Giovanni Bellini was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. He was raised in the household of Jacopo Bellini, formerly thought to have been his father, but now that familial generational relationship is questioned. An older brother, Gentile Bellini was more highly regarded than Giovanni during his lifetime, but the reverse is true today. His brother-in-law was Andrea Mantegna.
Vittore Carpaccio (UK: /kɑːrˈpætʃ oʊ/, US: /-ˈpɑːtʃ-/, Italian: [vitˈtoːre karˈpattʃo]; was an Italian painter of the Venetian school who studied under Gentile Bellini. Carpaccio was largely influenced by the style of the early Italian Renaissance painter Antonello da Messina, as well as Early Netherlandish painting. Although often compared to his mentor Gentile Bellini, Vittore Carpaccio's command of perspective, precise attention to architectural detail, themes of death, and use of bold color differentiated him from other Italian Renaissance artists. Many of his works display the religious themes and cross-cultural elements of art at the time; his portrayal of St. Augustine in His Study from 1502, reflects the popularity of collecting "exotic" and highly desired objects from different cultures.
BartolomeoMontagna was an Italian Renaissance painter who mainly worked in Vicenza. He also produced works in Venice, Verona, and Padua. He is most famous for his many Madonnas and his works are known for their soft figures and depiction of eccentric marble architecture. He is considered to be heavily influenced by Giovanni Bellini, in whose workshop he might have worked around 1470. Benedetto Montagna, a productive engraver, was his son and pupil and active until about 1540. He was mentioned in Vasari's Lives as a student of Andrea Mantegna but this is widely contested by art historians.
The Gallerie dell'Accademia is a museum gallery of pre-19th-century art in Venice, northern Italy. It is housed in the Scuola della Carità on the south bank of the Grand Canal, within the sestiere of Dorsoduro. It was originally the gallery of the Accademia di Belle Arti di Venezia, the art academy of Venice, from which it became independent in 1879, and for which the Ponte dell'Accademia and the Accademia boat landing station for the vaporetto water bus are named. The two institutions remained in the same building until 2004, when the art school moved to the Ospedale degli Incurabili.
The Pinacoteca di Brera is the main public gallery for paintings in Milan, Italy. It contains one of the foremost collections of Italian paintings from the 13th to the 20th century, an outgrowth of the cultural program of the Brera Academy, which shares the site in the Palazzo Brera.
Giovanni Cariani, also known as Giovanni Busi or Il Cariani, was an Italian painter of the high-Renaissance, active in Venice and the Venetian mainland, including Bergamo, thought to be his native city.
The decade of the 1490s in art involved some significant events.
The Holy Allegory is a painting by the Italian Renaissance master Giovanni Bellini, dating from c. 1490 to 1500. It is in the Uffizi gallery in Florence, Italy.
The San Zaccaria Altarpiece is a painting by the Italian Renaissance painter Giovanni Bellini, executed in 1505 and located in the church of San Zaccaria, Venice.
The Virgin Enthroned with Saints is a painting by the Italian Renaissance artist Luca Signorelli, dated to 1491 and housed in the Pinacoteca Comunale of Volterra, central Italy.
Saints Christopher, Jerome and Louis of Toulouse is an oil-on-panel painting by the Italian Renaissance artist Giovanni Bellini, executed in 1513, and housed in the church of San Giovanni Crisostomo, Venice.
The Madonna with Child, or Alzano Madonna, is an oil-on-panel painting by Italian Renaissance artist Giovanni Bellini, executed around 1485.
The Madonna of the Small Trees is an oil-on-panel painting by Italian Renaissance artist Giovanni Bellini, executed in 1487. It is housed in the Gallerie dell'Accademia in Venice.
Santa Cristina al Tiverone Altarpiece is an oil-on-panel painting by the Italian Renaissance painter Lorenzo Lotto, executed around 1504–1506. It is still housed in its original location, the parish church of Santa Cristina in Quinto di Treviso, a frazione of Treviso, northern Italy.
St. Jerome in the Desert is a 1505 oil-on-canvas painting by the Italian Renaissance master Giovanni Bellini, now in the National Gallery of Art in Washington. Little remains of the signature on the first rock in the left foreground, but it has been confirmed as genuine during restoration and can be reconstructed as "[Johannes Bellinu]s. 1505". This is problematic, since the work's general style is linked to fashions no later than 1490, whereas Bellini's style of figures and landscapes had already begun to be influenced by Giorgione by 1500, with the backgrounds more fused and unified in terms of atmosphere. The composition makes it more analogous to his earlier works, such as the c. 1480 St. Jerome in the Desert. The Washington work may have been a collaboration, a work completed by a pupil in Bellini's studio or left incomplete and only finished by Bellini himself much later.
Madonna and Child with Saint Mary Magdalene and Saint Ursula or Virgin and Child with Saints Magdalene and Ursula is an oil on panel painting by Giovanni Bellini that belongs to the sacra conversazione genre and dates to 1490. The painting is also referred to as Sacred Conversation. It was previously in the collection of the painter Carlo Maratta, and is now in the Prado Museum in Madrid.
The Madonna and Child with St. John the Baptist and a Female Saint or the Giovanelli Sacred Conversation is an oil painting on panel by the Italian Renaissance master Giovanni Bellini, dated to before 1504. It is kept in the Gallerie dell'Accademia of Venice.
Nunc Dimittis or Sacred Conversation is an oil-on-panel painting created ca. 1505–1510 by the Italian Renaissance master Giovanni Bellini. It measures 62 cm by 83 cm and is now in the Museo Thyssen-Bornemisza in Madrid. It belongs to the sacra conversazione genre and shows Anna and Simeon with the Madonna and Child.
Sacred conversation is a genre developed in Italian Renaissance painting.
