Madonna with Child and Six Angels, or The Perugia Madonna, is a Madonna painting by Gothic artist Duccio di Buoninsegna.
It was painted between 1300 and 1305, (tempera and gold on wood) and is located at the Galleria Nazionale dell'Umbria, in Perugia, Italy. The painting had been kept above the sacristy door of the monastery of San Domenico in Perugia until 1863. The painting was attributed to Duccio by Curt Weigelt in 1911. Restoration revealed the painting to be the central panel of a former polyptych. [1]
Perugia is the capital city of both the region of Umbria in central Italy, crossed by the river Tiber, and of the province of Perugia. The city is located about 164 kilometres north of Rome and 148 km southeast of Florence. It covers a high hilltop and part of the valleys around the area. The region of Umbria is bordered by Tuscany, Lazio, and Marche.
A Madonna is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches. The word is from Italian ma donna 'my lady'. The Madonna and Child type is very prevalent in Christian iconography, divided into many traditional subtypes especially in Eastern Orthodox iconography, often known after the location of a notable icon of the type, such as the Theotokos of Vladimir, Agiosoritissa, Blachernitissa, etc., or descriptive of the depicted posture, as in Hodegetria, Eleusa, etc.
Gentile da Fabriano was an Italian painter known for his participation in the International Gothic painter style. He worked in various places in central Italy, mostly in Tuscany. His best-known works are his Adoration of the Magi from the Strozzi Altarpiece (1423), and the Flight into Egypt.
Duccio di Buoninsegna was an Italian painter active in Siena, Tuscany, in the late 13th and early 14th century. He was hired throughout his life to complete many important works in government and religious buildings around Italy. Duccio is considered one of the greatest Italian painters of the Middle Ages, and is credited with creating the painting styles of Trecento and the Sienese school. He also contributed significantly to the Sienese Gothic style.
Giovanni Pisano was an Italian sculptor, painter and architect, who worked in the cities of Pisa, Siena and Pistoia. He is best known for his sculpture which shows the influence of both the French Gothic and the Ancient Roman art. Henry Moore, referring to his statues for the facade of Siena Cathedral, called him "the first modern sculptor".
Pietro Lorenzetti or Pietro Laurati was an Italian painter, active between c.1306 and 1345. Together with his younger brother Ambrogio, he introduced naturalism into Sienese art. In their artistry and experiments with three-dimensional and spatial arrangements, the brothers foreshadowed the art of the Renaissance.
Madonna and Child was painted by one of the most influential artists of the late 13th and early 14th century, Duccio di Buoninsegna. This iconic image of the Madonna and Child, seen throughout the history of western art, holds significant value in terms of stylistic innovations of religious subject matter that would continue to evolve for centuries.
Maestà[maeˈsta], the Italian word for "majesty", designates an iconic formula of the enthroned Madonna with the child Jesus, whether or not accompanied with angels and saints. The Maestà is an extension of the "Seat of Wisdom" theme of the seated "Mary Theotokos", "Mary Mother of God", which is a counterpart to the earlier icon of Christ in Majesty, the enthroned Christ that is familiar in Byzantine Mosaics. Maria Regina is an art historians' synonym for the iconic image of Mary enthroned, with or without the Child.
Agostino di Duccio was an early Renaissance Italian sculptor.
Perugia Cathedral is a Roman Catholic cathedral in Perugia, Umbria, central Italy, dedicated to Saint Lawrence. Formerly the seat of the bishops and archbishops of Perugia, it has been since 1986 the archiepiscopal seat of the Archdiocese of Perugia-Città della Pieve.
The Galleria Nazionale dell'Umbria the Italian national paintings collection of Umbria, housed in the Palazzo dei Priori, Perugia, in central Italy. Located on the upper floors of the Palazzo dei Priori, the exhibition spaces occupy two floors and the collection comprises the greatest representation of the Umbrian School of painting, ranging from the 13th to the 19th century, strongest in the fourteenth through sixteenth centuries. The collection is presented in 40 exhibition rooms in the Palazzo. On the second floor of the Gallery, there is an exhibition space for temporary collections, changed several times a year.
The decade of the 1300s in art involved some significant events.
Lorenzo , was an Italian painter and interpreter of late gothic style. He is known by different authorities and authors by different names, including:
Duecento is the Italian word for the Italian culture during the 13th century.
The Perugia Altarpiece is a painting by the Italian early Renaissance painter Fra Angelico, housed in the Galleria Nazionale dell'Umbria of Perugia, Italy.
The Rucellai Madonna is a panel painting representing the Virgin and Child enthroned with Angels by the Sienese painter Duccio di Buoninsegna. The original contract for the work is dated 1285; the painting was probably delivered in 1286. The painting was commissioned by the Laudesi confraternity of Florence to decorate the chapel they maintained in the Dominican church of Santa Maria Novella. It was transferred to the Galleria degli Uffizi in the 19th century. The Rucellai Madonna is the largest 13th-century panel painting extant.
Master of Città di Castello, in Italian, Maestro di Città di Castello, was an anonymous painter of Medieval art. Mason Perkins is responsible for his identification and naming in 1908, based on the styling from the Master preserved at the Pinacoteca comunale, Città di Castello, in Umbria.
Mèo da Siena was an Italian painter active in Umbria in a late-Gothic style.
Santi Pietro e Paolo is a Baroque-style, Roman Catholic parish church located in the center of the town of Buonconvento, region of Tuscany, Italy.
The Crevole Madonna is a tempera and gold on wood panel painting by Duccio di Buoninsegna, created c. 1283-1284. It was originally in the Pieve di Santa Cecilia in Crevole and now its held in the Museo dell'Opera metropolitana del Duomo in Siena. It was one of the artist's first works.
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