Malcolm Travis | |
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Birth name | Malcolm Winfield Travis |
Born | February 15, 1953 71) Niskayuna, New York, U.S. | (age
Genres | Rock, Punk |
Instrument | Drums |
Years active | 1978 – present |
Malcolm Winfield Travis (born February 15, 1953) is an American drummer from Boston, Massachusetts, best known for his work with Human Sexual Response, [1] the Zulus, Sugar (with Bob Mould and David Barbe), [2] No Man (with Roger Miller), and Kustomized (with Peter Prescott).
Human sexual activity, human sexual practice or human sexual behaviour is the manner in which humans experience and express their sexuality. People engage in a variety of sexual acts, ranging from activities done alone to acts with another person in varying patterns of frequency, for a wide variety of reasons. Sexual activity usually results in sexual arousal and physiological changes in the aroused person, some of which are pronounced while others are more subtle. Sexual activity may also include conduct and activities which are intended to arouse the sexual interest of another or enhance the sex life of another, such as strategies to find or attract partners, or personal interactions between individuals. Sexual activity may follow sexual arousal.
Orgasm or sexual climax is the sudden release of accumulated sexual excitement during the sexual response cycle, characterized by intense sexual pleasure resulting in rhythmic, involuntary muscular contractions in the pelvic region. Orgasms are controlled by the involuntary or autonomic nervous system and experienced by both males and females; the body's response includes muscular spasms, a general euphoric sensation, and, frequently, body movements and vocalizations. The period after orgasm is typically a relaxing experience after the release of the neurohormones oxytocin and prolactin, as well as endorphins.
The Kinsey scale, also called the Heterosexual–Homosexual Rating Scale, is used in research to describe a person's sexual orientation based on one's experience or response at a given time. The scale typically ranges from 0, meaning exclusively heterosexual, to a 6, meaning exclusively homosexual. In both the male and female volumes of the Kinsey Reports, an additional grade, listed as "X", indicated "no socio-sexual contacts or reactions" (asexuality). The reports were first published in Sexual Behavior in the Human Male (1948) by Alfred Kinsey, Wardell Pomeroy, and others, and were also prominent in the complementary work Sexual Behavior in the Human Female (1953).
Jealousy generally refers to the thoughts or feelings of insecurity, fear, and concern over a relative lack of possessions or safety.
Blood Sugar Sex Magik is the fifth studio album by American rock band Red Hot Chili Peppers, released on September 24, 1991, by Warner Bros. Records. Produced by Rick Rubin, its musical style differed notably from the band's previous album Mother's Milk (1989), reducing the use of heavy metal guitar riffs and accentuating the melodic songwriting contributions of guitarist John Frusciante. The album's subject matter incorporates sexual innuendos and references to drugs and death, as well as themes of lust and exuberance.
The Masters and Johnson research team, composed of William H. Masters and Virginia E. Johnson, pioneered research into the nature of human sexual response and the diagnosis and treatment of sexual disorders and dysfunctions from 1957 until the 1990s.
Sugar was an American alternative rock band active in the early 1990s. Formed in 1992, they were led by the singer and guitarist Bob Mould, alongside bassist David Barbe (ex-Mercyland) and drummer Malcolm Travis.
The human sexual response cycle is a four-stage model of physiological responses to sexual stimulation, which, in order of their occurrence, are the excitement, plateau, orgasmic, and resolution phases. This physiological response model was first formulated by William H. Masters and Virginia E. Johnson, in their 1966 book Human Sexual Response. Since that time, other models regarding human sexual response have been formulated by several scholars who have criticized certain inaccuracies in the human sexual response cycle model.
"Let's Do It, Let's Fall in Love" is a popular song written in 1928 by Cole Porter. It was introduced in Porter's first Broadway success, the musical Paris (1928) by French chanteuse Irène Bordoni, for whom Porter had written the musical as a starring vehicle.
Human Sexual Response was an American new wave band formed in Boston in 1978. The band broke up in 1982.
"My Heart Belongs to Daddy" is a song written by Cole Porter for the musical Leave It to Me! which premiered on November 9, 1938. It was originally performed by Mary Martin, who played Dolly Winslow, the young "protégée" of a rich newspaper publisher, her sugar daddy. In the musical, Dolly wears a fur coat while stranded at a Siberian railway station and surrounded by eager men. She performs a striptease and sings to them about how since she has her "daddy", she may still flirt with other men but won't "follow through".
Human sexuality is the way people experience and express themselves sexually. This involves biological, psychological, physical, erotic, emotional, social, or spiritual feelings and behaviors. Because it is a broad term, which has varied with historical contexts over time, it lacks a precise definition. The biological and physical aspects of sexuality largely concern the human reproductive functions, including the human sexual response cycle.
In heterosexual sexual relationships, concepts of age disparity, including what defines an age disparity, have developed over time and vary among societies. Differences in age preferences for mates can stem from partner availability, gender roles, and evolutionary mating strategies, and age preferences in sexual partners may vary cross-culturally. There are also social theories for age differences in relationships as well as suggested reasons for 'alternative' age-hypogamous relationships. Age-disparate relationships have been documented for most of recorded history and have been regarded with a wide range of attitudes dependent on sociocultural norms and legal systems.
Kustomized was an American indie rock band formed by former Mission of Burma and Volcano Suns member Peter Prescott.
Sexual arousal describes the physiological and psychological responses in preparation for sexual intercourse or when exposed to sexual stimuli. A number of physiological responses occur in the body and mind as preparation for sexual intercourse, and continue during intercourse. Male arousal will lead to an erection, and in female arousal, the body's response is engorged sexual tissues such as nipples, clitoris, vaginal walls, and vaginal lubrication.
Slavery in Haiti began at an unknown time with slavery being practiced by the native populations when Europeans first arrived on the island in 1492. Europeans engaged in forced labor of the native population until that community was decimated by disease. To replace the diminished native labor, enslaved Africans began being imported in earnest during the 16th century. By the early 17th century the Saint-Domingue was a slave society with the majority of the population enslaved.
The term international framework of sexual violence refers to the collection of international legal instruments – such as treaties, conventions, protocols, case law, declarations, resolutions and recommendations – developed in the 20th and 21st century to address the problem of sexual violence. The framework seeks to establish and recognise the right all human beings to not experience sexual violence, to prevent sexual violence from being committed wherever possible, to punish perpetrators of sexual violence, and to provide care for victims of sexual violence. The standards set by this framework are intended to be adopted and implemented by governments around the world in order to protect their citizens against sexual violence.
"Need a Little Sugar in My Bowl" is a dirty blues song first recorded in 1931 by Bessie Smith and released by Columbia Records. It was written by Clarence Williams, J. Tim Brymn, and Dally Small. Owing to its sexually suggestive lyrics, it has been rated as one of the best double entendre songs of all time. In 1967, Nina Simone released "I Want a Little Sugar in My Bowl", which referenced lyrics from the original 1931 song.