Busnago is a comune (municipality) in the Province of Monza and Brianza in the Italian region Lombardy, located at a distance of 30 kilometres (19 mi) northeast of Milan.
The Basilica of Santa Maria Maggiore is a major church in the upper town of Bergamo, Northern Italy.
Andrea Previtali was an Italian painter of the Renaissance period, active mainly in Bergamo. He was also called Andrea Cordelliaghi.
The Palazzo Brignole Sale or Palazzo Rosso is a house museum located in Via Garibaldi, in the historical center of Genoa, in Northwestern Italy. The palace is part of the UNESCO World Heritage Site Genoa: Le Strade Nuove and the system of the Palazzi dei Rolli. The rich art collection inside, along with the galleries of Palazzo Bianco and Palazzo Doria Tursi, is part of the Musei di Strada Nuova and consists of the works of artists of the caliber of Antoon van Dyck, Guido Reni, Paolo Veronese, Guercino, Gregorio De Ferrari, Albrecht Dürer, Bernardo Strozzi and Mattia Preti.
Antonio del Massaro da Viterbo, or Antonio da Viterbo, nicknamed il Pastura was an Italian painter.
Sant'Andrea is a Neoclassic church in Bergamo, rebuilt by Ferdinando Crivelli in 1837. On the main altar, is Enthroned Madonna with child and Saints Eusebius, Andrew, Domno, and Domneone, painted in 1536-7 by Il Moretto and a Nativity by Giovanni Paolo Cavagna. Other paintings here are by Palma il Giovane, Enea Salmeggia, Giovanni Giacomo Barbelli, Padovanino, a ‘’Deposition’’ by Andrea Previtali, and others.
San Bernardino in Pignolo is a Roman Catholic church located on Via Pignolo #59, in Bergamo, region of Lombardy, Italy.
The Assassination of Saint Peter Martyr or The Martyrdom of Saint Peter of Verona is a 1530-1535 oil on canvas painting by Moretto da Brescia, now in the Sala dell'Esedra in the Pinacoteca Ambrosiana in Milan.
Madonna and Child with St John the Baptist and St Catherine of Alexandria or Mystic Marriage of Saint Catherine with St John the Baptist is an oil on panel painting by Andrea Previtali, produced c. 1504, during his youthful years in Giovanni Bellini's studio. Belonging to the sacra conversazione genre, it is now in the sacristy of the church of San Giobbe in Venice, whilst a autograph copy of the work is now in the National Gallery in London. The London work includes a scroll below Mary inscribed + 1504/Andrea Cordelle/Agi dissipulus/iouanis Bellini/pinxit and the number 24, variously interpreted as the artist's age or as his personal symbol using the signus tabellanolis, a technique used by 16th century notaries the better to identify works' and documents' authenticity.
The Virgin and Child with a Shoot of Olive is an oil on panel painting by Andrea Previtali, executed in 1512-1513, one of 192 paintings donated to the National Gallery, London in 1910 as part of the George Salting collection. The work was originally commissioned by the Gozzi family.
Salvator mundi is an oil on panel painting by Andrea Previtali, executed in 1519, now in the National Gallery, London, to which it was left in 1910. The work was produced in Bergamo.
Annunciation is a 1505-1510 oil on canvas painting by Andrea Previtali, produced for the high altar of the church of Santa Maria Annunziata in Meschio, now a district of Vittorio Veneto, where it is still on show. It was produced before the Bergamo-born artist returned to his birthplace. It is signed ANDREA BERGOMENSIS IOANIS BELLINI DISCIPLINUS PINXIT and shows marked influence from Previtali's teacher Giovanni Bellini.
Lament over the Dead Christ is a 1524 or 1525 oil on canvas painting by Andrea Previtali, produced for the church of Sant’Andrea, Bergamo, where it still hangs.
The Transfigured Christ is a 1513 oil on panel painting by Andrea Previtali, in the Pinacoteca di Brera in Milan since 1811 It is signed and dated Al Nobel homo mr/Andrea dipintor in/Bergamo/MDXIII on a small book at bottom right.
The Casotti Madonna or Madonna and Child with Saint Paul, Saint Agnes and Donors is an oil on panel painting by Andrea Previtali now in the Accademia Carrara in Bergamo, commissioned in 1523 by Paolo Casotti, a rich merchant from Bergamo, the artist's native city
The Baglioni Madonna or Madonna and Child with Saint Jerome and Saint Anne is an oil on panel painting by Andrea Previtali, executed c. 1512–1513, now in the art gallery of the Accademia Carrara in Bergamo. His earliest surviving work, it is signed ANDREAS.BER.PIN. Since 1900 it has been named after its last private owner Francesco Baglioni, who gave it to its present home. It belongs to the sacra conversazione genre. It was restored in 2011 by Amalia Pacia of the Sovraintendenza per i Beni Storici Artistici ed Etnoatropologici di Mialno and Maria Cristina Rodeschini from the Accademia Carrara
Madonna and Child with Saint Sebastian and Saint Vincent Ferrer or Madonna and Child with Saint Sebastian and Saint Thomas Aquinas oil on panel painting by Andrea Previtali. It was produced in 1506 in Venice while he was still in the studio of Giovanni Bellini and is contemporary with the same artist's Madonna and Child. It is now in the Accademia Carrara in Bergamo, to which it passed from Guglielmo Lochis's collection in 1866.
St John the Baptist with Four Saints or St John the Baptist Among Other Saints is a 1515 oil on canvas painting by Andrea Previtali, displayed in the first side-chapel on the north side of the nave of the church of Santo Spirito in Bergamo, the artist's birthplace. It was the artist's first public commission after his return to Bergamo from Venice.
Scenes from Tebaldeo's Eclogues is a set of four small square oil on panel paintings by Andrea Previtali, executed between 1505 and 1510, now in the National Gallery, London. They show scenes from the Ferrarese writer Antonio Tebaldeo's eclogue on the life of Damon of Athens, featuring his friend Thyrsis and Damon's love for Amaryllis. They were probably originally part of a piece of furniture for a rich Venetian noble family. Previtali's master Giovanni Bellini also produced furniture with scenes from the same book.
Madonna and Child is a tempera and gold on panel painting by Carlo Crivelli, executed c. 1480, and signed OPVS CAROLI CRIVELLI VENETI. It is now in the Pinacoteca civica Francesco Podesti in Ancona. Its dating has varied on stylistic grounds between the 1470s and 1480s, close in date to the artist's Lenti Madonna and Madonna and Child with an Apple.
