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Maeve Harris | |
|---|---|
| Born | Maeve Harris September 1, 1976 New Jersey, United States |
| Nationality | American |
| Known for | Painting |
| Notable work | Wonder Woman [1] |
| Movement | abstract art |
Maeve Harris (born September 1, 1976 in New Jersey) is an American abstract painter based in Seattle, noted for merging "nature and the abstract". [2] [3]
Her paintings were featured prominently on episodes of the TV show The Celebrity Apprentice . [2] [4] Her paintings have appeared in posters. [5] [6] She was represented by New Era in 2002 [3] and exclusively by Grand Image Limited in 2003 and 2005. [7] [8] [9] [10] Her paintings are abstract renditions of outdoor natural scenes including dragonflies, ponies, and flowers. [6] She commented: "An important element in my work is beauty. I believe that concept or idea can interest the viewer as long as the artist is sensitive to aesthetic." [11] She uses a variety of inks and pigments to mix color and light into different natural and organic forms. [3] She uses rollers and spray cans as well as brushes.
In 2008, her paintings appeared in seven locations on the set of the NBC TV show The Celebrity Apprentice , including a "huge abstract in The Donald's boardroom that was right behind everyone as they got fired." [4] She paints in Pioneer Square Studio and belongs to the national online art gallery Artaissance. [2]
Willem de Kooning was a Dutch-American abstract expressionist artist. Born in Rotterdam, in the Netherlands, he moved to the United States in 1926, becoming a US citizen in 1962. In 1943, he married painter Elaine Fried.
Elaine Marie Catherine de Kooning was an Abstract Expressionist and Figurative Expressionist painter in the post-World War II era. She wrote extensively on the art of the period and was an editorial associate for Art News magazine.
Lyubov Sergeyevna Popova was a Russian-Soviet avant-garde artist, painter and designer.
Ginny Carol Ruffner was an American glass artist based in Seattle, Washington. She is known for her use of the lampworking technique and for her use of borosilicate glass in her painted glass sculptures.
The absence of women from the canon of Western art has been a subject of inquiry and reconsideration since the early 1970s. Linda Nochlin's influential 1971 essay, "Why Have There Been No Great Women Artists?", examined the social and institutional barriers that blocked most women from entering artistic professions throughout history, prompted a new focus on women artists, their art and experiences, and contributed inspiration to the Feminist art movement. Although women artists have been involved in the making of art throughout history, their work, when compared to that of their male counterparts, has been often obfuscated, overlooked and undervalued. The Western canon has historically valued men's work over women's and attached gendered stereotypes to certain media, such as textile or fiber arts, to be primarily associated with women.
Conrad Marca-Relli was an American artist who belonged to the early generation of New York School Abstract Expressionist artists whose artistic innovation by the 1950s had been recognized across the Atlantic, including Paris. New York School Abstract Expressionism, represented by Jackson Pollock, Willem de Kooning, Franz Kline, Robert Motherwell, John Ferren, Marca-Relli and others became a leading art movement of the postwar era.
Tony Shafrazi is an American art dealer, gallery owner, and artist. He is the owner of the Shafrazi Art Gallery in New York City who deals in artwork by artists such as Francis Bacon, Keith Haring, and David LaChapelle.
Albert Kotin belonged to the early generation of New York School Abstract Expressionist artists whose artistic innovation by the 1950s had been recognized across the Atlantic, including in Paris. The New York School Abstract Expressionism, represented by Jackson Pollock, Willem de Kooning, Franz Kline, and others became a leading art movement of the post-World War II era.
The 9th Street Art Exhibition of Paintings and Sculpture is the official title artist Franz Kline hand-lettered onto the poster he designed for the Ninth Street Show. Now considered historic, the artist-led exhibition marked the formal debut of Abstract Expressionism, and the first American art movement with international influence. The School of Paris, long the headquarters of the global art market, typically launched new movements, so there was both financial and cultural fall-out when all the excitement was suddenly emanating from New York. The postwar New York avant-garde, artists like Willem de Kooning and Jackson Pollock, would soon become "art stars," commanding large sums and international attention. The Ninth Street Show marked their "stepping-out," and that of nearly 75 other artists, including Harry Jackson, Helen Frankenthaler, Michael Goldberg, Joan Mitchell, Grace Hartigan, Robert De Niro Sr., John Ferren, Philip Guston, Elaine de Kooning, Lee Krasner, Franz Kline, Ad Reinhardt, David Smith, Milton Resnick, Joop Sanders, Robert Motherwell, Barnett Newman, and many others who were then mostly unknown to an art establishment that ignored experimental art without a ready market.
The Celebrity Apprentice is the seventh installment of the reality game show The Apprentice, and the first of The Celebrity Apprentice. This season features celebrity candidates vying for the title of Donald Trump's, "Best Business Brain," as a way to revitalize the series, with the winner donating their proceeds to charity. This installment marked the series' return to New York after spending the previous season in Los Angeles and features abstract paintings by Seattle-based artist Maeve Harris. The series premiered on NBC on January 3, 2008, at 9:00 pm.
The Four Freedoms is a series of four oil paintings made in 1943 by the American artist Norman Rockwell. The paintings—Freedom of Speech, Freedom of Worship, Freedom from Want, and Freedom from Fear—are each approximately 45.75 by 35.5 inches, and are now in the Norman Rockwell Museum in Stockbridge, Massachusetts. The four freedoms refer to President Franklin D. Roosevelt's January 1941 Four Freedoms State of the Union address, in which he identified essential human rights that should be universally protected. The theme was incorporated into the Atlantic Charter, and became part of the Charter of the United Nations. The paintings were reproduced in The Saturday Evening Post over four consecutive weeks in 1943, alongside essays by prominent thinkers of the day. They became the highlight of a touring exhibition sponsored by The Post and the U.S. Department of the Treasury. The exhibition and accompanying sales drives of war bonds raised over $132 million.
Eleanore Mikus was an American artist who began painting in the late 1950s in the Abstract Expressionist mode. By the early 1960s, she was creating monochromatic paintings with geometric patterns that according to Luis Camnitzer, “could be seen as conforming to the Minimalist aesthetic of the era while emphatically contradicting that style’s emotional distance and coldness.” In 1969, she began painting simple, cartoon-like images in bold, colorful strokes that anticipated Neo-Expressionism of the early 1980s. In the mid-1980s, Mikus resumed creating her abstract works. Since 1961, she has also been creating works of folded paper in which the “folds” make lines or textures that become integral to the material itself.
Perle Fine (1905–1988) was an American Abstract expressionist painter. Fine's work was most known by its combination of fluid and brushy rendering of the materials and the use of biomorphic forms encased and intertwined with irregular geometric shapes.
Grace Hartigan was an American abstract expressionist painter and a significant member of the vibrant New York School of the 1950s and 1960s. Her circle of friends, who frequently inspired one another in their artistic endeavors, included Jackson Pollock, Larry Rivers, Helen Frankenthaler, Willem and Elaine de Kooning and Frank O'Hara. Her paintings are held by numerous major institutions, including the Museum of Modern Art in New York City. As director of the Maryland Institute College of Art's Hoffberger School of Painting, she influenced numerous young artists.
Kate Vrijmoet is an American artist who lives and works in Seattle.
Phyllis Wiener was an American painter. Wiener was one of the first female artists to embrace the Abstract Art Movement in Minnesota.
Ethel Scull 36 Times is a 1963 painting by American artist Andy Warhol. It was Warhol's first commissioned work. The work consists of four rows of nine equal columns, depicting Ethel Redner Scull, a well-known collector of modern art. The artwork is jointly owned by the Metropolitan Museum of Art and the Whitney Museum of American Art.
Z. Vanessa Helder was an American watercolor painter who gained national attention in the 1930s/40s, mainly for her paintings of scenes in Eastern Washington. She painted with a bold, Precisionist style not commonly associated with watercolor, rendering landscapes, industrial scenes, and houses with a Magic Realist touch that gave them a forlorn, isolated quality, somewhat in the manner of Charles Sheeler and Edward Hopper. She spent most of her career in the Pacific Northwest, but was popular in New York art galleries, was a member of the National Association of Women Painters and Sculptors, and, in 1943, was included in a major exhibit at the Museum of Modern Art.
Benny Alba is an artist who lives in Oakland, California.
Scribner Ames (1908–1993) was an American artist known for her paintings and sculpture. Her paintings included portraits, still lifes, landscapes, and abstractions. Her portrait sitters were often children or well-known men and women in the performing arts. Born and raised in Chicago, she worked first in Manhattan and later returned to her birth city. She also made repeated trips to Europe and, once, to the West Indies. Although she admired the work of Cézanne, Braque, and Marsden Hartley, her painting was, as one critic said, "not derivative". Critics noted her effective handling of color and one said she was "particularly noted for her work in creating movement through space by the use of color perspective." In her carved wood sculpture, critics generally noted the influence of her teacher, José de Creeft.