential artists of the late 13th and early 14th century, Duccio di Buoninsegna. This iconic image of the Madonna and Child, seen throughout the history of western art, holds significant value in terms of stylistic innovations of religious subject matter that would continue to evolve for centuries.
The Benois Madonna, otherwise known as the Madonna and Child with Flowers, is a Rennaissance painting by Leonardo da Vinci, now in the Hermitage Museum, Saint Petersburg. One of two Madonnas that Leonardo started in October 1478, it was completed c. 1478–1480; the other was the Madonna of the Carnation, now in the Alte Pinakothek, Munich.
The Madonna of the Yarnwinder is a subject depicted by Leonardo da Vinci in at least one, and perhaps two paintings begun in 1499 or later. Leonardo was recorded as being at work on one such picture in Florence in 1501 for Florimond Robertet, a secretary to King Louis XII of France. This may have been delivered to the French court in 1507, though scholars are divided on this point. The subject is known today from several versions of which two, called the Buccleuch Madonna and the Lansdowne Madonna, are thought to be partly by Leonardo's hand. The underdrawings of both paintings show similar experimental changes made to the composition, suggesting that both evolved concurrently in Leonardo's workshop.
Madonna in Glory with Seraphim is a painting by the Italian Renaissance painter Sandro Botticelli, executed c. 1469–1470. It is housed in Galleria degli Uffizi.
La Belle Jardinière, also known as the Madonna and Child with Saint John the Baptist, is a painting started by the Italian High Renaissance artist Raphael, and finished by Ridolfo del Ghirlandaio, that depicts the Madonna, a young Christ, and a young John the Baptist. It is believed to have been commissioned by the Sienese patrician Fabrizio Sergardi in approximately 1507. It is currently displayed in the Louvre Museum in Paris, France.
The Madonna della Seggiola or The Madonna della Sedia is an oil on panel Madonna painting by the High Italian Renaissance artist Raphael, executed c. 1513–1514, and housed at the Palazzo Pitti Collection in Florence, Italy. Although there is documentation on its arrival to its current location, Palazzo Pitti, it is still unknown who commissioned the painting; however, it has been in the Medici family since the 16th century.
The Ansidei Madonna is a 1505–1507 painting by the Italian High Renaissance artist Raphael, painted during his Florentine period. It shows the Blessed Virgin Mary sitting on a wooden throne, with the child Christ on her lap. On her right John the Baptist stands, on her left Saint Nicholas is reading.
Giovanni Antonio Boltraffio was an Italian painter of the High Renaissance from Lombardy, who worked in the studio of Leonardo da Vinci. Boltraffio and Bernardino Luini are the strongest artistic personalities to emerge from Leonardo's studio. According to Giorgio Vasari, he was of an aristocratic family and was born in Milan.
The Madonna and Child with St John and Angels (c. 1497), also known as The Manchester Madonna, is an unfinished painting attributed to Michelangelo in the National Gallery, London. It is one of three surviving panel paintings attributed to the artist and is dated to his first period in Rome. The painting's attribution to Michelangelo was in doubt for much of the 19th and 20th centuries, but now most scholars are in agreement. The work first came to public attention in the Art Treasures Exhibition in Manchester in 1857, hence the title the “Manchester Madonna”.
The Madonna with the Blue Diadem is a painting by Raphael and his pupil Gianfrancesco Penni, and was most likely painted in Rome around 1510-1512, now at the Louvre. In the Louvre, the painting is named Virgin and Child with the Infant Saint John, also known as Virgin with the Veil or Virgin with the Blue Diadem. Additional names include Virgin with the Linen, Slumbering Child and Silence of the Holy Virgin.
The Small Cowper Madonna is a painting by the Italian High Renaissance artist Raphael, depicting Mary and Child, in a typical Italian countryside. It has been dated to around 1504–1505, the middle of the High Renaissance.
Madonna with Child is a painting by the Italian Renaissance artist Filippo Lippi. The date in which it was executed is unknown, but most art historians agree that it was painted during the last part of Lippi's career, between 1450 and 1465. It is one of the few works by Lippi which was not executed with the help of his workshop and was an influential model for later depictions of the Madonna and Child, including those by Sandro Botticelli. The painting is housed in the Uffizi Gallery, Florence, Italy, and is therefore commonly called “The Uffizi Madonna” among art historians.
Madonna and Child Kissing is a 1520s oil on panel painting by the Flemish renaissance artist Quentin Matsys in the collection of the Rijksmuseum, Amsterdam, on loan to the Mauritshuis.
The Butler Madonna or Madonna and Child with Cherubim and Seraphim is a tempera on panel painting measuring 44.1 by 28.6 cm. It is attributed to Andrea Mantegna, dated to around 1460. Its poor conservation, including over-harsh restoration to Mary's face, means that some art historians cannot accept it as an autograph work and theorise that it was produced by a follower of Mantegna after an autograph original. Its provenance is unknown before 1891, when it appeared for sale at a London art dealer. It was purchased by Charles Butler, from whom it passed to the Metropolitan Museum of Art in New York in 1926, where it still hangs.
Madonna and Child is a late 1480s painting by Giovanni Bellini, now in the Metropolitan Museum of Art in New York
Madonna and Child is a c. 1510 painting by Giovanni Bellini, now in the Galleria Borghese in Rome. It can be compared with the 1510 Madonna and Child (Brera), the 1505 Madonna del Prato (London) and the 1509 Madonna and Child (Detroit).
Virgin and Child is an unfinished c.1527-1528 oil on panel painting by Parmigianino, now in the Courtauld Gallery in London. As it is usually identified with one which Giorgio Vasari sketched in Bologna and later bought for himself, it is sometimes also known as the Vasari Madonna. The work passed through unknown hands after Vasari, eventually ending up in Lord Kinnard's collection, from whose successors Antoine Seilern acquired it via Colnaghi in 1965 before bequeathing it to the Courtauld in 1978.
The Bridgewater Madonna is a religious painting by Raphael, dated 1507. Originally on oil and wood, but later transferred to canvas, it measures 81 by 55 cm. The picture is part of the permanent collection of the Scottish National Gallery in Edinburgh, on loan from the Duke of Sutherland Collection.
Madonna and Child is an oil on panel painting by Cima da Conegliano, from 1504, now in the Museo nazionale atestino in Este. It is very similar to the same artist's Uffizi Madonna. It is the most important pictorial work in the museum, since it is mainly dedicated to archeology.
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