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A film festival is an organized, extended presentation of films in one or more cinemas or screening venues, usually in a single city or region. Increasingly, film festivals show some films outdoors. Films may be of recent date and depending upon the festival's focus, can include International and Domestic releases. Some film festivals focus on a specific filmmaker, genre of film, or subject matter. Several film festivals focus solely on presenting short films of a defined maximum length. Film festivals are typically annual events. Some film historians, including Jerry Beck, do not consider film festivals as official releases of the film.
Juliette Binoche is a French actress. She has appeared in more than 60 films, particularly in French and English languages, and has been the recipient of numerous accolades, including an Academy Award, a British Academy Film Award and a César Award.
The Cannes Film Festival, until 2003 called the International Film Festival, is an annual film festival held in Cannes, France, which previews new films of all genres, including documentaries, from all around the world. Founded in 1946, the invitation-only festival is held annually at the Palais des Festivals et des Congrès. The festival was formally accredited by the FIAPF in 1951.
Isabelle Anne Madeleine Huppert is a French actress. Known for her portrayals of cold, austere women devoid of morality, she is considered one of the greatest actresses of her generation. With 16 nominations and two wins, Huppert is the most nominated actress at the César Awards. She is also the recipient of several accolades, including five Lumières Awards, a BAFTA Award, three European Film Awards, two Berlin International Film Festival, three Cannes Film Festival and Venice Film Festival honors, a Golden Globe Award, and an Academy Award nomination. In 2020, The New York Times ranked her first on its list of the greatest actresses of the 21st century.
Agnès Varda was a Belgian-born film director, screenwriter, photographer, and artist with French and Greek origins.
Naomi Kawase is a Japanese film director. She was also known as Naomi Sento, with her former husband's surname. Many of her works have been documentaries, including Embracing, about her search for the father who abandoned her as a child, and Katatsumori, about the grandmother who raised her.
The Cinema of Portugal started with the birth of the medium in the late 19th century. Cinema was introduced in Portugal in 1896 with the screening of foreign films and the first Portuguese film was Saída do Pessoal Operário da Fábrica Confiança, made in the same year. The first movie theater opened in 1904 and the first scripted Portuguese film was O Rapto de Uma Actriz (1907). The first all-talking sound film, A Severa, was made in 1931. Starting in 1933, with A Canção de Lisboa, the Golden Age would last the next two decades, with films such as O Pátio das Cantigas (1942) and A Menina da Rádio (1944). Aniki-Bóbó (1942), Manoel de Oliveira's first feature film, marked a milestone, with a realist style predating Italian neorealism by a few years. In the 1950s the industry stagnated. The early 1960s saw the birth of the Cinema Novo movement, showing realism in film, in the vein of Italian neorealism and the French New Wave, with films like Dom Roberto (1962) and Os Verdes Anos (1963). The movement became particularly relevant after the Carnation Revolution of 1974. In 1989, João César Monteiro's Recordações da Casa Amarela won the Silver Lion at the Venice Film Festival and in 2009, João Salaviza's Arena won the Short Film Palme d'Or at the Cannes Film Festival. Several other Portuguese films have been in competition for major film awards like the Palme d'Or and the Golden Bear. João Sete Sete (2006) was the first Portuguese animated feature film. Portuguese cinema is significantly supported by the State, with the government's Instituto do Cinema e do Audiovisual giving films financial support.
Cinema of Africa covers both the history and present of the making or screening of films on the African continent, and also refers to the persons involved in this form of audiovisual culture. It dates back to the early 20th century, when film reels were the primary cinematic technology in use. During the colonial era, African life was shown only by the work of white, colonial, Western filmmakers, who depicted Africans in a negative fashion, as exotic "others". As there are more than 50 countries with audiovisual traditions, there is no one single 'African cinema'. Both historically and culturally, there are major regional differences between North African and sub-Saharan cinemas, and between the cinemas of different countries.
Nandita Das is an Indian actress and director. She has acted in over 40 feature films in ten different languages. Das appeared in the films Fire (1996), Earth (1998), Bawandar (2000), Kannathil Muthamittal (2002), Azhagi (2002),Kamli (2006), and Before The Rains (2007). Her directorial debut Firaaq (2008), premiered at the Toronto Film Festival and travelled to more than 50 festivals, winning more than 20 awards. Her second film as a director was Manto (2018). Based on the life of 20th Century Indo-Pakistani short story writer Sadat Hasan Manto, the film was screened at Cannes Film Festival in the "Un Certain Regard" section. In September 2019, Das produced a two-minute Public Service Announcement music video India's Got Colour. The music video is about the issue of colourism and urges the audience to celebrate India's diversity of skin colour. Her first book, 'Manto & I', chronicles her 6-year long journey of making the film. She wrote, directed, produced and acted in a short film called, Listen to Her, that sheds light on the increase in domestic violence and overburden of work that women have been facing during the lockdown. She had also sought petition seeking the commutation of the death sentence handed out to Ajmal Kasab.
Women's cinema primarily describes cinematic works directed by women filmmakers. The works themselves do not have to be stories specifically about women, and the target audience can be varied.
Nadine Labaki is a Lebanese and Canadian actress, director, and activist. Labaki first came into the spotlight as an actress in the early 2000s. Her filmmaking career began in 2007 after the release of her debut film, Caramel, which premiered at the Cannes Film Festival. She is known for demonstrating everyday aspects of Lebanese life and covering a range of political issues such as war, poverty, and feminism. She is the first female Arab director to be nominated for an Oscar in the category for Best Foreign Language Film for her third directorial effort, Capernaum (2018).
Abderrahmane Sissako is a Mauritanian-born Malian film director and producer. His film Waiting for Happiness (Heremakono) was screened at the 2002 Cannes Film Festival official selection under Un Certain Regard, winning a FIPRESCI Prize. His 2006 film Bamako received much attention. Sissako's themes include globalisation, exile and the displacement of people. His 2014 film Timbuktu was selected to compete for the Palme d'Or in the main competition section at the 2014 Cannes Film Festival and nominated for an Academy Award for Best Foreign Language Film.
Aïssa Maïga is a Senegal-born French actress, director, writer, producer, and activist. Maïga has worked with major auteurs like Michael Haneke, Abderrahmane Sissako and Michel Gondry, and recently starred in Chiwetel Ejiofor’s directorial debut.
Wanuri Kahiu is a Kenyan film director, producer, and author. She is considered to be “one of Africa's most aspiring directors, being part of a new, vibrant crop of talents representing contemporary African culture”. She has received several awards and nominations for the films which she directed, including the awards for Best Director, Best Screenplay and Best Picture at the Africa Movie Academy Awards in 2009 for her dramatic feature film From a Whisper. She is also the co-founder of AFROBUBBLEGUM, a media collective dedicated to supporting African art for its own sake.
Maren Ade is a German film director, screenwriter and producer. Ade lives in Berlin, teaching screenwriting at the Film Academy Baden-Württemberg in Ludwigsburg. Together with Janine Jackowski and Jonas Dornbach, she runs the production company Komplizen Film. She is best known for her film Toni Erdmann, which was nominated for an Academy Award.
The 66th Cannes Film Festival took place in Cannes, France, from 15 to 26 May 2013. Steven Spielberg was the Jury President for the main competition. New Zealand film director Jane Campion was the head of the jury for the Cinéfondation and Short Film sections. French actress Audrey Tautou hosted the opening and closing ceremonies. Actress Kim Novak was named guest of honour and introduced a new restored version of Alfred Hitchcock's Vertigo. The festival poster featured the real-life couple and Paul Newman and Joanne Woodward kissing during the shooting of A New Kind of Love.
Chika Anadu is a Nigerian filmmaker best known for the film B for Boy (2013). She has also written and produced several short films. Anadu's films are known for tackling issues of gender discrimination and cultural pressures surrounding tradition in Nigeria.
Juliana Rojas is a Brazilian filmmaker who was born in Campinas, São Paulo. She graduated in Cinema in Escola de Comunicação e Artes da USP where she met fellow Brazilian filmmaker Marco Dutra. This was the beginning of a long partnership between them. In 2004, while still in school, they codirected a short film called Lenço Branco. Their short film was part of a section of the Cannes Film Festival that is dedicated to university films, Cinéfondation. Three years later, in 2007, Um Ramo, another short film directed by Rojas and Dutra, would be nominated to Semaine de la Critique of Cannes Film Festival. In 2011, her first feature film would be premiered in the Festival, in the "Un Certain Regard" section. Her film, Good Manners was nominated in 2017 at the Locarno Film Festival. She has also worked as an editor.
Mati Diop is a French film director and actress. She won the Grand Prix at the 2019 Cannes Film Festival for her feature film debut, the supernatural romantic drama Atlantics, and the Golden Bear at the 2024 Berlin International Film Festival for her second feature film, the documentary Dahomey. As an actress, she is known for the drama film 35 Shots of Rum (2008).
Cinema of Sudan refers to both the history and present of the making or screening of films in cinemas or film festivals, as well as to the persons involved in this form of audiovisual culture of the Sudan and its history from the late nineteenth century onwards. It began with cinematography during the British colonial presence in 1897 and developed along with advances in film technology during the twentieth century.
References
- 1 2 3 4 "Maji-da Abdi". Women Make Movies. Retrieved 9 October 2020.
- 1 2 3 "Maji-da Abdi". Allocine (in French). Retrieved 9 October 2020.
- 1 2 "Maji-da Abdi". Cannes Film Festival . Retrieved 9 October 2020.
- ↑ "African Film Festival Fosters Home-Grown Development Cinema". Voice of America News . 14 April 2010. Retrieved 9 October 2020.
- ↑ Marsaud, Olivia (21 June 2010). "Maji-da Abdi : " Je crois au développement rapide du cinéma éthiopien "". Afrik.com (in French). Retrieved 9 October 2020.