Malevil is a 1972 science fiction novel by French writer Robert Merle. It was adapted into a 1981 film directed by Christian de Chalonge and starring Michel Serrault, Jacques Dutronc, Jacques Villeret and Jean-Louis Trintignant. [1]
Malevil is a 1972 science fiction novel by French writer Robert Merle. It was adapted into a 1981 film directed by Christian de Chalonge and starring Michel Serrault, Jacques Dutronc, Jacques Villeret and Jean-Louis Trintignant. [1]
The story's events take place in rural France in the late twentieth century. The protagonist is Emmanuel Comte, former school director, now turned farmer and landowner. He is also an owner of a tourist attraction - an old castle called Malevil after the nearby village. Comte is a highly motivated, well-respected person with a talent for diplomacy and leadership.
By chance, Emmanuel and several of his friends find themselves in the wine cellar of the castle during the unexpected outbreak of nuclear war. The survivors find their surroundings reduced to ashes and rubble. Together under the leadership of Emmanuel they start to rebuild. They later discover that other people and animals have survived in nearby farmsteads and villages. Nature begins anew and an agrarian society starts to reform. From time to time more survivors show up, some bringing death and destruction with them.
One of the main challenges of the slowly emerging society is to fend off the threat of a new theocratic dictatorship that has taken over a neighboring village with the assistance of a marauding gang. [2]
Apocalyptic and post-apocalyptic fiction is a subgenre of science fiction in which the Earth's civilization is collapsing or has collapsed. The apocalypse event may be climatic, such as runaway climate change; astronomical, an impact event; destructive, nuclear holocaust or resource depletion; medical, a pandemic, whether natural or human-caused; end time, such as the Last Judgment, Second Coming or Ragnarök; or any other scenario in which the outcome is apocalyptic, such as a zombie apocalypse, AI takeover, technological singularity, dysgenics or alien invasion.
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Portrayals of survivalism, and survivalist themes and elements such as survival retreats have been fictionalised in print, film, and electronic media. This genre was especially influenced by the advent of nuclear weapons, and the potential for societal collapse in light of a Cold War nuclear conflagration.
Christian de Chalonge is a French film director and screenwriter. He directed the 1971 film The Wedding Ring, which starred Anna Karina.
The Count of Monte Cristo is a 1943 French-Italian historical drama film directed by Robert Vernay with Ferruccio Cerio as the supervising director. Based on the classic 1844 novel Le Comte de Monte Cristo by Alexandre Dumas père, this two-part film stars Pierre Richard-Willm in the title role. It was shot at the Cinecittà Studios in Rome and the Cité Elgé in Paris. The film's sets were designed by the art director René Renoux.
Malevil is a 1981 post-apocalyptic French film directed by Christian de Chalonge. It's the adaptation of the 1972 science fiction novel Malevil by Robert Merle.
"Guts" is the second episode of the first season of the post-apocalyptic horror television series The Walking Dead. It originally aired on AMC in the United States on November 7, 2010. The episode was written by Frank Darabont, the creator of the series, and directed by Michelle MacLaren. In the episode, Rick Grimes joins a small group of survivors in an attempt to escape from Atlanta.
"Tell It To The Frogs" is the third episode of the first season of the post-apocalyptic horror television series The Walking Dead. It originally aired on AMC in the United States on November 14, 2010. The episode's teleplay was written by Charles H. Eglee, Jack LoGiudice and Frank Darabont, the creator of the series, from a story by Eglee and LoGiudice. It was directed by Gwyneth Horder-Payton.
Daryl Dixon is a fictional character from AMC's horror drama series The Walking Dead, and the protagonist of its last three seasons, replacing Rick Grimes. The character was created for the television series by writers Frank Darabont, Charles H. Eglee and Jack LoGiudice specifically for Norman Reedus, and does not have a counterpart in the comics on which the series is based. The character was introduced in the first season as a southerner, expert tracker, living in the shadow of his older brother, Merle. Despite his bad temper and volatility, he is tolerated by the core group of survivors due to his skills in hunting animals and fearless efficiency in killing walkers.
Glenn is a fictional character from the comic book series The Walking Dead, in which he is known simply as Glenn. He was portrayed by Steven Yeun in the television series of the same name and voiced by Nick Herman in the video game of the same name.
Merle Dixon is a fictional character from the horror drama television series The Walking Dead, which aired on AMC in the United States. He was created by series developer Frank Darabont and was portrayed by Michael Rooker. The character was first introduced in the first season as a Southern redneck hunter who has a younger brother, Daryl. He is misogynistic and racist, which causes tensions between him and his group of survivors. Following an encounter with series protagonist Rick Grimes, Merle disappears and joins the community of Woodbury, Georgia, where he becomes the right-hand man of The Governor. He becomes caught in the conflict between the Governor and Rick, especially when nobody in Rick's group wants him in the group, except for Daryl.
Shop Girls of Paris or The Ladies' Delight is a 1943 French historical drama film directed by André Cayatte and starring Michel Simon, Albert Préjean and Blanchette Brunoy. It is an adaptation of the 1883 novel Au Bonheur des Dames by Émile Zola.
In Merle's MaleviI, following the holocaust of nuclear chain-reactions, the rationalistic communal life of Malevil castle under the direction of Emmanuel Comte comes into conflict with an oppressive theocracy imposed on a neighboring village by the hypocritical false priest Fulbert le Naud. The ensuing struggle for supremacy not only validates the humanism of Malevil's system, but also indirectly validates the need for technology, since the struggle convinces the inhabitants of Malevil that they must begin research into the reinvention of weapons in order to protect their interests and values—despite their acute awareness of what the technology of weaponry can ultimately lead to.
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