Tiziano Vecellio, Latinized as Titianus, hence known in English as Titian, was an Italian Renaissance painter, the most important artist of Renaissance Venetian painting. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called da Cadore, 'from Cadore', taken from his native region.
Francesco Vecellio was a Venetian painter of the Italian Renaissance. He was the elder brother and close collaborator of the painter Tiziano Vecellio ("Titian").
Events from the year 1530 in art.
Tarquin and Lucretia is an oil painting by Titian completed in 1571, when the artist was in his eighties, for Philip II of Spain. It is signed, and considered to have been finished entirely by Titian himself. It is one of a series of great works from Titian's last years, but unlike some of these, is fully finished. It is now in the Fitzwilliam Museum in Cambridge, England.
Pietro degli Ingannati, also Pellegrino di Giovanni di Antonio, was an Italian Renaissance painter who is known for his paintings of the Virgin and Child and his portraits.
The Madonna of the Cherries is a 1515 painting by Titian, heavily influenced by the work of Giovanni Bellini. Originally oil on wood, it was later transferred to canvas. During the 17th century it formed part of the collection of Archduke Leopold Wilhelm, where it was copied by David Teniers. It is now in the Kunsthistorisches Museum in Vienna.
Francesco da Milano was an Italian painter from Lombardy. He was active between 1502 and 1548 and twenty of his works in oil-on-canvas and fresco survive in the hill-country of Treviso and Friuli, including a fresco cycle at Castello Roganzuolo. As a Lombard, some aspects of his style were influenced by Bernardo Zenale and Vincenzo Civerchio, though he was also influenced by Titian, who like him lived and worked in the "contrada de Piai" in Serravalle. Titian was preferred to Francesco by Serravalle's town council - Francesco had been the initial choice to paint the Serravalle Altarpiece.
The Serravalle Altarpiece or Madonna and Child in Glory with Saint Andrew and Saint Peter is a painting by Titian, now in the church of Santa Maria Nova in Serravalle, for which it was commissioned.
The Castello Roganzuolo Altarpiece, Castello Roganzuolo Polyptych or Madonna and Child with Saint Peter and Saint Paul is a painting by Titian, commissioned in 1543 by the leading citizens of Castello Roganzuolo, Province of Treviso, Veneto, Italy. It is now in the Albino Luciani Diocesan Museum in Vittorio Veneto.
The Scuola del Santo or Scoletta was the headquarters of the Archconfraternity of St Anthony of Padua. It overhangs the churchyard of Basilica of Saint Anthony of Padua, next door to the St. George's Oratory.
The Lochis Madonna is an oil on panel painting attributed to Titian and dated to around 1508–1510. It is now in the Accademia Carrara in Bergamo. It is first recorded as part of the Lochis collection, after which it is named.
The Sciarra Madonna is an oil on canvas painting attributed to Titian, signed "TITIANVS" and dated to circa 1540. It is now in the Museu Nacional d'Art de Catalunya in Barcelona.
The Virgin and Child Between Saints Anthony of Padua and Roch is an oil painting on canvas of c. 1511 by Titian, originally given to Philip IV of Spain by his viceroy of Naples, Ramiro Núñez de Guzmán, and now in the Museo del Prado in Madrid.
Portrait of a Man is an oil painting by Titian, made about 1515, now in the Indianapolis Museum of Art.
Madonna and Child with Saints, Madonna and Child Enthroned with the Infant St John the Baptist, St John the Evangelist and Saint Catherine of Alexandria or the San Giorgio Madonna is a 1593 oil on canvas painting by Annibale Carracci, originally in the Landini chapel in the church of San Giorgio in Poggiale, Bologna. During the 19th century the conservation conditions there worsened and it was moved to the Accademia di Belle Arti for restoration, before being moved to its current home in the then-new Pinacoteca Nazionale di Bologna.. It is signed and dated "ANNI CARR FE MDXCIII".
Madonna and Child with Saints is a common theme in Christian art, and is thus the title of a number of works.
Madonna and Child with Saint Catherine of Alexandria is a c.1550 oil on panel painting by the studio of Titian, now in the Galleria degli Uffizi. It was restored around the end of the 18th century, when the present carved and gilded frame was probably added.
Venus and Cupid is a 1510–1515 oil on canvas painting by Titian, now in the Wallace Collection in London. It is dated by the model for Venus, who also appeared in other 1510s works by the artist such as his Salome.
Madonna and Child with Four Saints or Madonna and Child with Saints John the Baptist, Paul, Mary Magdalene and Jerome is a c. 1516-1520 oil on panel painting by Titian, now in the Gemäldegalerie in Dresden. It belongs to the sacra conversazione genre and features saints John the Baptist, Paul, Mary Magdalene and Jerome.
Madonna and Child with Three Saints or Adoration of the Christ Child with Saints is a c.1519 oil on canvas painting by Titian, now in the Alte Pinakothek in Munich. From left to right the adoring saints are Francis of Assisi, Jerome and Anthony Abbot.
