Malhar Ragang and all other ragas falling under this category are ragas in the Hindustani Classical music. [1] Ragang refers to a family of ragas sharing a common melodic kernel. Other similar raga families are the Sarang family and the Kanada family. The Malhar ragas are generally sung in the Rainy season. The word Malhar is associated with torrential rains. [2] [3]
The unique phrase that categorises the Malhar family from others is m (m)R (m)R P, this is the Malhar signature phrase. [4]
According to legends, Malhar is so powerful that when sung, it can induce rainfall. [5] Many written accounts describe the Raga Malhar. Tansen, Baiju Bawra, Baba Ramdas, Nayak Charju, Miyan Bakhshu, Tanta rang, Tantras Khan, Bilas Khan (son of Tansen), Hammer Sen, Surat Sen, and Meera Bai are some of those said to be capable of starting rains using various kinds of raga Malhar. [6]
It is said that raga Miyan ki Malhar was created by Miyan Tansen.
Following is the list of the ragas in the Malhar Family :
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Ashwini Bhide-Deshpande is a Hindustani classical music vocalist from Mumbai. She belongs to the Jaipur-Atrauli gharana tradition.
"Malhar" is a Hindustani classical raga. Malhar is associated with torrential rains.
Begum Parveen Sultana is an Indian Hindustani classical singer of the Patiala Gharana. She was awarded the Padma Shri in 1976 and the Padma Bhushan in 2014 by the Government of India and the Sangeet Natak Akademi Award by the Sangeet Natak Akademi in 1998.
Bilaval or Bilawal is a raga and the basis for the eponymous thaat in Hindustani classical music. Raga Bilaval is named after Veraval, Gujarat.
Darbari Kanada, or simply Raga Darbari,, is a raga in Carnatic music. It is believed to be borrowed into Hindustani classical music by Miyan Tansen, the famous 16th-century composer in emperor Akbar's court. It belongs to the Kanada family. This tradition is reflected in the name itself; Darbar is the Persian derived word in Hindi meaning "court." As the most familiar raga in the Kanada family, it may sometimes also be called Shuddha Kanada or pure Kanada. It belongs to the Asavari thaat. This raag is called raaga Kaanada in Yakshagana Karnataka state dance
Alhaiya Bilaval is a Hindustani classical raga. It is the most commonly performed raga of a large group of ragas that are mainly based on a scale more or less identical to the Western major scale. For this reason, that scale itself is known as the Bilaval Thaat. It is often simply referred to as Bilaval, although in the 17th century Alhaiya and Bilaval may have been separate ragas. Alhaiya Bilaval is a raga in which M is the main key.
Brindavani Sarang or Brindabani Sarang, also known as raga Sarang, is a Hindustani classical raga. It is also called Vridavani Sarang. This raga falls under the category of Sarang ragas.
The Jaipur-Atrauli Gharana is an Hindustani music apprenticeship fraternity (gharana), founded by Alladiya Khan in the late-19th century. Evolved from the dhrupad tradition, but known for khayal, this gharana is known for producing acclaimed musicians like Kesarbai Kerkar, Laxmibai Jadhav, Mogubai Kurdikar, Mallikarjun Mansur, Shruti Sadolikar, Dhondutai Kulkarni Consequently, this gharana developed a reputation for its distinctive vocal aesthetics, raga repertoire, and technical aptitude.
Megh Malhar is a Hindustani classical raga. The name derives from the Sanskrit word Megh, meaning cloud. Legends say that this raga has the power to bring out rains in the area where it is sung. Megh Malhar is similar to raga Megh with a tint of Malhar in it.
Megh is a Hindustani classical raga. The meaning of megh in Sanskrit is 'cloud'. Hence this raga is mostly sung or played in the monsoon season. Another raga which describes rain is raga Malhar. These two ragas were merged and a new raga developed, raga Megh Malhar. The Carnatic music equivalent of this raga is Madhyamavati.
Miyan ki Todi, often simply referred to as Todi or Darbari Todi, is a Hindustani classical raga which gave its name to the Todi thaat, one of the ten types of classical music according to the musicologist Bhatkhande. Ragas from the Todi raganga include Todi itself, Bilaskhani Todi, Gujari Todi, Desi Todi, Hussaini Todi, Asavari Todi, and Bahaduri Todi.
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Yaman is a heptatonic (Sampurna) Indian classical raga of Kalyan Thaat.
Raga Kedar, also known as Kedara, is a Hindustani classical raga. Named after Lord Shiva, the raga occupies a high pedestal in Indian classical music. It is characterised by many melodious turns. This raga is the repetition of the swaras सा and म. It is generally accepted that it displays much thermal energy and is regarded as the Raagini of Raag Deepak. While preceding from Shuddha Madhyam (m) to Pancham (P), a touch of Gandhar (G) or a smooth passage from Gandhar (G) to Pancham (P) expressed as m G P is the more common way of instant raga manifestation.
Kalyan is one of the ten basic thaats of Hindustani music from the Indian subcontinent. It is also the name of a raga within this thaat.
Gaud Sarang is a raga in Hindustani classical music that combines characteristics of Sarang and the now extinct raga named Gaud. Unlike most other members of the Sarang family of ragas, Gaud Sarang is assigned to the Kalyan thaat rather than the usual Kafi.
Sarang ragangHindustani pronunciation: [ˈsärəŋg ˈrägäŋg], and all other ragas falling under this category are ragas in the Hindustani Classical music. Ragang refers to a family of ragas, sharing a common melodic kernel. Other similar raga families are the Malhar family and the Kanada family. The Sarang ragas are sung in the time period of early afternoon. This includes many ragas originating from folk music and songs. The Sarang raga and all other ragas falling under in this type depict the scenes of the Indian historic past events, e.g. raga Brindabani Sarang depicting Vrindavan village or Lankadahan Sarang depicting Lord Hanuman singing this raga while burning Lanka with his tail, etc.