Madonna and Child with Saints is a c.1665 oil on canvas painting by Giovanni Marracci, now in Madonna del Carmine church in Pescaglia. It was commissioned by Paolino Galgani of Piazzanello in 1665. The saints are Paolino, Lucy, Philip Neri, Anthony the Great, Anthony of Padua and Elizabeth of Hungary. [1]
Alessandro Bonvicino, more commonly known as Moretto, or in Italian Il Moretto da Brescia, was an Italian Renaissance painter from Brescia, where he also mostly worked. His dated works span the period from 1524 to 1554, but he was already described as a master in 1516. He was mainly a painter of altarpieces that tend towards sedateness, mostly for churches in and around Brescia, but also in Bergamo, Milan, Verona and Asola; many remain in the churches they were painted for. Most are on canvas, but a number even of large ones are on wood panel. Only a handful of drawings survive.
Giovanni Battista Cima, also called Cima da Conegliano, was an Italian Renaissance painter, who mostly worked in Venice. He can be considered part of the Venetian school, though he was also influenced by Antonello da Messina, in the emphasis he gives to landscape backgrounds and the tranquil atmosphere of his works. Once formed his style did not change greatly. He mostly painted religious subjects, often on a small scale for homes rather than churches, but also a few, mostly small, mythological ones.
The Basilica of San Petronio is a minor basilica and church of the Archdiocese of Bologna located in Bologna, Emilia Romagna, northern Italy. It dominates Piazza Maggiore. The basilica is dedicated to the patron saint of the city, Saint Petronius, who was the bishop of Bologna in the fifth century. Construction began in 1390 and its main facade has remained unfinished since. The building was transferred from the city to the diocese in 1929; the basilica was finally consecrated in 1954. It has been the seat of the relics of Bologna's patron saint only since 2000; until then they were preserved in the Santo Stefano church of Bologna.
Giovanni di Paolo di Grazia was an Italian painter, working primarily in Siena, becoming a prolific painter and illustrator of manuscripts, including Dante's texts. He was one of the most important painters of the 15th century Sienese School. His early works show the influence of earlier Sienese masters, but his later style was more individual, characterized by cold, harsh colours and elongated forms. His style also took on the influence of International Gothic artists such as Gentile da Fabriano. Many of his works have an unusual dreamlike atmosphere, such as the surrealistic Miracle of St. Nicholas of Tolentino painted about 1455 and now housed in the Philadelphia Museum of Art, while his last works, particularly Last Judgment, Heaven, and Hell from about 1465 and Assumption painted in 1475, both at Pinacoteca Nazionale (Siena), are grotesque treatments of their lofty subjects. Giovanni's reputation declined after his death but was revived in the 20th century.
Cristoforo Roncalli was an Italian mannerist painter. He was one of the three painters known as Pomarancio or Il Pomarancio.
Giovanni Marracci (1637–1704) was an Italian Baroque painter who after training with Pietro da Cortona in Rome, worked in his home region of Lucca where he painted many altarpieces.
The Galleria Sabauda is an art collection in the Italian city of Turin, which contains the royal art collections amassed by the House of Savoy over the centuries. It is located on Via XX Settembre, 86.
The decade of the 1430s in art involved some significant events.
Vincenzo Meucci (1694–1766) was an Italian painter of the late-Baroque period. Born in Florence. He was a pupil first of the painter Sebastiano Galeotti, then of Giovanni Gioseffo dal Sole in Bologna.
Astolfo Petrazzi (1583–1665) was an Italian painter of the Baroque period, active mainly in his hometown of Siena, but also Spoleto and Rome. He was a pupil of mainly Francesco Vanni, but also worked under Ventura Salimbeni and Pietro Sorri. He died in Siena.
Anton Maria Maragliano was an Italian sculptor of the Baroque period, known primarily for his wooden statues. He was born in Genoa, where he led an important workshop.
The Basilica of San Domenico, also known as Basilica Cateriniana, is a basilica church in Siena, Tuscany, Italy, one of the most important in the city.
Ginevra Cantofoli (1618–1672) was an Italian painter. She was active in Bologna in the Baroque period.
San Paolo is a Roman Catholic church located on Via della Rosa #39 in Pistoia, region of Tuscany, Italy. The eclectic church facade sits near the intersection of four streets: Corso Silvani Fedi, Corso Giovanni Amendola, Via Porta Carratica, and Via del Can Bianco, about a block away along Silvani Fedi from the Chiesa del Tau.
Puccio di Simone was an Italian Gothic painter, active in Florence.
The Sanctuary of Santa Maria di Galloro is a church located on the via Appia Nuova, near Ariccia on the road to Genzano di Roma, in the region of Lazio, in Italy.
Santissima Trinità is a Renaissance-style, Roman Catholic church in via Elisa in central Lucca, region of Tuscany, Italy.
San Paolo Apostolo, more commonly known as San Paolino, is a Romanesque-style, Roman Catholic church and convent located in Via di S. Paolino #8, in central Florence, region of Tuscany, Italy. The church is near the Church of the Ognissanti.
Madonna and Child with Saints is a common theme in Christian art, and thus the title of a number of works.
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